Sex Drugs Rock Roll And Musicals

An endlessly entertaining and informative look at how musicals have both reflected and adapted to America's changing mores

What led scientists to have acrobats copulate inside an MRI machine? Why do wordless patterns of sound send shivers down our spines and tickle ancient parts of our brains? How did a chemist's quest to create a drug to ease the pain of childbirth result in the creation of LSD? And did it change our understanding of the brain forever? From tortoiseshell condoms to superstar athletes on hallucinogens, science writer Zoe Cormier dissects these and other burning questions, amplifying them with insights from some of the world's bravest, cleverest, and downright weirdest scientists. Sex, Drugs, and Rock 'n' Roll explores science at the edge, where scientists ask big, strange questions -- and sometimes experiment on themselves to find answers. It shines a light into the lesser-known corners of scientific research to gain insight into the nature of consciousness, happiness, and humanity. Not to mention our parties. Here are stories of unconventional scientists, innovative inquiries, hedonistic impulses -- and how the renegades of science have illuminated the secrets of our baser impulses.

A tell-all memoir from the lead singer of the 1980s hair-metal band Ratt reveals all the aspects of rock star excess, including the groupies, the trashed hotel rooms, and the drugs.

Over 60 gripping accounts tracking the dark side of rock 'n' roll from the early days of the drugs-and-drink culture, and the birth of rock 'n' roll, through The Beatles, Stones, Sex Pistols, Madonna, Kurt Cobain and Oasis, to Amy Winehouse, Pete Doherty and other stars of the current rock-music scene. From trashed hotel rooms to cars in swimming pools, all rock 'n' roll's excesses are here, including murder and sexual deviancy, surprising brushes with the law that the stars thought they'd kept quiet, early and tragic deaths, drug overdoses, robbery, mis-marriages and groupies by the truckload

"Stew brings us the story of a young bohemian who charts a course for 'the real' through sex, drugs and rock 'n' roll."--Page 4 of cover.

The enormously successful performance piece (and film) by premiere performer and playwright Eric Bogosian.

Sex and Drugs Before the Rock ’n’ Rollis a fascinating volume that presents an engaging overview of what it was like to be young and male in the Dutch Golden Age. Here, well-known cohorts of Rembrandt are examined for the ways in which they expressed themselves by defying conservative values and norms. This study reveals how these young men rebelled, breaking from previous generations: letting their hair grow long, wearing colorful clothing, drinking excessively, challenging city guards, being promiscuous, smoking, and singing lewd songs. Cogently argued, this study paints a compelling portrait of the youth culture of the Dutch Golden Age, at a time when the rising popularity of print made dissemination of new cultural ideas possible, while rising incomes and liberal attitudes created a generation of men behaving badly.

Text and Drugs and Rock'n'Roll explores the interaction between two of the most powerful socio-cultural movements in the post-war years - the literary forces of the Beat Generation and the musical energies of rock and its attendant culture. Simon Warner examines the interweaving strands, seeded by the poet/novelists Jack Kerouac, Allen Ginsberg, William Burroughs and others in the 1940s and 1950s, and cultivated by most of the major rock figures who emerged after 1960 - Bob Dylan, the Beatles, Bowie, the Clash and Kurt Cobain, to name just a few. This fascinating cultural history delves into a wide range of issues: Was rock culture the natural heir to the activities of the Beats? Were the hippies the Beats of the 1960s? What attitude did the Beat writers have towards musical forms and particularly rock music? How did literary works shape the consciousness of leading rock music-makers and their followers? Why did Beat literature retain its cultural potency with later rock musicians who rejected hippie values? How did rock musicians use the material of Beat literature in their own work? How did Beat figures become embroiled in the process of rock creativity? These questions are addressed through a number of approaches - the influence of drugs, the relevance of politics, the effect of religious and spiritual pursuits, the rise of the counter-culture, the issue of sub-cultures and their construction, and so on. The result is a highly readable history of the innumerable links between two of the most revolutionary artistic movements of the last 60 years.