Scott 2020 Standard Catalog Volume 1

Shows stamps from around the world and lists their current values

The Scott Catalogue of postage stamps, published by Scott Publishing Co, is updated annually and lists all the stamps of the entire world which its editors recognize as issued for postal purposes. It is published in eight large volumes that include six volumes containing all the countries of the world that have ever issued postage stamps, the United States Specialized Catalog, and the 1840-1940 Classic Specialized Catalogue (covering the world for the first 100 years that stamps were issued). The numbering system used by Scott to identify stamps is dominant among stamp collectors in the United States, Canada and Mexico. The Scott Catalogues is the leader in the stamp market and a must for all collectors and researchers.

Many important editorial changes enhance the '2016 Scott specialized catalogue of United States stamps and covers'.

National Book Award Finalist: “This man’s ideas may be the most influential, not to say controversial, of the second half of the twentieth century.”—Columbus Dispatch At the heart of this classic, seminal book is Julian Jaynes's still-controversial thesis that human consciousness did not begin far back in animal evolution but instead is a learned process that came about only three thousand years ago and is still developing. The implications of this revolutionary scientific paradigm extend into virtually every aspect of our psychology, our history and culture, our religion—and indeed our future. “Don’t be put off by the academic title of Julian Jaynes’s The Origin of Consciousness in the Breakdown of the Bicameral Mind. Its prose is always lucid and often lyrical…he unfolds his case with the utmost intellectual rigor.”—The New York Times “When Julian Jaynes . . . speculates that until late in the twentieth millennium BC men had no consciousness but were automatically obeying the voices of the gods, we are astounded but compelled to follow this remarkable thesis.”—John Updike, The New Yorker “He is as startling as Freud was in The Interpretation of Dreams, and Jaynes is equally as adept at forcing a new view of known human behavior.”—American Journal of Psychiatry

“One of the most profound and illuminating studies of this century to have been published in recent decades.”—John Gray, New York Times Book Review Hailed as “a magisterial critique of top-down social planning” by the New York Times, this essential work analyzes disasters from Russia to Tanzania to uncover why states so often fail—sometimes catastrophically—in grand efforts to engineer their society or their environment, and uncovers the conditions common to all such planning disasters. “Beautifully written, this book calls into sharp relief the nature of the world we now inhabit.”—New Yorker “A tour de force.”— Charles Tilly, Columbia University

"Includes new stamp listings through the February 2018 Linn's stamp news monthly catalogue update."

Eddy is an ambitious teenager. He attends one of the most prestigious boy’s colleges on the island and has big dreams. The only problem is that he lives on the Beetham, and to be from the Beetham in Trinidad society means that you would always be considered the lowest of the low, no matter what you do. The stigma of crime, drugs, violence and poverty would always be associated with people from that area. Being the best friend of the son of one of the richest and most influential men in the business world certainly does not help. The two are like brothers until Brian almost loses his life and the hand of money hungry kidnappers. Brian’s mother Sally tries desperately to salvage a marriage that is already beyond repair. Her husband’s infidelity is not as frightening to her as the thought of her becoming a divorcee. Matt defines who she is in the world and without her identity as his wife, life could become unbearable. However she slowly discovers that infidelity has its own vicious consequences. Jesse Guevara is the eldest of five and the daughter of simple Santa Cruz Valley farmers. She is smart and beautiful and her teachers at St. Joseph’s Convent believe that she will be able to get a scholarship. Lisa is her best friend and although faced with the challenge of living with an alcoholic replacement for her father, never loses her joie de vivre. Jesse, Brian, Eddy and Lisa are all from different backgrounds and different socioeconomic status. However, when the lives of these four young people and their families collide through circumstance, their vulnerability is revealed and their secrets exposed. Each of them discovers that there is something they hold dear to their hearts. Something that once stolen can never be replaced.

A literary thriller about an infamous desert art installation, the cult it inspired, and the search for a missing young woman that is “cinematic . . . readers will be compelled to start again at page one to discover how O’Connor pieces together his suspenseful, incredibly well–written narrative” (Library Journal, starred review). Los Angeles, the late 1970s: Jess Shepard is an installation artist who creates environments that focus on light and space, often leading to intense sensory experiences for visitors to her work. A run of critically lauded projects peaks with Zero Zone, an installation at the once upon a time site of nuclear bomb testing in the New Mexico desert. But when a small group of travelers experience what they perceive as a religious awakening inside Zero Zone, they barricade themselves in the installation until authorities are forced to intervene. That violent showdown becomes a media sensation, and its aftermath follows Jess wherever she goes. Devastated by the attack and the distortion of her art, Jess retreats from the world. Unable to work, Jess unravels mentally and emotionally, plagued by a nagging uncertainty as to her culpability for what happened. Three years later, a survivor from Zero Zone comes looking for Jess, who must move past her self imposed isolation to face down her fears and recover her art and possibly her life from a violent cult intent of making it their own.