Sculpture In Stone

Art teachers, students, and ambitious amateurs all will value this copiously illustrated volume. It presents both a general overview of sculpture and a practical guide to working in stone. All important stone-working equipment and tools are shown, from compass and calipers to chisels, mallets, saws, sanders, and drills. Examples of finished pieces are shown from all over the world, and cover many historical eras, including statues and relief carvings from ancient Egypt and the Orient, marble masterpieces from the Italian Renaissance, and abstract figures from the modern era. Different types of stone are shown and described, including alabaster, most often used in small-scale pieces, as well as sandstone, granite, and marble. Practical instruction includes methods of measuring and copying in stone from a clay model. Step-by-step photo essays show several different contemporary works in progress, starting with a rough stone slab and progressing to completion and installation of a finished sculpture. Examples range in scale from small figurines to public monuments. Hundreds of full-color photos show the artist's studio, the processes of stone working, and magnificent examples of world famous artworks in stone. Other informative features include a six-page glossary of stone-working terms and a brief bibliography. Here is a fine reference volume for artists and craftsmen--but also a book for the personal library of every general reader who has an interest in sculpture and the fine arts.

Part of the new 'Basics of Sculpture' series. Sculpting in Stone aims to give the beginner a thorough grounding and knowledge of this ancient craft. It introduces the novice to the basics, looking at the various types of rock (everything from sandstone to marble) and their suitability for specific projects, examining the specific tools needed, their purpose and uses, and discusses creating a safe and suitable environment to work in. The projects are well illustrated and each one introduces specific skills, such as using tools correctly, texturing the surface, drawing the outline of the sculpture, gauging the depth of the relief to be carved, carving letters, or how to cut away large volumes of stone. The projects cover how to carve an inscription, and a Celtic knot and then work up to 3D forms both formal and freehand. It also covers the use of adhesives with stone and how to carry out small repairs. This book is the complete guide to getting started in stone carving.

What is a an anthemion? What is giallo antico marble? Who was Praxiteles? This richly illustrated book -- in the popular Looking At series -- presents definitions and descriptions of these and many other terms relating to Greek and Roman sculpture encountered in museum exhibitions and publications on ancient stone sculpture. This is an indispensable guide to anyone looking for greater understanding of ancient sculpture and heightened enjoyment of the objects. Book jacket.

Here is your guide through the hands-on experience of sculpting in stone. Hundreds of photos of the progressive process and finished works by famous sculptors will inspire your own work. The types of stone and use of basic hand-sculpting tools are presented along with the use of power tools, methods of lamination, repair, and the business side of stone sculpture. Express your creativity in this ageless medium. This expanded edition includes 47 new pictures, updated stone-working techniques, and a gallery of students' work.

This volume provides the first comprehensive chronology of the earliest known stone sculptures from the north Indian city of Mathura. It includes new evidence for the reattribution of objects, emergence of the anthropomorphic Buddha image, and predominance of a heterodox sect of Jainism.

Tiles form an important part of the great Dutch tradition of tin-glazed earthenware, internationally renowned as 'Delftware'. The presence of the right raw materials and know-how as well as a sufficiently large clientele allowed tile production to reach an impressive scale in the provinces of Holland, Friesland and Utrecht. In this way the Netherlands wrote its own fascinating chapter in the world history of tiles. In this publication the Foundation of Friends of the Dutch Tile Museum in Otterlo present tiles and tile pictures from the Friends' collections. The catalogue gives a detailed description of all the items illustrated. Supplemented by a number if examples from museum collections, a canon of approximately four hundred years of Dutch tile culture is thus created and also opened up to an international audience.

The first study of a crucial aspect of Roman stone sculpture, exploring the functions and aesthetics of non-figural supports.