Seeing Differently

Seeing Differently offers a history and theory of ideas about identity in relation to visual arts discourses and practices in Euro-American culture, from early modern beliefs that art is an expression of an individual, the painted image a "world picture" expressing a comprehensive and coherent point of view, to the rise of identity politics after WWII in the art world and beyond. The book is both a history of these ideas (for example, tracing the dominance of a binary model of self and other from Hegel through classic 1970s identity politics) and a political response to the common claim in art and popular political discourse that we are "beyond" or "post-" identity. In challenging this latter claim, Seeing Differently critically examines how and why we "identify" works of art with an expressive subjectivity, noting the impossibility of claiming we are "post-identity" given the persistence of beliefs in art discourse and broader visual culture about who the subject "is," and offers a new theory of how to think this kind of identification in a more thoughtful and self-reflexive way. Ultimately, Seeing Differently offers a mode of thinking identification as a "queer feminist durational" process that can never be fully resolved but must be accounted for in thinking about art and visual culture. Queer feminist durationality is a mode of relational interpretation that affects both "art" and "interpreter," potentially making us more aware of how we evaluate and give value to art and other kinds of visual culture.

This timely book brings together the stories of St Francis - his preaching to birds, rejection of wealth, caring for lepers, befriending animals and living simply, his poetry and hymnody in praise of creation that is still sung today - and the influential writings and examples of inspiring Franciscans who have followed him such as Clare, Bonaventure, Duns Scotus and Angela of Foligno, and draws them into conversation with contemporary concerns for our planet. It gathers 800 years of accumulated wisdom and practical examples of how Franciscans have found ways to live at home and at peace with creation. It explores that long tradition and experience to ask what lessons can be drawn for today to challenge and enable readers to re-visit their own relationship with creation.

Seeing Differently offers a history and theory of ideas about identity in relation to visual arts discourses and practices in Euro-American culture, from early modern beliefs that art is an expression of an individual, the painted image a "world picture" expressing a comprehensive and coherent point of view, to the rise of identity politics after WWII in the art world and beyond. The book is both a history of these ideas (for example, tracing the dominance of a binary model of self and other from Hegel through classic 1970s identity politics) and a political response to the common claim in art and popular political discourse that we are "beyond" or "post-" identity. In challenging this latter claim, Seeing Differently critically examines how and why we "identify" works of art with an expressive subjectivity, noting the impossibility of claiming we are "post-identity" given the persistence of beliefs in art discourse and broader visual culture about who the subject "is," and offers a new theory of how to think this kind of identification in a more thoughtful and self-reflexive way. Ultimately, Seeing Differently offers a mode of thinking identification as a "queer feminist durational" process that can never be fully resolved but must be accounted for in thinking about art and visual culture. Queer feminist durationality is a mode of relational interpretation that affects both "art" and "interpreter," potentially making us more aware of how we evaluate and give value to art and other kinds of visual culture.

Learn to see differently and develop mindful awareness through Laura Paresky Gould’s colorful, minimal photographs of Miami. In Seeing Differently: Miami Color Theory, graphic designer, photographer, and artist Laura Paresky Gould depicts the vibrant beauty of Miami while teaching engaging lessons about seeing and art. Photography can be meditation with your eyes open. This multi-hued catalog of shapes, shadows, and architectural gems of Miami showcases over 160 images, includes insightful quotes from famous photographers, and a foreword by Silvia Cubina, executive director of The Bass, Miami Beach’s contemporary art museum. Seeing Differently is inspired by the three-part video series on digital photography Paresky Gould created for The Bass, and a compilation of her sophisticated smartphone images posted on her Instagram account, @miamicolortheory, where she explores the art of Minimal Photography, the Seven Elements of Art, Five Composition Techniques, and The Practice of Seeing. @miamicolortheory was awarded “Best Instagram” by the Miami New Times. Paresky Gould’s @miamicolortheory photos were featured on Apple’s Instagram on two separate occasions.

'the mundane becomes special as soon as you pay attention to it' - Susan Hiller This essential guide delves into the techniques, routines and mindsets of boundary-shifting artists, and the ways in which seeing differently can lead to creating something original. Learn the advantages of a different angle with Georges Braque, view everyday sights in a new way with Alex Katz and open your eyes to the possibilities of colour with Josef Albers. In every chapter, inspiring anecdotes and practical exercises will you help you gain a new perspective and reinvigorate your work.

Beau Lotto, the world-renowned neuroscientist, entrepreneur, and two-time TED speaker, takes us on a tour of how we perceive the world, and how disrupting it leads us to create and innovate. Perception is the foundation of human experience, but few of us understand why we see what we do, much less how. By revealing the startling truths about the brain and its perceptions, Beau Lotto shows that the next big innovation is not a new technology: it is a new way of seeing. In his first major book, Lotto draws on over two decades of pioneering research to explain that our brain didn't evolve to see the world accurately. It can't! Visually stunning, with entertaining illustrations and optical illusions throughout, and with clear and comprehensive explanations of the science behind how our perceptions operate, Deviate will revolutionize the way you see yourself, others and the world. With this new understanding of how the brain functions, Deviate is not just an illuminating account of the neuroscience of thought, behavior, and creativity: it is a call to action, enlisting readers in their own journey of self-discovery.

An expansive collection catalogue that offers a multiplicity of fresh perspectives on recent modern and contemporary art acquisitions in The Phillips Collection

Twelve articles published in the Harvard Business Review between 1988 and 1997 address the revolutionary changes that information and communication technologies are sparking in the business environment. The authors suggest that companies must not only innovate continuously, but also honor the value of emergent ideas. Each of the 12 articles suggests a new way of thinking about some aspect of the way we do business. Annotation copyrighted by Book News, Inc., Portland, OR