Seagulls In The Attic

____________________________ What's it really like to give it all up and follow your dream? The follow-up to Up With the Larks, and the second volume in the heartwarming, laugh-out-loud true story of Tessa, who moved from the London rat-race to become a postie in rural Cornwall. Having given up a high-powered job and the lifestyle to match, Tessa Hainsworth had no idea how hard she would struggle when, full of optimism, she fulfilled her dream of moving to rural Cornwall with her young family. In Up With the Larks Tessa charted her first turbulent year with the Royal Mail, and her transformation from outsider to 'Posh Postie', adopted Cornishwoman and much-loved member of her new community. In Seagulls in the Attic Tessa is now a pillar of the community, or so she thinks. Life is becoming hard for her and her family as they realise that being part of a small community is not quite the idyll she had been lead to believe, as lack of money and the demands of family life take their toll. But, as with the first book, Tessa finds the fun and resilience to turn all the hardships to her advantage - eventually. ____________________________ A must-read book for all those who hanker for an escape to the country!

There are numerous scholarly works on Alfred Hitchcock's Psycho (1960). Some of these works have explored its Gothic potentials. However, no detailed effort has yet been made to explore one of its major motifs – taxidermy. Taxidermy as an art of corporeal preservation has effectively been used in mainstream body horror films years after Psycho was released. Yet Psycho was one of the first films to explore its potentials in the Gothic genre at a time when it was relegated to a low form of art. Alfred Hitchcock's Psycho and Taxidermy focuses on taxidermy as a cultural practice in both Victorian and modern times and how it has been employed both metaphorically and literally in Hitchcock's films, especially Psycho. It also situates Psycho as a crucial film in the filmic continuum of body horrors where death and docility share a troubled relationship.

Henry's Attic provides fascinating documentation of some of the one million artifacts in the Henry Ford Museum and Greenfield Village.

Anne and Don, married ten years, are on vacation in Florida. Anne inanely chatters on about beaches, seagulls and garbage dumps. Don, fed up, walks away, leaving Anne sitting on the beach alone. Don has gone to visit his friend Jim, a man of little insight but great obsession about golf, to tell him that he has left Anne. Jim, in turn, has just returned from a golfing vacation to discover that his wife, Sandy, has apparently left him. George, a seagull who lives contentedly with his wife, Ethel, on the Staten Island landfill, has just arrived on the Florida beach and meets Fred, a seagull without ties but with a dark past. The play follows these four humans and Fred as they attempt to define themselves, their lives, relationships and values. George, the Staten Island Seagull, however, is content being who he is.--From publisher description.

____________________________ What's it really like to give it all up and follow your dream? The follow-up to Up With the Larks, and the second volume in the heartwarming, laugh-out-loud true story of Tessa, who moved from the London rat-race to become a postie in rural Cornwall. Tessa and her husband are delighted when a new young couple arrive in the village fresh from the city - just as they once did. However what looks such a promising new friendship turns to a nightmare, as these are people who think money can buy them acceptance - and the village is soon in quiet revolt. Tessa finds herself in the thick of it - and realises that she has grown very strong roots in the community in the two years she has been in Cornwall. Like so many in the country, she has to think about turning her house into a source of income in the summer months. Having finally got the place up to scratch, she and her family are wondering whether to camp for a couple of months when they are asked to take over a B&B owned by friends of friends. Tessa is bubbly, outgoing - but quite inexperienced at being a landlady. She muddles through only with the generous help of the 'customers' on her postal round. ____________________________ Written with her usual warmth and good humour, Tessa Hainsworth enchants us again with her stories of life as a newcomer to 'deep' Cornwall and makes us dwell on the true value and meaning of 'home'.

Why are so many literary texts preoccupied with food? The Literature of Food explores this question by looking at the continually shifting relationship between two sorts of foods: the real and the imagined. Focusing particularly on Britain and North America from the early 19th century to the present, it covers a wide range of issues including the politics of food, food as performance, and its intersections with gender, class, fear and disgust. Combining the insights of food studies and literary analysis, Nicola Humble considers the multifarious ways in which food both works and plays within texts, and the variety of functions-ideological, mimetic, symbolic, structural, affective-which it serves. Carefully designed and structured for use on the growing number of literature of food courses, it examines the food of modernism, post-modernism, the realist novel and children's literature, and asks what happens when we treat cook books as literary texts. From food memoirs to the changing role of the servant, experimental cook books to the cannibalistic fears in infant picture books, The Literature of Food demonstrates that food is always richer and stranger than we think.

In his most innovative and technically challenging film, The Birds, Alfred Hitchcock follows the success of Psycho with a modernist, avant garde horror-thriller, which has spawned many imitators and triggered the cycle for disaster and man versus nature films. Now to mark The Birds' 50th anniversary in 2013 and the digitally restored Blu-Ray release, The Making of Hitchcock's The Birds is the first book-length treatment on the production of this modernist masterpiece. Featuring new interviews with stars Rod Taylor, Tippi Hedren and Veronica Cartwright, as well as sketches and storyboards from Hitchcock's A-List technical team, Robert Boyle, Albert Whitlock and Harold Michelson, the book charts every aspect of the film's production all set against the tumultuous backdrop of the 1962 Cuban missile crisis and JFK's presidency. Using unpublished material from the Alfred Hitchcock Collection, Evan Hunter files, Peggy Robertson papers and Robert Boyle's artwork, this book will be the ultimate guide to Hitchcock's most ambitious film.

Childrens book with family going to the beach and having to deal with pesky seagulls while they are eating their lunch