Setting Up Your Ceramic Studio

"Scotchie gives us an insider's look at [how to] assemble vibrant, creative studio spaces. Floor plans are provided...The photographs are excellent."--Library Journal Take a photographic tour of 10 beautiful ceramics studios, and discover exactly how and why each design so perfectly meets the artist's particular needs. Author and ceramist Virginia Scotchie covers all the practical decisions about equipment, workflow, and safety that go into setting up a new studio, from using the space effectively and dealing with lighting, electrical, and ventilation needs, to establishing a small business office. Every ceramist will find inspiration in Michael Sherrill's spacious and adaptable studio, so suited to his large-scale sculptures; Alice Munn's intimate and tidy atelier; and Ben Owen III's highly organized layout, arranged for volumes of production work and featuring a separate gallery.

This book is a handy guide to setting up a pottery workshop. It covers not only fundamental questions such as types of premises, design and layout of the workshop, equipment and materials, and how to make simple tools, but also questions of marketing and promotion, legal considerations and finance.

On the off chance that you have an pottery studio, the primary thing that you may consider is setting it up, and the most ideal approaches to keep it composed. Having a composed pottery studio is very significant. With a composed studio, you'll have the option to discover everything, and we'll address what you should consider while arranging, alongside a couple of things to mull over. This post will really expound on the tips that will make the studio sparkle, and some different perspectives to remember.

Acclaimed potter Mary Fox, known for creating stunning gravity-defying decorative vessels as well as contemporary functional ware, tells the story of her life as an artist.

Ceramics are always popular with crafters, and hand building with low-fire earthenware is a natural place to start. This book by artist Shay Amber will inspire even the most intimidated beginner.

Discover how to develop your pottery design skills and bring your ideas to life from start to finish. Covering every technique from throwing pottery to firing, glazing to sgraffito, this pottery book is perfect for both hand-building beginners and potting pros. Step-by-step photographs - some from the potter's perspective - show you exactly where to place your hands when throwing so you can master every technique you need to know. Plus, expert tips help you rescue your pots when things go wrong. The next in the popular Artist's Techniques series, Complete Pottery is the ideal companion for pottery classes of any level, or a go-to guide and inspiration for the more experienced potter looking to expand their repertoire and perfect new skills. With contemporary design and ideas, Complete Pottery Techniques enables the modern maker to unleash their creativity.

In A Potter's Workbook, renowned studio potter and teacher Clary Illian presents a textbook for the hand and the mind. Her aim is to provide a way to see, to make, and to think about the forms of wheel-thrown vessels; her information and inspiration explain both the mechanics of throwing and finishing pots made simply on the wheel and the principles of truth and beauty arising from that traditional method. Each chapter begins with a series of exercises that introduce the principles of good form and good forming for pitchers, bowls, cylinders, lids, handles, and every other conceivable functional shape. Focusing on utilitarian pottery created on the wheel, Illian explores sound, lively, and economically produced pottery forms that combine an invitation to mindful appreciation with ease of use. Charles Metzger's striking photographs, taken under ideal studio conditions, perfectly complement her vigorous text.