Seeing The War

"On War" by Carl von Clausewitz (translated by J. J. Graham). Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.

What does it mean to be a spectator to war in an era when the boundaries between witnessing and perpetrating violence have become profoundly blurred? Arguing that the contemporary dynamics of military spectatorship took shape in Napoleonic Europe, Watching War explores the status of warfare as a spectacle unfolding before a mass audience. By showing that the battlefield was a virtual phenomenon long before the invention of photography, film, or the Internet, this book proposes that the unique character of modern conflicts has been a product of imaginary as much as material forces. Warfare first became total in the Napoleonic era, when battles became too large and violent to be observed firsthand and could only be grasped in the imagination. Thenceforth, fantasies of what war was or should be proved critical for how wars were fought and experienced. As war's reach came to be limited only by the creativity of the mind's eye, its campaigns gave rise to expectations that could not be fulfilled. As a result, war's modern audiences have often found themselves bored more than enthralled by their encounters with combat. Mieszkowski takes an interdisciplinary approach to this major ethical and political concern of our time, bringing literary and philosophical texts into dialogue with artworks, historical documents, and classics of photojournalism.

NATIONAL BESTSELLER SHORTLISTED for the 2021 Lionel Gelber Prize Thoughtful and brilliant insights into the very nature of war--from the ancient Greeks to modern times--from world-renowned historian Margaret MacMillan. War--its imprint in our lives and our memories--is all around us, from the metaphors we use to the names on our maps. As books, movies, and television series show, we are drawn to the history and depiction of war. Yet we nevertheless like to think of war as an aberration, as the breakdown of the normal state of peace. This is comforting but wrong. War is woven into the fabric of human civilization. In this sweeping new book, international bestselling author and historian Margaret MacMillan analyzes the tangled history of war and society and our complicated feelings towards it and towards those who fight. It explores the ways in which changes in society have affected the nature of war and how in turn wars have changed the societies that fight them, including the ways in which women have been both participants in and the objects of war. MacMillan's new book contains many revelations, such as war has often been good for science and innovation and in the 20th century it did much for the position of women in many societies. But throughout, it forces the reader to reflect on the ways in which war is so intertwined with society, and the myriad reasons we fight.

'May the eyes of Canada never be blind to that glorious light which shines upon our young national life from the deeds of those "who counted not their lives dear unto themselves"'. When World War I broke out in the summer of 1914, the Canadian chaplain Frederick George Scott volunteered for service despite his fears. He spent four long years in the trenches on the western front, where he developed close bonds with his fellow soldiers and sought to maintain his faith while the world around him collapsed into chaos. In evocative language befitting his background as a poet, Scott lays bare the horrors of modern warfare. Filled with heart-wrenching descriptions and tragic detail, The Great War as I Saw It is a powerful meditation on the Canadian experience during World War I and an important look into the life of the ordinary soldier.

You're already in a war. It's time to fight. This book will equip you with tools to protect the five fronts of spiritual battle: your relationship with God, your identity, your family and friends, your church, and the world. Win Your War is a practical marriage, parenting, and relationship book that is grounded in the Word of God and focused on recognizing Satan's role in your life. Mark and Grace Driscoll help you understand the power Jesus gives you to overcome the enemy's attacks. Mark and Grace Driscoll look at the nature of spiritual warfare in response to Adam and Eve. God has a kingdom where His people are governed by the Spirit. Satan has the world, where his people are governed by the flesh. Spiritual warfare is the battle between these two realities in everything, including our identity, temptation, gender, marriage, and emotional well-being. Some years ago Mark Driscoll preached on the Book of Genesis and discovered an unexpected theme about spiritual warfare that works itself out in all of human history: the storyline of the Bible is that there is first a wedding and then a war. Satan did not show up until a man and woman were married and had a ministry call on their lives. The first thing he did was attack marriage and separate men and women. After reading this book, you will uncover the five fronts of spiritual battle: your relationship with God, your identity, your family and friends, your church, and the world. Also Available in Spanish ISBN-13: 978-1-62999-259-4 E-Book ISBN: 978-1-62999-260-0 OTHER TITLE BY MARK DRISCOLL Spirit-Filled Jesus (2018) ISBN: 978-1629995229

Norah, an English "war guest" living with the wealthy Ogilvie family in Toronto, can hardly wait for August. She'll spend it at the Ogilvie's lavish cottage in Muskoka—a whole month of freedom, swimming, adventures with her "cousins"... But this isn't an ordinary summer. It's 1943, and the war is still going on. Sometimes Norah can't even remember what her parents look like—she hasn't seen them in three years. And she has turned thirteen, which means life seems to be getting more complicated. Then a distant Ogilvie cousin, Andrew, arrives. He is nineteen, handsome, intelligent, and Norah thinks she may be falling in love for the first time. But Andrew has his own problems: he doesn't want to fight in the war, and yet he knows it's what his family and friends expect of him. What the two of them learn from each other makes for a gentle, moving story, the second book in a trilogy that began with the award-winning The Sky Is Falling.

As a veteran war correspondent, Chris Hedges has survived ambushes in Central America, imprisonment in Sudan, and a beating by Saudi military police. He has seen children murdered for sport in Gaza and petty thugs elevated into war heroes in the Balkans. Hedges, who is also a former divinity student, has seen war at its worst and knows too well that to those who pass through it, war can be exhilarating and even addictive: “It gives us purpose, meaning, a reason for living.” Drawing on his own experience and on the literature of combat from Homer to Michael Herr, Hedges shows how war seduces not just those on the front lines but entire societies—corrupting politics, destroying culture, and perverting basic human desires. Mixing hard-nosed realism with profound moral and philosophical insight, War Is a Force that Gives Us Meaning is a work of terrible power and redemptive clarity whose truths have never been more necessary.

An utterly original and illuminating work that meets at the crossroads of autobiography and ethnography to re-examine violence and memory through the eyes of a child. Seeing Like a Child is a deeply moving narrative that showcases an unexpected voice from an established researcher. Through an unwavering commitment to a child’s perspective, Clara Han explores how the catastrophic event of the Korean War is dispersed into domestic life. Han writes from inside her childhood memories as the daughter of parents who were displaced by war, who fled from the North to the South of Korea, and whose displacement in Korea and subsequent migration to the United States implicated the fraying and suppression of kinship relations and the Korean language. At the same time, Han writes as an anthropologist whose fieldwork has taken her to the devastated worlds of her parents—to Korea and to the Korean language—allowing her, as she explains, to find and found kinship relationships that had been suppressed or broken in war and illness. A fascinating counterpoint to the project of testimony that seeks to transmit a narrative of the event to future generations, Seeing Like a Child sees the inheritance of familial memories of violence as embedded in how the child inhabits her everyday life. Seeing Like a Child offers readers a unique experience—an intimate engagement with the emotional reality of migration and the inheritance of mass displacement and death—inviting us to explore categories such as “catastrophe,” “war,” “violence,” and “kinship” in a brand-new light.