Sensibilities Of The Islamic Mediterranean

"When Englishman and Turk fell side by side in the killing fields of the Crimea, it was not the first time that Christian and Muslim blood was shed, and intermingled, in the cause of battling a common foe. It is fashionable today to talk of a 'clash of civilizations', and of an unbridgeable chasm between the Islamic world and Christendom. But in this bold and iconoclastic book Ian Almond demonstrates that in Europe, the heart of the west, Muslims and Christians were often comrades-in-arms, repeatedly forming alliances to wage war against their own faiths and peoples. As we read of savage battles, deadly sieges and many acts of individual heroism, we learn of Arab troops rallying in their thousands to the banner of a Christian emperor outside the walls of Verona. Of Spanish Muslims standing shoulder to shoulder with their Christian Catalan neighbours in opposition to Castilians. Of Greeks and Turks forming a steadfast bulwark against Serbs and Bulgarians, their mutual enemy. And of tens of thousands of Hungarian Protestants assisting the Ottomans in their implacable and terrifying march on Christian Vienna. As the author shows, any notion that 'Christian Europe' has long been opposed by a 'Muslim non-Europe' grossly misrepresents the facts of a rich, complex and - above all - shared history. The motivations for these interfaith alliances were dictated by shifting diplomacies, pragmatic self-interest and realpolitik, not by jihad or religious war. This insight has profound ramifications for our understandings of global politics and current affairs, as well as of religious history and the future shape of Europe."--Bloomsbury publishing.

From the mountains of Lebanon to the shores of Turkey and North Africa, the Islamic Mediterranean has always been a dynamic cultural hub, where the stories and passions of East and West collide. In a sweeping survey spanning the first Arabic edition of the "Thousand and One Nights" to the novels of the 20th century, Robin Ostle pours through centuries of books, art and architecture to reveal what they tell us about the changing relationship between individual and society in this distinctive culture.In pre-modern literature, individuality was expressed through a series of comic subversions which, through their resolution, ultimately strengthened the social status quo. The great 19th century travelogues represented a more transgressive exploration of the boundaries of the self. This theme was continued in the cultural forms of the 20th century, with their emphasis on self-expression and emotional liberation, something increasingly defined in opposition to the state. "Sensibilities of the Islamic Mediterranean" unravels the emotions, ideas and power relationships which make up the cultural fabric of this fascinating region.

The series Religion and Society (RS) contributes to the exploration of religions as social systems- both in Western and non-Western societies; in particular, it examines religions in their differentiation from, and intersection with, other cultural systems, such as art, economy, law and politics. Due attention is given to paradigmatic case or comparative studies that exhibit a clear theoretical orientation with the empirical and historical data of religion and such aspects of religion as ritual, the religious imagination, constructions of tradition, iconography, or media. In addition, the formation of religious communities, their construction of identity, and their relation to society and the wider public are key issues of this series.

Christophe Picard recounts the adventures of Muslim sailors who competed with Greek and Latin seamen for control of the 7th-century Mediterranean. By the time Christian powers took over trade routes in the 13th century, a Muslim identity that operated within, and in opposition to, Europe had been shaped by encounters across the sea of the caliphs.

Concepts such as influence, imitation, emulation, transmission or plagiarism are transcendental to cultural history and the subject of universal debate. They are not mere labels imposed by modern historiography on ancient texts, nor are they the result of a later interpretation of ways of transmitting and teaching, but are concepts defined and discussed internally, within all cultures, since time immemorial, which have yielded very diverse results. In the case of culture, or better Arab-Islamic cultures, we could analyze and discuss endlessly numerous terms that refer to concepts related to the multiple ways of perceiving the Other, receiving his knowledge and producing new knowledge. The purpose of this book evolves around these concepts, and it aims to become part of a very long tradition of studies on this subject that is essential to the understanding of the processes of reception and creation. The authors analyze them in depth through the use of examples that are based on the well-known idea that societies in different regions did not remain isolated and indifferent to the literary, religious or scientific creations that were developed in other territories and moreover that the flow of ideas did not always occur in only one direction. Contacts, both voluntary and involuntary, are never incidental or marginal, but are rather the true engine of the evolution of knowledge and creation. It can also be stated that it has been the awareness of the existence of multidimensional cultural relations which has allowed modern historiography on Arab cultures to evolve and be enriched in recent decades.

Following the tradition and style of the acclaimed Index Islamicus, the editors have created this new Bibliography of Art and Architecture in the Islamic World. The editors have surveyed and annotated a wide range of books and articles from collected volumes and journals published in all European languages (except Turkish) between 1906 and 2011. This comprehensive bibliography is an indispensable tool for everyone involved in the study of material culture in Muslim societies.

The great Islamic Dynasties of the Mediterranean are the protagonists of this book, together with their fascinating artistic and cultural legacy. Thirty-nine scholars, museum curators and experts in cultural heritage, from 14 countries in Europe, North Africa and the Middle East, are the authors of the 22 chapters that take the reader through 13 centuries of Islamic history from the period of the Prophet Muhammad up until the end of the Ottoman Empire (1922). Discover Islamic Art in the Mediterranean is a collaborative work that was written for all those who share our idea that there is not only one history, but that at least as many histories as peoples exist. The idea of this book is to contribute to a historically more accurate and thus more authentic understanding of Islam by offering different perspectives of interpreting history, art and culture. This Book is published to complement the www.discoverislamicart.org Virtual Museum and its cycle of 18 Virtual Exhibitions Discover Islamic Art in the Mediterranean.

The great Islamic Dynasties of the Mediterranean are the protagonists of this book, together with their fascinating artistic and cultural legacy. Thirty-nine scholars, museum curators and experts in cultural heritage, from 14 countries in Europe, North Africa and the Middle East, are the authors of the 22 chapters that take the reader through 13 centuries of Islamic history from the period of the Prophet Muhammad up until the end of the Ottoman Empire (1922). Discover Islamic Art in the Mediterranean is a collaborative work that was written for all those who share our idea that there is not only one history, but there are at least as many histories as there are peoples. The idea of this book is to contribute to a historically more accurate, and thus more authentic, understanding of Islam by offering different perspectives of interpreting history, art and culture.