Science Fiction Studies

Academic attention to science fiction and fantasy began in 1958, when the Modern Language Association scheduled its first seminar on science fiction at its New York meeting. Over the years science fiction emerged as a popular subject that achieved critical attention and acceptance as an academic discipline. A Research Guide to Science Fiction Studies, originally published in 1977, is designed to provide the reader – whether they be scholar, teacher, librarian, or fan – with a comprehensive listing of the important research tools that have been published in the United States and England through 1976. The volume contains over 400 selected, annotated entries covering both general and specialized sources, including general surveys, histories, genre studies, author studies, bibliographies, and indices, which span the entire range of science fiction and fantasy scholarship.

Visions of the American city in post-apocalyptic ruin permeate literary and popular fiction, across print, visual, audio and digital media. American Cities in Post-Apocalyptic Science Fiction explores the prevalence of these representations in American culture, drawing from a wide range of primary and critical works from the early-twentieth century to today. Beginning with science fiction in literary magazines, before taking in radio dramas, film, video games and expansive transmedia franchises, Robert Yeates argues that post-apocalyptic representations of the American city are uniquely suited for explorations of contemporary urban issues. Examining how the post-apocalyptic American city has been repeatedly adapted and repurposed to new and developing media over the last century, this book reveals that the content and form of such texts work together to create vivid and immersive fictional spaces in ways that would otherwise not be possible. Chapters present media-specific analyses of these texts, situating them within their historical contexts and the broader history of representations of urban ruins in American fiction. Original in its scope and cross-media approach, American Cities in Post-Apocalyptic Science Fiction both illuminates little-studied texts and provides provocative new readings of familiar works such as Blade Runner and The Walking Dead, placing them within the larger historical context of imaginings of the American city in ruins.

In Locating Science Fiction, Andrew Milner looks at science fiction within the context of a host of other genres—including fantasy, romance, and the thriller—and explores the historical and geographic contexts of science fiction's emergence and development. Bringing in Raymond Williams's cultural materialism, Pierre Bourdieu's sociology of culture, and Franco Moretti's application of world systems to literary studies, he offers a persuasive, synthetic, and ultimately new mode of science fiction analysis that will become essential reading.

This book traces the roots of Arabic science fiction through classical and medieval Arabic literature, undertaking close readings of formative texts of Arabic science fiction via a critical framework developed from the work of Western critics of Western science fiction, Arab critics of Arabic science fiction and postcolonial theorists of literature. Ian Campbell investigates the ways in which Arabic science fiction engages with a theoretical concept he terms “double estrangement” wherein these texts provide social or political criticism through estrangement and simultaneously critique their own societies’ inability or refusal to engage in the sort of modernization that would lead the Arab world back to leadership in science and technology.

The psychologist may appear in science fiction as the herald of utopia or dystopia; literary studies have used psychoanalytic theories to interpret science fiction; and psychology has employed science fiction as an educational medium. Science Fiction and Psychology goes beyond such incidental observations and engagements to offer an in-depth exploration of science fiction literature's varied use of psychological discourses, beginning at the birth of modern psychology in the late nineteenth century and concluding with the ascendance of neuroscience in the late twentieth century. Rather than dwelling on psychoanalytic readings, this literary investigation combines with history of psychology to offer attentive textual readings that explore five key psychological schools: evolutionary psychology, psychoanalysis, behaviourism, existential-humanism, and cognitivism. The varied functions of psychological discourses in science fiction are explored, whether to popularise and prophesy, to imagine utopia or dystopia, to estrange our everyday reality, to comment on science fiction itself, or to abet (or resist) the spread of psychological wisdom. Science Fiction and Psychology also considers how psychology itself has made use of science fiction in order to teach, to secure legitimacy as a discipline, and to comment on the present.