Screening Children In Post Apocalypse Film And Television

This collection examines the child's role in contemporary post-apocalyptic films and television.. By exploring the function of child characters within a dystopian framework, this volume illustrates how traditional notions of childhood are tethered to sites of adult conflict and disaster, a connection that often works to reaffirm the "rightness" of past systems of social order.

This collection examines the representation of children in contemporary apocalyptic films and television, arguing that they inhabit conflicting roles as either harbingers of disaster or symbols of survival and hope.

This collection explores and interrogates the complex role of the child character in the dystopian landscape of post-apocalyptic cinema, including classic, recent, and international films, approached from a variety of theoretical, methodological, and cultural perspectives.

Written by international experts from a range of disciplines, these essays examine the uniquely British contribution to science fiction film and television. Viewing British SF as a cultural phenomenon that challenges straightforward definitions of genre, nationhood, authorship and media, the editors provide a conceptual introduction placing the essays within their critical context. Essay topics include Hammer science fiction films, the various incarnations of Doctor Who, Stanley Kubrick’s A Clockwork Orange, and such 21st-century productions as 28 Days Later and Torchwood.

This volume was first published by Inter-Disciplinary Press in 2013. A Critical Approach to the Apocalypse offers the reader an in-depth view of the portrayal of apocalyptic and post-apocalyptic scenarios in literature, film and television, art, digital art, history, anthropology, religion and climate change studies.

The apocalypse’s triumph is witnessed in the arts, literature, music, film, TV, and digital media thereby enabling us to view the very essence of Apocalypse as a cultural phenomenon.

This book provides an up-to-date, in-depth survey of 21st-century Spanish horror film and media, exploring both aesthetics and industrial dynamics. It offers detailed analysis of contemporary films and TV series as well as novel approaches to key works within the history of Spanish cinema. While addressing the specificities of the Spanish landscape, this volume also situates the national cinematic output within the international arena, understanding film production and reception as continuously changing processes in which a variety of economic, social and cultural factors intervene. The book first analyzes the main horror trends emerging in the early 2000s, then approaches genre hybridization and the rise of new filmmakers since the 2010s with a special focus on gender issues and the reconfiguration of the past, before addressing the impact of streaming services within the Spanish film panorama, from a production and distribution standpoint. This book will be of keen interest to scholars and students in the areas of film studies, media studies, TV studies, horror, Spanish cultural studies and production studies.