Scotland The Movie

'A gripping tale of tropical corruption' Spectator 'A genuine imaginative achievement' Daily Telegraph 'As convincing and terrifying a portrait of a capricious tyrant as I have ever read' Evening Standard In an incredible twist of fate, a Scottish doctor on a Ugandan medical mission becomes irreversibly entangled with one of the world's most barbaric figures: Idi Amin. Impressed by Dr. Garrigan's brazen attitude in a moment of crisis, the newly self-appointed Ugandan President Amin hand picks him as his personal physician and closest confidante. Though Garrigan is at first flattered and fascinated by his new position, he soon awakens to Amin's savagery - and his own complicity in it. Horror and betrayal ensue as Garrigan tries to right his wrongs and escape Uganda alive.

Comprehensive account of film in Scotland taking a unique and entertaining look at a nation's erratic relationship with the movies.

Inhaltsangabe:Abstract: At Glasgow s University Library I discovered a book about Scotland on film, Scotch Reels. Originally, Scotch Reels is the title of a research carried out in 1982 about the depiction of Scotland on screen. It was revealed then that the predominant image of Scotland was very much engaged with stereotypes (defined as the heather and haggis image by one of the book s critics) and had obviously nothing to do with the contemporary reality of Scotland. Not surprisingly, that radical view has found a lot of stern critics. On superficial examination, when I think of all the recent films set in Scotland (ranging from the historical epos Braveheart to the contemporary fast-paced drug story Trainspotting, to mention two of the more popular examples), it seems to me that contemporary films set in Scotland show a wider spectrum of Scottish life than they apparently did before the 1980s, when the stories were mostly (with a few exceptions only) set in the Highlands or on an island, in a community far away from contemporary (modern and industrial) life. As a classic example of those films one can mention the musical Brigadoon by Vicente Minnelli from the year 1954. However, in my thesis I want to concentrate on films set in the City of Glasgow, since there would be far too much material concerned if I considered every single available recent film set in Scotland. I would like to find out whether the image of Glasgow has improved (or widened in its conception) through the release of recent films, compared to its depiction in older movies. As I could not analyse all recent feature films set in Glasgow in this context, I decided to concentrate on a few examples. By taking a closer look at these films I hope to be able to demonstrate how varied (or one-sided as will be determined) the contemporary portrayal of the city is. I do not want to omit mentioning my awareness of the fact that my selection is very subjective. Had I selected other movies, the result would naturally have been a different one. Also, I have not taken into account television films or series set in the Glasgow area. Especially in recent years a whole range of series has been produced and broadcasted, for instance the surreal hospital-drama Psychos, starring Douglas Henshall, the controversial Tinsel Town, set in Glasgow s lively clubbing scene, or Glasgow Kiss, which portrays the city as a modern, airy place, inhabited by sympathetic, educated middle-class people [...]

Scotland, its people and its history have long been a source of considerable fascination and inspiration for filmmakers, film scholars and film audiences worldwide. A significant number of critically acclaimed films made in the last twenty-five years have ignited passionate conversations and debates about Scottish national cinema. Its historical, industrial and cultural complexities and contradictions have made it all the more a focus of attention and interest for both popular audiences and scholarly critics. Directory of World Cinema: Scotland provides an introduction to many of Scottish cinema’s most important and influential themes and issues, films and filmmakers, while adding to the ongoing discussion concerning how to make sense of Scotland’s cinematic traditions and contributions. Chapters on filmmakers range from Murray Grigor to Ken Loach, and Gaelic filmmaking, radical and engaged cinema, production, finance and documentary are just a few of the topics explored. Film reviews range from popular box office hits such as Braveheart, and Trainspotting to lesser known but equally engaging independent and lower budget productions, such as Shell and Orphans. This book is both a stimulating and accessible resource for a wide range of readers interested in Scottish film.

Scotland: Global Cinema focuses on the explosion of filmmaking in Scotland in the 1990s and 2000s. It explores the various cinematic fantasies of Scotland created by contemporary filmmakers from all over the world who braved the weather to shoot in Scotla

Detailed and timely information on accommodations, restaurants, and local attractions highlight these updated travel guides, which feature all-new covers, a two-color interior design, symbols to indicate budget options, must-see ratings, multi-day itineraries, Smart Travel Tips, helpful bulleted maps, tips on transportation, guidelines for shopping excursions, and other valuable features. Original.

Includes information on hotels, inns, and castles, restaurants, drives and walks, exploring abbeys and castles, fishing and golf, and provides essays on Scotland's history, literature, and clans

This beautifully illustrated guide reveals the cities, towns and windswept landscapes that have formed the backdrop to some of Scotland's most famous films. Colour photographs and detailed descriptions of each location allow you to follow in the footsteps of some of cinemas most famous characters. Among the films covered in the book are Gregory's Girl, the Harry Potter films, Monty Python and the Holy Grail, One Day, The Prime of Miss Jean Brodie, Rob Roy, Shallow Grave, Trainspotting and The Wicker Man. TV series include Taggart, Outlander and Game of Thrones. Scotland Film Locations takes in some of the most popular and beautiful sites in Scotland, from the streets of Edinburgh and the famous train journey over Glenfinnan Viaduct that inspired Harry Potter to Doune Castle, which featured in Game of Thrones, and the Isle of Skye, which formed a backdrop to The BFG and Macbeth. With this indispensable guide you will be able to step into some of your favourite films and discover the locations that created movie magic.