Serpents Of War

"Serpents of War is an abridged edition of a nearly 200,000-word World War I memoir by Pennsylvanian Major Harry Dravo Parkin: Memoirs of World War I, being an account of the experiences of an American Officer wounded and captured by the Germans. The original memoir resides in Gettysburg College's Musselman Library. Offering the perspective of a mid-level officer responsible for the lives and welfare of over a thousand men, Parkin conveys the stress of command at a time when one innocent blunder could cost an officer his combat assignment, brings the inferno of the Meuse-Argonne Offensive to life in terrifying, gory detail, and recounts an experience undergone by very few American soldiers in 1918-that of being taken prisoner (while wounded no less) by the Imperial German Army. This is a book by a brave soldier, a recipient of the Distinguished Service Cross for his heroism on the battlefield, who was also a gifted writer. Parkin's narrative seldom strains for effect. Its prose is unassuming and workmanlike. Nevertheless, readers of Serpents of War will likely agree that Parkin possessed of a strong sense of setting, a knack for capturing the chaos and strange exhilaration of battle, and a sharp eye for the interpersonal, social dynamics of military life-the personality clashes and simmering feuds, as well as the moments of comradeship and accord. There is no other American World War I memoir quite like it"--

El Tajín, an ancient Mesoamerican capital in Veracruz, Mexico, has long been admired for its stunning pyramids and ballcourts decorated with extensive sculptural programs. Yet the city's singularity as the only center in the region with such a wealth of sculpture and fine architecture has hindered attempts to place it more firmly in the context of Mesoamerican history. In Lightning Gods and Feathered Serpents, Rex Koontz undertakes the first extensive treatment of El Tajín's iconography in over thirty years, allowing us to view its imagery in the broader Mesoamerican context of rising capitals and new elites during a period of fundamental historical transformations. Koontz focuses on three major architectural features—the Pyramid of the Niches/Central Plaza ensemble, the South Ballcourt, and the Mound of the Building Columns complex—and investigates the meanings of their sculpture and how these meanings would have been experienced by specific audiences. Koontz finds that the iconography of El Tajín reveals much about how motifs and elite rites growing out of the Classic period were transmitted to later Mesoamerican peoples as the cultures centered on Teotihuacan and the Maya became the myriad city-states of the Early Postclassic period. By reexamining the iconography of sculptures long in the record, as well as introducing important new monuments and contexts, Lightning Gods and Feathered Serpents clearly demonstrates El Tajín's numerous iconographic connections with other areas of Mesoamerica, while also exploring its roots in an indigenous Gulf lowlands culture whose outlines are only now emerging. At the same time, it begins to uncover a largely ignored regional artistic culture of which Tajín is the crowning achievement.

The thrilling adventure of Lady Trent continues in Marie Brennan's Tropic of Serpents . . . Attentive readers of Lady Trent's earlier memoir, A Natural History of Dragons, are already familiar with how a bookish and determined young woman named Isabella first set out on the historic course that would one day lead her to becoming the world's premier dragon naturalist. Now, in this remarkably candid second volume, Lady Trent looks back at the next stage of her illustrious (and occasionally scandalous) career. Three years after her fateful journeys through the forbidding mountains of Vystrana, Mrs. Camherst defies family and convention to embark on an expedition to the war-torn continent of Eriga, home of such exotic draconian species as the grass-dwelling snakes of the savannah, arboreal tree snakes, and, most elusive of all, the legendary swamp-wyrms of the tropics. The expedition is not an easy one. Accompanied by both an old associate and a runaway heiress, Isabella must brave oppressive heat, merciless fevers, palace intrigues, gossip, and other hazards in order to satisfy her boundless fascination with all things draconian, even if it means venturing deep into the forbidden jungle known as the Green Hell . . . where her courage, resourcefulness, and scientific curiosity will be tested as never before. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

The Longman Anthology of Old English, Old Icelandic and Anglo-Norman Literatures provides a scholarly and accessible introduction to the literature which was the inspiration for many of the heroes of modern popular culture, from The Lord of the Rings to The Chronicles of Narnia, and which set the foundations of the English language and its literature as we know it today. Edited, translated and annotated by the editors of Beowulf & Other Stories, the anthology introduces readers to the rich and varied literature of Britain, Scandinavia and France of the period in and around the Viking Age. Ranging from the Old English epic Beowulf through to the Anglo-Norman texts which heralded the transition Middle English, thematically organised chapters present elegies, eulogies, laments and followed by material on the Viking Wars in the Anglo-Saxon Chronicle, Vikings gods and Icelandic sagas, and a final chapter on early chivalry introduces the new themes and forms which led to Middle English literature, including Arthurian Romances and Chaucer's Canterbury Tales. Laying out in parallel text format selections from the most important Old English, Old Icelandic and Anglo-Norman works, this anthology presents translated and annotated texts with useful bibliographic references, prefaced by a headnote providing useful background and explanation.

From the winner of the 2015 Man Booker International Prize A novel of awesome beauty and power by the Hungarian master, Laszla Krasznahorkai. Winner of a 2005 PEN Translation Fund Award. War and War, Laszla Krasznahorkai's second novel in English from New Directions, begins at a point of danger: on a dark train platform Korim is on the verge of being attacked by thuggish teenagers and robbed; and from here, we are carried along by the insistent voice of this nervous clerk. Desperate, at times almost mad, but also keenly empathic, Korim has discovered in a small Hungarian town's archives an antique manuscript of startling beauty: it narrates the epic tale of brothers-in-arms struggling to return home from a disastrous war. Korim is determined to do away with himself, but before he can commit suicide, he feels he must escape to New York with the precious manuscript and commit it to eternity by typing it all on the world-wide web. Following Korim with obsessive realism through the streets of New York (from his landing in a Bowery flophouse to his moving far uptown with a mad interpreter), War and War relates his encounters with a fascinating range of humanity, a world torn between viciousness and mysterious beauty. Following the eight chapters of War and War is a short "prequel acting as a sequel," "Isaiah," which brings us to a dark bar, years before in Hungary, where Korim rants against the world and threatens suicide. Written like nothing else (turning single sentences into chapters), War and War affirms W. G. Sebald's comment that Krasznahorkai's prose "far surpasses all the lesser concerns of contemporary writing."

With friends turning into enemies, can Drew find his way out of this war alive? The entire kingdom of Lyssia is now at war, and the battle lines have been drawn. While Drew and his ragtag army defend the throne against Ratlords and Crowlords, Gretchen and Whitley venture on a harrowing journey through the perilous Dyrewood. But none of the werelords counted on the return of the most terrifying monster of them all...

Tess sets out a sea-faring adventure to stop a war in the latest fantasy from New York Times bestselling author Rachel Hartman. Tess has a mission from the Queen: sail across the oceans to the bottom of the world and prevent a war. Unbeknownst to the Queen, Tess also intends to find the last World Serpent -- a once-mythical creature with the magical ability to heal her best friend Pathka from a life-threatening injury. Tess never was one to follow the rules and this self-assigned mission feels like her duty, her calling, her destiny. Destiny has other ideas. When someone from Tess's past makes a surprise return, old wounds are cracked open, throwing her mission -- both the Queen's and Tess's personal agenda -- into complete disarray. What's more, Tess's personal pain is intertwined with a history greater than her own and the mending of it threatens the delicate balance of the entire Southlands. Tess was sent on this journey to prevent a war, but she may be starting one of her own.

In this second volume of The Serpent Trilogy, following The Family at Serpiente, the history detectives discover the relationship between serpents and the ancient cultures of the Americas, uncovering the predictable histories of growth and collapse due to the serpents. Sensing imminent danger, Quetzalcoatl and Kulcalcan declare war on the human tribes throughout Aztlan, their ancestral home. Unaware of the ability of the serpents to control the minds of humans, the military plots to exterminate the serpents but soon thousands of modern humans experience the mind altering abilities of the serpents. In a panic to exterminate the serpents, the government releases a biological agent which destroys most of the serpents. Unfortunately, in time the biological agent mutates and exterminates all but the most isolated humans on earth. The Anderson family survives by sealing themselves off from all contact with other humans in Serpiente. Quetzalcoatl and Kulcalcan make a truce with the Anderson family and teach their children how to communicate in the serpent's telepathic hieroglyphic language. Will history repeat itself?