Semi Monde

The first single edition of Noël Coward's most controversial play. "Only in Semi-Monde does Coward find a successful metaphor for the sexual complications that lie behind his posturing. Semi-Monde is easily the most visually daring of his comedies, and the most intellectually startling ... made up of sexually mischievous tableaux vivants and gets much nearer the homosexual knuckle than Coward's public image allowed." - (John Lahr, London Review of Books) Written in 1926 and originally entitled Ritz Bar, Semi-Monde was considered too daring for its time: "its production in London or New York seemed unlikely as some of the characters, owing to lightly suggested abnormalities, would certainly be deleted by the censor" (Noël Coward, Present Indicative). The play finally received its public premiere only after Coward's death, at the Citizen's Theatre, Glasgow, in September 1977.

The first single edition of Noël Coward's most controversial play. "Only in Semi-Monde does Coward find a successful metaphor for the sexual complications that lie behind his posturing. Semi-Monde is easily the most visually daring of his comedies, and the most intellectually startling ... made up of sexually mischievous tableaux vivants and gets much nearer the homosexual knuckle than Coward's public image allowed." - (John Lahr, London Review of Books) Written in 1926 and originally entitled Ritz Bar, Semi-Monde was considered too daring for its time: "its production in London or New York seemed unlikely as some of the characters, owing to lightly suggested abnormalities, would certainly be deleted by the censor" (Noël Coward, Present Indicative). The play finally received its public premiere only after Coward's death, at the Citizen's Theatre, Glasgow, in September 1977.

“Michael Menzies has led the picaresque life many of us only dream of, and he sets it down with such wit and grace it's hard to know which to envy more, his wealth of once-in-a-lifetime experiences or his skill with a pen.”—Christopher Lloyd, Emmy Award-winning executive producer/writer of Modern Family and Frasier In this dazzling memoir that also serves as a dual biography of stage and film legends Noël Coward and Marlene Dietrich, film and music executive Michael Menzies chronicles in hilarious detail his life-long obsession with the theater in general and these two international superstars in particular. At age twelve, Menzies discovered the autobiography of actor/writer/composer Noël Coward and was consumed by it. Although still only a youth, Menzies identified hugely with Coward—so much so that he came to believe that he must be the star’s love child. But with whom? In a burst of inspiration Menzies worked out that his mother could only be Marlene Dietrich. The author then decides that as soon as he can he will voyage around the world to confront Coward and Dietrich in person and announce himself as their son. Yet even after he finally abandons his plan, Menzies continues his search for them—and their pasts—spending the rest of his life following in their footsteps, traveling to London, Paris, New York, Berlin, Switzerland, and Jamaica. Deeply Superficial is at once a warm and witty homage to these two legends and the lasting impact their spectacular careers left on the world—and on a twelve-year-old dreaming of fame in a faraway place. Michael Menzies has lived all over the world, and has worked with rock ’n’ roll promoter Bill Graham, impresario Sol Hurok, choreographer Agnes de Mille, Broadway producer Saint-Subber, and in film with the de Laurentiis family. He lives in Los Angeles.

A reissue in hardback of critic John Lahr's famous 1982 study of Noël Coward's plays"Noël Coward," said Terence Rattigan, "is simply a phenomenon, and one that is unlikely to occur ever again in theatre history." A phenomenon he certainly was, and it is part of John Lahr's purpose in this book to show how that phenomenon called "Noël Coward" was largely Coward's own careful creation. Lahr's penetrating critical study of Coward's drama investigates all the major and minor plays of "The Master". Private Lives, Design for Living and Hay Fever make a fascinating group of "Comedies of Bad Manners". Blithe Spirit and Relative Values raise the "Ghost in the Fun Machine". Lahr then goes on to explore the "politics of charm" oozing through The Vortex, Easy Virtue and Present Laughter. In all Coward's plays Lahr uncovers a coherent philosophy in which charm is both the subject of Coward's comedies and the trap which made his very public life a perpetual performance.

"This is a Borzoi Book published by Alfred A. Knopf"--Title page verso.

The Noël Coward Reader offers a wonderfully wide-ranging selection—the first of its kind—of the best of the Master’s oeuvre, entertainingly annotated and abundantly illustrated, and including material that has never before been published. Here are scenes from Coward’s famous plays, from Private Lives to Blithe Spirit, and his screenplays, from Brief Encounter to In Which We Serve. Here are four of his best short stories, scenes from his only novel, and a generous selection of his verse, alongside the lyrics of many of his most sublime songs, including “Mad Dogs and Englishmen,” “The Stately Homes of England,” and “Mad About the Boy.” The Noël Coward Reader is a must-have book both for those who adore his work and for those who are just discovering the many-faceted delights of his comic genius.