Second Generation Korean Americans And Transnational Media

Second-Generation Korean Americans and Transnational Media: Diasporic Identifications looks at the relationship between second-generation Korean Americans and Korean popular culture. Specifically looking at Korean films, celebrities, and popular media, David C. Oh combines intrapersonal processes of identification with social identities to understand how these individuals use Korean popular culture to define authenticity and construct group difference and hierarchy. Oh highlights new findings on the ways these Korean Americans construct themselves within their youth communities. This work is a comprehensive examination of second-generation Korean American ethnic identity, reception of transnational media, and social uses of transnational media.

Transnational Communities in the Smartphone Age: The Korean Community in the Nation’s Capital examines the durable ties immigrants maintain with the home country and focuses in particular on their transnational cultural activities. In light of changing technologies, especially information and communication technologies (ICTs), which enable a faster, easier, and greater social and cultural engagement with the home country, this book argues that middle-class immigrants, such as Korean immigrants in the Washington-Baltimore region, sustain more regular connections with the homeland through cultural, rather than economic or political, transnational activities. Though not as conspicuous and contentious as other forms of transnational participation, cultural transnational activities may prove to be more lasting and also serve as a backbone for maintaining longer-lasting connections and identities with the home country.

In Second-Generation Korean Experiences in the United States and Canada, Pyong Gap Min and Samuel Noh have compiled a comprehensive examination of 1.5- and second-generation Korean experiences in the United States and Canada. As the chapters demonstrate, comparing younger-generation Koreans with first-generation immigrants highlights generational changes in many areas of life. The contributors discuss socioeconomic attainments, self-employment rates and business patterns, marital patterns, participation in electoral politics, ethnic insularity among Korean Protestants, the relationship between perceived discrimination and mental health, the role of ethnic identity as stress moderator, and responses to racial marginalization. Using both quantitative and qualitative data sources, this collection is unique in its examination of several different aspects of second-generation Korean experiences in the United States and Canada. An indispensable source for those scholars and students researching Korean Americans or Korean Canadians, the volume provides insight for students and scholars of minorities, migration, ethnicity and race, and identity formation.

This edited volume analyzes the Korean diaspora across the world and traces the meaning and the performance of homeland. The contributors explore different types of discourses among Korean diaspora across the world, such as personal/familial narratives, oral/life histories, public discourses, and media discourses. They also examine the notion of “space” to diasporic experiences, arguing meanings of space/place for Korean diaspora are increasingly multifaceted.

Many second-generation Korean Americans (SGKAs) are living lives of marginality on the edge of Korean American and American cultures. This double life often leads to heightened mental health concerns. The rise of Asian hate crimes in this country in recent months have added to the distress in this population. Due to cultural stigma, however, SGKAs may not seek out counseling or other mental health services. If they do, their unique cultural formation is often not fully addressed, impeding growth and healing. Red Door Ministry (RDM), a pastoral counseling center that started at a local Korean-American church, serves as a model for addressing this issue. Built from a postcolonial understanding of third space, RDM is constructed with various culturally sensitive elements that allow SGKAs to move from places of shame on the margins to empowered new centers. This transformation is examined by four in-depth interviews of RDM clients. These clients show that healing and empowerment were possible because their complex cultural hybridity was addressed in the process of counseling. This process is analyzed using concepts from Western psychological theories, Korean American theology, and postcolonial theory.

The Routledge Companion to Asian American Media offers readers a comprehensive examination of the way that Asian Americans have engaged with media, from the long history of Asian American actors and stories that have been featured in mainstream film and television, to the birth and development of a distinctly Asian American cinema, to the ever-shifting frontiers of Asian American digital media. Contributor essays focus on new approaches to the study of Asian American media including explorations of transnational and diasporic media, studies of intersectional identities encompassed by queer or mixed race Asian Americans, and examinations of new media practices that challenge notions of representation, participation, and community. Expertly organized to represent work across disciplines, this companion is an essential reference for the study of Asian American media and cultural studies.

The title of this book, The Korean Wave: from a Private Commodity to a Public Good, refers to the idea that the Korean Wave has now crossed its nation’s borders and become an international public good. Because the Korean Wave has so far surpassed its national borders to become a subject of global attention, we consider the Korean Wave through the lenses of power, interest, identity, politicization, and the “anti-Korean wave”. “In this context, we are proud to have supported the work that has led to this publication. We congratulate the editors on promoting a unique interdisciplinary perspective on popular culture and international relations, featuring contributions by both humanists and social scientists, and focusing on a hugely signifcant transcultural phenomenon - the Korean Wave - that originated in Asia yet spread across the globe. The questions of identity, interest, and power raised by this publication, based on a series of conferences held on our campus, are as signifcant as they are innovative. I hope you, the reader, will be inspired by this collection to pursue your own inquiries and further develop the study of Korean culture in global context.” - Michel Hockx, Director of Liu Institute for Asia and Asian Studies, University of Notre Dame

This open access book examines the lived experiences of diasporic Korean youth in light of the transnational flows of South Korean popular culture, known as the Korean Wave, or Hallyu. Drawing on an ethnographic study of Korean Canadian youth and their engagement with the Korean Wave, the book proposes a critical understanding of the interactions between diasporic youth audiences and popular culture. By examining the Korean Wave as diasporic cultural practices rather than the diffusion of national cultural products, the book reveals the diversified ways in which cultural flows are negotiated by audiences who take up relatively ambivalent reception positions between two or more national and cultural contexts. This book expands the scope of transnational audience studies and youth cultural studies by focusing attention on the diasporic media practices of young people.