Seen And Heard

Using examples from a Reggio-inspired school with children from ages 6 weeks to 6 years, the authors emphasize the importance of children's rights and our responsibility as adults to hear their voices. Seen and Heard summarizes research and theory pertaining to young children's rights in the United States, and offers strategies educators can use to ensure the inclusion of children's perspectives in everyday decisions. Real-life classroom vignettes illustrate how young children perceive the idea of rights through observation and discussion. The authors' work is based on these essential ideas: (1) the "one hundred languages" children use for exploring, discovering, constructing, representing, and conveying their ideas; (2) the pedagogy of listening, in which children and adults carefully attend to the world and to one another; (3) the notion that all children have the right to participate in the communities in which they reside.

“This literary thriller's complex narrative involves a cursed house, an unsolved murder and impeccable writing.” —The New York Times Book Review • The basis for the Netflix film Things Heard and Seen Recent transplants to the small town of Chosen, New York, the Clares have not received the warmest welcome; once a thriving dairy farm, their home is haunted by the tragedy that left the former owner’s three sons orphaned and adrift. Late one winter afternoon, professor George Clare knocks on his neighbor’s door with terrible news: he returned from work to find his wife, Catherine, murdered in their bed. Someone took an ax to her head while their three-year-old daughter, Franny, played alone in her room across the hall. As one dark secret peels away to reveal others—and as the Clare marriage reveals itself to have a sinister darkness that rivals the farm’s history—Elizabeth Brundage offers a rich and complex portrait of the scars that can haunt a community for generations and the dark longings inside each and every one of us that drive us to do inexplicable things.

Edward Gorey meets Downton Abbey in a deliciously ghostly caper about mischievous children who won t stay inside their gilded portrait frames. Welcome to Shiverhawk Hall It s a big old house full of treasure, mystery, and stories. Here, just look up on the wall. See these beautiful paintings? These are children who used to live here long ago: the DeVillechild twins, the Pinksweet tots . . . my, they look like such "good "children. So very well behaved. But wait a minute, did you "see "that? One of their eyes seemed to blink Did you "hear" that? A rustle A whisper The tiniest scratch Can it be that when darkness falls, the children on the walls at Shiverhawk Hall climb out of their paintings and run amok?"

Farah’s ready to move out of her parent’s house. It takes an hour to get to campus, and she has no freedom to be herself. Maiheen and Mostafa, first-generation Iranian immigrants in Toronto, find their younger daughter’s “Canadian” ways disappointing and embarrassing, and they wonder why Farah can’t be like her older sister Farzana — though Farah knows things about Farzana that her parents don’t. They begrudgingly agree to let Farah move, and she begins to explore her exciting new life as an independent university student. But when Farah gets assaulted on campus, everything changes. This beautiful coming-of-age story will be familiar to every immigrant in the diaspora who has struggled to find a way between cultures, every youth who has rebelled against their parents and every woman who has faced the world alone.

"Holzer also takes a closer look at Lincoln's oratory, the words of a man often ridiculed for his homespun manner of speaking. He shows how Lincoln's choice of words in the Emancipation Proclamation was actually designed to minimize its humanitarianism and argues that the story of his failure at Gettysburg has been unfairly exaggerated."--BOOK JACKET.

The real tools for career success and work satisfaction for anyone feeling undermined or marginalized at their job, from a productivity expert and editor at Wired. “Alan Henry doesn’t just illuminate the invisible barriers that often stand in the way of success—he shines a light on what you can do to break through them.”—Adam Grant, #1 New York Times bestselling author of Think Again and host of the TED podcast WorkLife For over twenty years, Alan Henry has written about using technology and productivity techniques to work and live better for publications such as Lifehacker, The New York Times, and Wired. But he found that as a Black man he didn’t have access to some of the more powerful ways to hack your job—like only checking email once a day or blocking out time on your calendar to do deep work. In fact, he found that even when he landed a prestigious title at the Times, there were moments when he was still overlooked and excluded from the most interesting and career-boosting work. This led him to first explore these struggles in a Times piece titled “Productivity Without Privilege.” Now he goes even deeper, interviewing experts across multiple fields to come up with powerful tools to overcome the forces of marginalization. In Seen, Heard, and Paid, Henry shares the new work rules that may finally allow people of color, women, and LGBTQ+ folks to have the same access to career advancement and rewarding work as those with more privilege, including: How to Be Seen: Only spend time on work that gets you attention. How to Be Heard: Figure out your unique contribution. How to Get Paid: Data is power and power is money. Whether you’re dealing with microaggressions, trying to get the glamour work instead of the office housework, weighing the pluses and minuses of working remotely, or deciding it’s time to look for a new opportunity, Seen, Heard, and Paid will help you feel informed, supported, and empowered.

A collection of poems and drawings by parents and children affected by imprisonment in the UK and abroad. The poems and images are all original and from open competitions begun in 2018. They address the thoughts, feelings and beliefs of the authors as they express themselves concerning their emotions and experiences. Over a million children and family members are affected by imprisonment in the UK alone and the poems seek to emphasise the sense of loss, deprivation and isolation involved. They also show resilience—and how enforced separation impacts each and every day of the writer’s life. Extract from Mark’s ‘And I Need My Dad’ You are not here Like my friend’s dad To build rocket-ships And kick a football… You are not here Because you are there: Inside doing time, And I need my dad. Backed by prison and prisoner interest groups and children’s charities. Contains wholly original material and insights. Linked to public events and initiatives. To be used in education and training.

You've heard the saying "Children should be seen and not heard." But teen political writer Kyle Williams is challenging that adage and making a name for himself in the process. As the youngest columnist for WorldNetDaily.com, he has tackled subjects such as abortion, homosexual rights, separation of church and state, and the public school system. In Seen and Heard Williams again takes on the establishment, offering clear evidence that a leftist agenda is at work in our nation. His lively, energetic analysis of current events will leave readers with an understanding of the attack on traditional family values that is taking place daily. Williams's writing style-sound logic infused with passion and conviction-makes Seen and Heard both informative and entertaining.