Selected Writing

A "collection of [the author's] greatest arguments on culture, politics, religion, and philosophy"--

Compiled for the first time here, the critic, artist, gallerist, dealer, translator John Kelsey's selected essays gamesomely convey some of the most poignant challenges in the art world and in the many social roles it creates. “When the critic chooses to become a smuggler, a hack, a cook, or an artist,” Kelsey said at a 2007 conference at the Städelschule in Frankfurt am Main, “it's maybe because criticism as such remains tied to an outmoded social relation.” It is precisely this relation that Kelsey intends to not only critique but also to surpass. In this way, Kelsey's “Rich Texts” play the double role of explaining the art world and actively participating in it; they close the distance between the work of art and how we talk about it. Originally published in Artforum—where Kelsey is a contributing editor—Texte zur Kunst, Parkett, and various artists' catalogues, the essays compiled in Rich Texts have all been written over the last decade, and therefore embody a timeliness that strikes at the core of the contemporary art world and the crises that have come to define it. Institut für Kunstkritik Series

George Orwell set out ‘to make political writing into an art’, and to a wide extent this aim shaped the future of English literature – his descriptions of authoritarian regimes helped to form a new vocabulary that is fundamental to understanding totalitarianism. While 1984 and Animal Farm are amongst the most popular classic novels in the English language, this new series of Orwell’s essays seeks to bring a wider selection of his writing on politics and literature to a new readership. In Why I Write, the first in the Orwell’s Essays series, Orwell describes his journey to becoming a writer, and his movement from writing poems to short stories to the essays, fiction and non-fiction we remember him for. He also discusses what he sees as the ‘four great motives for writing’ – ‘sheer egoism’, ‘aesthetic enthusiasm’, ‘historical impulse’ and ‘political purpose’ – and considers the importance of keeping these in balance. Why I Write is a unique opportunity to look into Orwell’s mind, and it grants the reader an entirely different vantage point from which to consider the rest of the great writer’s oeuvre. 'A writer who can – and must – be rediscovered with every age.' — Irish Times

From the author of Straw Dogs, John Gray's Gray's Anatomy is a pugnacious and brilliantly readable collection of essays from across his career. Why is progress a pernicious myth? Why do beliefs that humanity can be improved end in farce or horror? Is atheism a hangover from Christian faith? John Gray, one of the most iconoclastic thinkers of our time, smashes through civilization's most cherished beliefs, overturning our view of the world, and our place in it. 'The most prescient of British public intellectuals' Pankaj Mishra, Financial Times 'Gray has consistently anticipated the shape of things to come ... he teaches us that true humanism is to be found in uncertainty and doubt' Will Self 'Gray's dissection of modern delusion, cant and wishful thinking is to be welcomed in this moment of convulsion ... This is a book to learn from and argue with' Ben Wilson, Literary Review 'A thoroughly enjoyable book ... These essays cover a remarkable range of topics, from Isaiah Berlin to Damien Hirst, from torture to environmentalism. But their unifying theme is that our naïve belief in the idea of progress has turned modern life into a constant round of shadow-boxing' David Runciman, Observer 'Demolishes the theory that we have reached the "end of history", the dogmas of secular liberalism, the weaknesses of financial casino capitalism and the limits of energy-intensive economic growth' Economist John Gray is most recently the acclaimed author of Straw Dogs: Thoughts on Humans and Other Animals, Heresies: Against Progress and Other Illusions, Al Qaeda and What It Means To Be Modern and Black Mass: Apocalyptic Religion and the Death of Utopia. He is Emeritus Professor of European Thought at the University of London.

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Writings by international critic and curator Maria Lind, directorof the graduate program at the Center for Curatorial Studies, BardCollege, reflect her prolific career, delving into several of hermost ambitious curatorial projects, experimental programs andinnovative collaborations. She has worked with artists such asChristine Borland, Liam Gillick, Philippe Parreno, Annika Eriksson,Deimantas Narkevicius, Oda Projesi, Bojan Sarcevic and Marion vonOsten. This collection expands on many of her thoughts oninstitutional critique and curatorial models. Since the early 1990s,Lind has been working with notable institutions throughoutEurope and the United States, as director of Iaspis in Stockholm andKunstverein Munchen, and curator at Moderna Museet inStockholm and co-curator of Manifesta 2.