Science Fiction And Space Futures

Why should we go to space? To learn more about the universe and our place in it? To extract resources and conduct commerce? To demonstrate national primacy and technological prowess? To live and thrive in radically different kinds of human communities? Visions, Ventures, Escape Velocities takes on the challenge of imagining new stories at the intersection of public and private--narratives that use the economic and social history of exploration, as well as current technical and scientific research, to inform scenarios for the future of the New Space era. Visions, Ventures, Escape Velocities provides fresh insights into human activity in Low Earth Orbit, journeys to Mars, capturing and mining asteroids, and exploring strange and uncharted exoplanets. Its stories and essays imagine human expansion into space as a kind of domestication--not in the sense of taming nature but in the sense of creating a space for dwelling, a venue for human life and curiosity to unfurl in all their weirdness and complexity.

This book interrogates the relations between nostalgias of today and past utopias in the context of the space age of the 20th century and its cinematic representations in the USSR and in post-Soviet Russia. Once an enthusiastic projection, then a promising and uncanny present, and eventually an assemblage of nostalgic signifiers, in the history of world cinema, this space age has been linked primarily to the genre of science fiction. Here, aspects of the space age such as humanity’s imminent expansion to space, interplanetary travel, contact with extraterrestrial intelligence, and intergalactic governance and economy were both celebrated and critically interrogated as cosmopolitan ideals and nation-branding strategies. This book presents the contemporary relevance of this genre as heritage and legacy, archive and canon, and a nest of forgotten ideals and warnings, as well as nostalgic anchoring points. The author analyzes over 30 Soviet science fiction films, foregrounding their structures of utopia and their evolution over time, in order to trace both their transnational positionalities, transmedial resonance, and impact on post-Soviet Russian films about the space age. Concepts, crucial to the understanding of space futures of the past, such as utopianism, otherness, liminality, and no(w)stalgia are activated to draw out the fictional tenants of the memory of the Soviet space age, and to establish the limits and potentialities of Soviet (exra)terraformative ambitions.

This is a critical time for the space program, and for all of us. Even the significant steps that we have taken since the dawn of the space age in 1957, including orbital flight, the Moon landings, and orbiting space stations, will in retrospect seem to be tiny steps compared to what lies ahead. Migrating into space will challenge us beyond anything we have previously accomplished, and we are destined to face adventures that are both fantastically breathtaking and supremely dangerous. "Beyond Earth" is for everyone interested in humankind's next great adventure -- the human settlement of the Solar System. A unique collection of world-class scholars, scientists, engineers, managers, astronauts, artists, authors, and professors examine the key questions of our unique circumstance at the dawn of a new era in space exploration and development: Why does space matter to us? What can we use it for? How can we get there efficiently? What will ordinary life be like in space? What will our homes be like on the Moon? On Mars? In orbit? Will we play? Will we love? The book does not stop with questions. It goes beyond the dramatic, the superficial, and the overly technical to the prescriptive, literally laying the brick and mortar for our future space faring civilisation. Contributing authors come from both hard and soft sciences; include education and the arts; and ask children, who will be the future space dwellers, for their visions. They document needed research. There are three underlying assumptions driving this book: First, that the human urge for flight, exploration and survival, plus its curiosity about the universe, are deeply embedded in our genes and in our minds; Second, that even if these urges were ignored, the continual improvement of the quality of life for the human race on earth, and perhaps even its ultimate survival, hinge on the successes of human exploration and habitation of space; and, Third that our generation can use the opportunity presented by outwards expansion to design a rewarding and exciting future of collaboration to capitalise on the lessons learned from human history on Earth.

Take a bunch of science fiction writers, scientists, humanists and artists, and throw them into a room. Give them a whiteboard, a pile of sandwiches and a pot of coffee. Let's see what happens. Ken MacLeod, Pippa Goldschmidt , Laura Lam, Beth Biller , Russell Jones, Alastair Bruce, Colin McInnes and more...

Collection of five hard science fiction novellas, all set at least ten thousand years in the future that confront the issues of cosmology, astronomy, evolution, and biology.

Astrofuturism: Science, Race, and Visions of Utopia in Space is the first full-scale analysis of an aesthetic, scientific, and political movement that sought the amelioration of racial difference and social antagonisms through the conquest of space. Drawing on the popular science writing and science fiction of an eclectic group of scientists, engineers, and popular writers, De Witt Douglas Kilgore investigates how the American tradition of technological utopianism responded to the political upheavals of the twentieth century. Founded in the imperial politics and utopian schemes of the nineteenth century, astrofuturism envisions outer space as an endless frontier that offers solutions to the economic and political problems that dominate the modern world. Its advocates use the conventions of technological and scientific conquest to consolidate or challenge the racial and gender hierarchies codified in narratives of exploration. Because the icon of space carries both the imperatives of an imperial past and the democratic hopes of its erstwhile subjects, its study exposes the ideals and contradictions endemic to American culture. Kilgore argues that in the decades following the Second World War the subject of race became the most potent signifier of political crisis for the predominantly white and male ranks of astrofuturism. In response to criticism inspired by the civil rights movement and the new left, astrofuturists imagined space frontiers that could extend the reach of the human species and heal its historical wounds. Their work both replicated dominant social presuppositions and supplied the resources necessary for the critical utopian projects that emerged from the antiracist, socialist, and feminist movements of the twentieth century. This survey of diverse bodies of literature conveys the dramatic and creative syntheses that astrofuturism envisions between people and machines, social imperatives and political hope, physical knowledge and technological power. Bringing American studies, utopian literature, popular conceptions of race and gender, and the cultural study of science and technology into dialogue, Astrofuturism will provide scholars of American culture, fans of science fiction, and readers of science writing with fresh perspectives on both canonical and cutting-edge astrofuturist visions.