Scottish Classical Guitar Collection

Scottish Romantic Guitar is a collection of intermediate and advanced pieces for classical guitar by leading composers of the 19th century, inspired by Scotland. While these pieces have previously been available from different sources, they are compiled here for the first time, in corrected editions, in one convenient volume. Highlights include, Mauro Giuliani’s beautiful settings of six favourite Scottish songs; Fernando Sor’s masterful ‘Variations on Ye Banks and Braes’ and Johan Kaspar Mertz’s dramatic evocation of the landscape of the Outer Hebrides, ‘Fingal’s Cave.’ This collection offers the guitarist a unique source of unfamiliar yet accessible repertoire that is both challenging and rewarding to play and which will appeal to any audience.

A beautiful selection of romantic classical guitar music for the intermediate to advanced guitarist.

A collection of some of the most well known songs from Scotland arranged for guitar by internationally renowned Scottish guitarist James Akers. Each song is offered at beginner, intermediate and advanced levels. The songs included in this book of Scottish folk songs are as follows: Ae Fond Kiss Ca' the Yowes Comin' Thro' the Rye Green Grow the Rashes I Once Loved a Lass My Love is Like a Red, Red Rose Neil Gow's Lament for the Death of his Second Wife The Bluebells of Scotland Flowers o' the Forest The Skye Boat Song Wild Mountain Thyme Ye Bank and Braes o' Bonnie Doon All songs are notated in both music and guitar TAB notation; if you cannot read music, you can still play all of the songs offered in this book. The advanced arrangements have been arranged in a style based around the work of contemporary folk guitarists like Tony McManus, Stephen Wake and Ian Melrose. In this style, traditional melodies are combined with elements from other genres. To complement this title, a special free download has been created which includes a PDF of all the chords (in full color) and the lyrics for the beginner versions. Details on how to get the download are within the book. Without doubt, James Akers has created a book of music that can be used by an individual guitar player on their own or with a guitar teacher from beginner to advanced. If you love Scotland, and you love guitar, then this is the book for you.

CHRISTMAS CAROLS FOR GUITAR Graded arrangements of 12 all time favorite Christmas songs for acoustic, fingerstyle and classical guitar players. A collection of twelve of arguably the most well known Christmas carols and holiday season songs beautifully arranged for guitar by guitarist James Akers. Each of the 12 songs are offered at beginner, intermediate and advanced technical versions. For beginners, start with the easy version of the song, then build up to the more complex versions which are all found in one book. This publication would also be an excellent resource for guitar teachers looking for potential material for students around Christmas time. All songs are notated in both music and guitar TAB for non music readers. All advanced versions of the song come with QR codes for watching a video performance of each song. THE TWELVE SONGS INCLUDED ARE: Auld Lang Syne Away in a Manger Ding Dong Merrily on High God Rest Ye Merry Gentlemen Good King Wenceslas In Dulci Jubilo Jingle Bells O Christmas Tree Silent Night The Twelve Days of Christmas We Three Kings of Orient Are We Wish You a Merry Christmas FREE DOWNLOAD OF EXTRA MATERIAL A link is included within the book to download free extra material which accompanies the publication. Contents of the free download are: mp3 versions of all advanced versions of the Christmas carol guitar arrangements for you to listen to before practice. mp3 accompanying tracks for the beginner versions of the Christmas carols for play along. A PDF book which details all the chords used in the beginner guitar chord arrangements offered in chord diagram format for easy understanding.

CHRISTMAS CAROLS FOR GUITAR 2 The second book in the series of graded arrangements of 12 all time favorite Christmas songs for acoustic, fingerstyle and classical guitar players. A further collection of twelve of the most well known and loved Christmas carols and holiday season songs beautifully arranged for guitar by guitarist James Akers. Each of the 12 songs are offered at beginner, intermediate and advanced technical versions. For beginners, start with the easy version of the song, then build up to the more complex versions which are all found in this book. This publication would also be an excellent resource for guitar teachers looking for potential material for students around Christmas time. This book offers All songs are notated in both music and guitar TAB for non music readers. All advanced versions of the song come with QR codes for watching a video performance of each song. THE TWELVE SONGS INCLUDED ARE: Deck the Halls Hark the Herald Angels Sing I Saw Three Ships In the Bleak Midwinter Joy To The World O Come All Ye Faithful O Little Town Of Bethlehem Once In Royal David's City The Coventry Carol The First Nowell The Holly and The Ivy While Shepherds Watched Their Flocks Plus a bonus mystery song! FREE DOWNLOAD OF EXTRA MATERIAL A link is included within the book to download free extra material which accompanies the publication. Contents of the free download are: mp3 versions of all advanced versions of the Christmas carol guitar arrangements for you to listen to before practice. mp3 accompanying tracks for the beginner versions of the Christmas carols for play along. A PDF book which details all the chords used in the beginner guitar chord arrangements offered in chord diagram format for easy understanding.

In this unique collection, multi-instrumentalist Rob MacKillop presents 30 airs and dances from Scotland, Ireland and England transcribed for the modern guitar in open-D tuning (DADF♯AD). Although conceived for fingerstyle playing, most of these traditional, Classical and Baroque pieces are also playable with a pick. During the mid to late 18th century, a wire-strung instrument which could be described as a cross between a guitar and a cittern appeared in Britain. With the exception of the publications in Edinburgh by Robert Bremmer (c. 1713 – 89), most period writings refer to this instrument as the guittar. In providing extensive historical and performance notes on this music, the author has adopted this spelling. While derived principally from the publications by Scottish guittarists Robert Bremmer and James Oswald (1710 – 69), MacKillop discovered additional Scottish publications and manuscripts in The National Library of Scotland and even more manuscripts in the uncatalogued library of Blair Castle in Perthshire, Scotland. Written in standard notation and tablature, this book brings a particularly uncommon repertoire to light with an exceptional downloadable recording. Includes access to online audio.

Many great Scottish traditional tunes can be traced back to 17th century lute music. In this collection, multi-instrumentalist Rob MacKillop has transcribed and arranged 25 popular tunes derived from various lute manuscripts. While idiomatic to the guitar, some of these arrangements include fast runs and chord changes, so are best suited to the intermediate-level flatpicking guitarist. This guitar collection consists of the same melodies in the same keys found in its mandolin counterpart, Tunes From 17th Century Scotland Arranged for Mandolin (Mel Bay Publications). In both books, suggested chords are provided wherever appropriate. Consequently, the settings work fine as either mandolin/violin and guitar duets, or as solos for either instrument. Until now, most of these appealing dance tunes and airs have not been available as guitar arrangements. Here, except for two tunes in drop-D tuning, all are in standard guitar tuning. With MacKillop’s spirited online recording, generous performance notes and standard notation and tablature for each selection, get ready to explore a wonderful new take on an old repertoire! Includes access to online audio.

In this book, guitarist and music historian David Grimes presents 20 “small sonatas” or sonatinas, complete with detailed performance notes and bio sketches of each of the contributing composers: Leonhard von Call, Matteo Carcassi, Ferdinando Carulli, Mauro Giuliani, Francesco Molino, and Antonio Nava. While flexible, the early 19th-century sonatina form usually consists of 2 - 4 contrasting movements, here in guitar-friendly keys, making these pieces ideal for performance by intermediate-level students. In all but the most challenging passages, Grimes has intentionally kept fingering to a minimum to allow students to form their own concept of this critical skill. Then, as many bass notes in these pieces are played on open strings, the player must develop a sense of when to selectively damp dissonant tones or observe a rest— exposing and overcoming yet another shortcoming in the education of many guitarists. Most classic guitar teachers are familiar with the easy didactic studies by Carcassi, Carulli and Giuliani; Favorite Sonatinas offers more highly developed, but not yet virtuoso pieces by the same Italian triumvirate— plus three more composers in a similar vein— promoting confident, enjoyable sight-reading by guitarists of all levels.