Sex Lies Stellenbosch

Based on true events, Sex, Lies & Stellenbosch uncovers what really goes on behind closed doors in the seemingly up-standing community of Stellenbosch, one of South Africa's wealthiest small towns, where 3,400 dollar millionaires live (before they invested in Steinhoff shares). Written as fiction to protect the innocent, the book exposes the explosive dark truths of the Winelands' elite. All is revealed through the eyes of stay at home mom, 49-year-old Jen, who is the wife of John, a renowned wine farmer and businessman. Jen, like many of her privileged friends, lives a charmed life provided by her husband, in exchange for conjugal sex and obligatory wifely gratitude. When Jen stumbles upon her playboy husband in a compromising position with his sexy employee, things fall apart. Jen is forced to choose between leaving her marriage, jeopardising her standing and stability in the community or turning a blind eye to his infidelity. The book follows Jen's passage to self-discovery and self-fulfillment, while other characters' perspectives move the story forward as each is privy to (and eventually reveals) at least one ‘truth’ or ‘lie’ which Jen must face. Jen's exposition of her husband's infidelity inadvertently mirrors the underbelly of the patriarchal and often duplicitous community of the seemingly perfect Stellenbosch. Led by prominent wine farmers, international businessmen and renowned academics, business and private interests, even if ethically compromised, are staunchly guarded. The unfolding chapters irreverently explore both the emotional growth of the protagonist, Jen, as well as the moral ambiguities of the other players in the book. -- Publisher's description.

Sex, Lies Declassified is the sequel to Eva Mazza's mega-bestseller Sex, Lies & Stellenbosch, inspired by the scandalous goings-on in the seemingly upstanding community of Stellenbosch's elite. Written as fiction to protect the innocent, the sequel masterfully tracks the next salacious stage of the lives of the characters that readers to love... and hate! Jen has started a new life in Cape Town with her 'happy ending' dream man, Myron, but she can't stop thinking about the mysterious WhatsApp message. Then there's her ex-husband John, bent on a path of self-destruction and her ex-best friend Frankie, whose betrayal of Jen has affected her more than she would care to admit. Will the sultry Patty, now shareholder at the exclusive underground 'Gentleman's Club', ever return to South Africa? Is Lee Alive? And who is Captain Stranger? This spicy narrative, with its many twists and turns, guarantees to whet the appetite of thousands of readers who are obsessed with what happens next in the steamy lives of Stellenbosch's aristocracy. -- Publisher's description.

In 2019, Eva Mazza's Sex, Lies & Stellenbosch took the SA publishing world by storm. Now Sex, Lies Declassified, the much anticipated sequel, is about to land and whet the appetites of thousands of readers obsessed with what happens next in the steamy lives of the winelands aristocracy.

About 50km outside of Cape Town lies the beautiful town of Stellenbosch, nestled against vineyards and blue mountains that stretch to the sky. Here reside some of South Africa's wealthiest individuals: all male, all Afrikaans – and all stinking rich. Johann Rupert, Jannie Mouton, Markus Jooste and Christo Weise, to name a few. Julius Malema refers to them scathingly as 'The Stellenbosch Mafia', the very worst example of white monopoly capital. But who really are these mega-wealthy individuals, and what influence do they exert not only on Stellenbosch but more broadly on South African society? Author Pieter du Toit begins by exploring the roots of Stellenbosch, one of the wealthiest towns in South Africa and arguably the cradle of Afrikanerdom. This is the birthplace of apartheid leaders, intellectuals, newspaper empires and more. He then closely examines this 'club' of billionaires. Who are they and, crucially, how are they connected? What network of boardroom membership, alliances and family connections exist? Who are the 'old guard' and who are the 'inkommers', and what about the youngsters desperate to make their mark? He looks at the collapse of Steinhoff: what went wrong, and whether there are other companies at risk of a similar fate. He examines the control these men have over cultural life, including pulling the strings in South Africa rugby.

The year is 1832 and the Cape is rife with rumours about the liberation of slaves. Philida is the mother of four children by Francois Brink, the son of her master. Francois has reneged on his promise to set her free and his father has ordered him to marry a white woman from a prominent family, selling Philida on to owners in the harsh country in the north. Unwilling to accept this fate, Philida tests the limits of her freedom by setting off on a journey. She travels across the great wilderness to the far north of Cape Town - determined to survive and be free. LONGLISTED FOR THE MAN BOOKER PRIZE 2012.

This Handbook brings together leading interdisciplinary scholarship on the gendered nature of the international political economy. Spanning a wide range of theoretical traditions and empirical foci, it explores the multifaceted ways in which gender relations constitute and are shaped by global politico-economic processes. It further interrogates the gendered ideologies and discourses that underpin everyday practices from the local to the global. The chapters in this collection identify, analyse, critique and challenge gender-based inequalities, whilst also highlighting the intersectional nature of gendered oppressions in the contemporary world order.

This book examines how same-sex sexualities are represented in several post-apartheid South African cultural texts, drawing on a rich local archive of same-sex sexualities that includes recent fiction, drama, film, photography, and popular print culture. While the book situates these texts within the specific context of post-apartheid South Africa, it also looks outwards towards transnational connectivity and cultural flows. The author uses the idea of restlessness to refer to the uneven flow of cultural tropes, political sentiment, ideas, ideologies, and representational modes across geographical boundaries, across time and space, and between genres, presenting sexual cultures as simultaneously rooted and transnational. He focuses on how notions of race and gender, in the shadow of colonialism and apartheid, play out in the present and shape how sexualities are represented. This interdisciplinary book offers a conceptual entry point to several areas of study, including transnationalism, literary and cultural studies, critical race theory, gender and sexuality studies, and African studies, and will be of interest to students and researchers across these fields. Its inclusion of a range of textual genres extends its reach into visual culture, film and media studies, history, and politics.