Septuagint Song Of Songs

The Song of Songs appears to be love poetry, exchanged between Solomon and one of his wives, however, is not clear who exactly the wife was. The wife describes herself as black, suggesting a Kushite woman. She also refers to herself as a Shulammitess, and makes clear she was not from Jerusalem. The town of Shunaam was located near the Jezreel Valley north of Mount Gilboa, in the tribal lands of Issachar at the time. It was also listed as one of the towns conquered by the Egyptian Pharaoh Thutmose III circa 1450 BC, and then again by Pharaoh Shoshenk I circa 925 BC, meaning there was a significant town was there for over 500 years. It was the hometown of King David’s last concubine, the 12-year-old Abishag, who Adonijah attempted to marry after David’s death, which suggests the author was Abishag the Shulamite. If this song was the work of Abishag, it means that it would date to the time of Solomon, and imply she was one of Solomon’s wives or concubines. The geography of the Song of Songs is curious, as it seems focused on northern Israel and southern Lebanon, not Judea. Jerusalem is mentioned repeatedly but as part of the phrase ‘daughters of Jerusalem,’ which is a group the author clearly does not see herself as being a part of. This suggests that she was living in the north, possibly in the palace Solomon built in the mountains of Lebanon, and saw the daughters of Jerusalem as her rivals for his affection.

Dries De Crom intends to stimulate the cross-fertilization of Septuagint Studies and Translation Studies, particularly the theoretical framework of Descriptive Translation Studies (DTS). It engages with concepts and theories from DTS in order to demonstrate their applicability to the study of the Septuagint. The aim is not to replace the established methods of Septuagint Studies, but rather to show that they are fully compatible with descriptive approaches to translation. The greater part of the volume is dedicated to a meticulous verse-by-verse comparison between the LXX and MT texts of Song of Songs. As there is at present no full critical edition of the Greek texts of Song of Songs, due attention is given to the most important witnesses to the pre-Hexaplaric text. The textual study engages with matters of translation technique, textual criticism, linguistic interference and the interpretation of LXX Song of Songs. On the basis of this textual analysis, the volume explores the question of Kaige-Theodotion and LXX Song of Song's relation to it, as well as the peculiar textual-linguistic profile of LXX Songs of Songs, against the background of translational norms, interference, interlanguage and literary code.

The Septuagint (the ancient Greek translation of Jewish sacred writings) is of great importance in the history of both Judaism and Christianity. The first translation of the books of the Hebrew Bible (plus additions) into the common language of the ancient Mediterranean world made the Jewish scriptures accessible to many outside Judaism. Not only did the Septuagint become Holy Writ to Greek speaking Jews but it was also the Bible of the early Christian communities: the scripture they cited and the textual foundation of the early Christian movement. Translated from Hebrew (and Aramaic) originals in the two centuries before Jesus, the Septuagint provides important information about the history of the text of the Bible. For centuries, scholars have looked to the Septuagint for information about the nature of the text and of how passages and specific words were understood. For students of the Bible, the New Testament in particular, the study of the Septuagint's influence is a vital part of the history of interpretation. But until now, the Septuagint has not been available to English readers in a modern and accurate translation. The New English Translation of the Septuagint fills this gap.

The Song of Songs, traditionally attributed to Solomon, is a collection of lyrics that celebrate in earthly terms the love of a bridegroom and a bride. Throughout the course of early Christian history, the Song of Songs was widely read as an allegory of the love of Christ both for the church and for its individual members. In reading the Song this way, Christians were following in the steps of Jewish exegetes who saw the Song as celebrating the love of God for Israel. In The Song of Songs, the inaugural volume of The Church's Bible, Richard A. Norris Jr. uses commentaries and sermons from the church's first millennium to illustrate the original Christian understanding of Solomon's beautiful poem. In recent times, the Song of Songs has been more a focus of literary than of religious interest, but Norris's work shows that for early Christians, this text was counted, with the Psalms and the Gospels, among those Scriptures that touched most deeply on the believer's relation to God. All in all, Norris's Song of Songs is a masterful work that aptly acquaints contemporary readers with the church's traditional way of discerning in this text a guide to the character of Christian belief and life. This volume -- and the entire Church's Bible series -- will be welcomed by preachers, teachers, students, and general readers alike.

Jenson focuses on the overt sense of the book as an erotic love poem in order to discover how this evocative poetry solicits a theological reading.

This volume from the International Organization for Septuagint and Cognate Studies (IOSCS) includes the papers given at the XVII Congress of the IOSCS, which was held in Aberdeen in 2019. Essays in the collection fall into five areas of focus: textual history, historical context, syntax and semantics, exegesis and theology, and commentary. Scholars examine a range of Old Testament and New Testament texts. Contributors include Kenneth Atkinson, Bryan Beeckman, Elena Belenkaja, Beatrice Bonanno, Eberhard Bons, Cameron Boyd-Taylor, Ryan Comins, S. Peter Cowe, Claude Cox, Dries De Crom, Paul L. Danove, Crispin Fletcher-Louis, Frank Feder, W. Edward Glenny, Roger Good, Robert J. V. Hiebert, Gideon R. Kotzé, Robert Kugler, Nathan LaMontagne, Giulia Leonardi, Ekaterina Matusova, Jean Maurais, Michaël N. van der Meer, Martin Meiser, Douglas C. Mohrmann, Daniel Olariou, Vladimir Olivero, Luke Neubert, Daniel Prokop, Alison Salvesen, Daniela Scialabba, Leonardo Pessoa da Silva Pinto, Martin Tscheu, and Jelle Verburg.

This volume contains the poetical and wisdom books of the Septuagint Old Testament, without the Psalms, offered by Elpenor separately (check: elpenor.org/books/septuagint-psalms/default-en.asp). They can be read as a highly practical and existential part of the Bible, and a preparation for the revelations of the Prophets. Beyond that, by giving a lot of opposite directions in their views and arguments they encourage free thinking and research. The book is offered at cost price, it is illuminated, and it features a relatively large typeface, making its reading a pleasure. The text is the one prepared by Alfred Rahlfs, modified by the Church of Greece to take advantage of forms being in use in the Greek liturgical tradition, a tradition of the highest authority, coming through Byzantium and being alive even now. You may like to check this edition even if you already have the Septuagint in some other form. Official page: elpenor.org