Sex On Show

The ancient Greeks and Romans were not shy about sex. Phallic imagery, sex scenes, and the lively activities of their promiscuous gods adorned many objects, buildings, and sculptures. Drinking cups, oil-lamps, and walls were decorated with scenes of seduction; statues of erect penises served as boundary-stones and signposts; and marble satyrs and nymphs grappled in gardens. Caroline Vout examines the abundance of sexual imagery in Greek and Roman culture. Were these images intended to be shocking, humorous, or exciting? Are they about sex or love? How are we to know whether our responses to them are akin to those of the ancients? The answers to these questions provide fascinating insights into ancient attitudes toward religion, politics, sex, gender, and the body. They also reveal how the ancients saw themselves and their world, and how subsequent centuries have seen them. Beautifully illustrated throughout, this lively and thought-provoking book not only addresses theories of sexual practice and social history, it is also a visual history of what it meant and still means to stare sex in the face.

'"Relationships in New York are about detachment, so how do you get attached when you decide you want to?" "Honey, you leave town."' Meet Carrie, Miranda, Sam and their stylish friends. Successful, attractive, thirty-something career women living the high life in New York; blazing a glorious cocktail trail from the Bowery Bar to the Baby Doll Lounge; holidaying in the Hamptons and going to Aspen by Lear Jet. But they have more in common than just their enviable lifestyle; they're all searching for lasting love. Finding it is easier said than done in a town full of gorgeous, single, rich men, none of whom want to settle down. Toxic bachelors and serial daters are a perennial problem - but maybe Mr. Big will be different?

One woman's secret journal completely changes her marriage in this hilarious and biting memoir—the inspiration for the Netflix Original Series SEX/LIFE. School psychologists aren't supposed to write books about sex. Doing so would be considered "unethical" and "a fireable offense." Lucky for you, ethics was never my strong suit. Sex/Life: 44 Chapters About 4 Men is a laugh-out-loud funny and brutally honest look at female sexuality, as told through the razor-sharp lens of domesticated bad girl BB Easton. No one and nothing is off limits as BB revisits the ex-boyfriends—a sadistic tattoo artist, a punk rock parolee, and a heavy metal bass player—that led her to finally find true love with a straight-laced, drop-dead-gorgeous . . . accountant. After settling down and starting a family with her perfectly vanilla "husbot," Ken, BB finds herself longing for the reckless passion she had in her youth. She begins to write about these escapades in a secret journal, just for fun, but when Ken starts to act out the words on the pages, BB realizes that she might have stumbled upon the holy grail of behavior modification techniques. The psychological dance that ensues is nothing short of hilarious as BB wields her journal like a blowtorch, trying to light a fire under her cold, distant partner. Sometimes it works, sometimes it doesn't, but in the end, BB learns that the man she was trying so hard to change was perfect for her all along.

After enduring two seasons in London, Daphne Bridgerton is no longer naive enough to believe she will be able to be marry for love. But is it really too much to hope for a husband for whom she at least has some affection? Her brother's old school friend Simon Basset - the new Duke of Hastings - has no intention of ever marrying. However, newly returned to England, he finds himself the target of the many marriage-minded society mothers who remain convinced that reformed rakes make the best husbands. To deflect their attention, the handsome hell-raiser proposes to Daphne that they pretend an attachment. In return, his interest in Daphne will ensure she becomes the belle of London society with suitors beating a path to her door. There's just one problem, Daphne is in very real danger of falling for a man who has no intention of making their charade a reality...

I didn’t know what I was doing in a bar at midnight. On a weeknight. Certainly not sleeping, even though I had to work the next day. Definitely not open to talking with anyone, or trying to pick up a date. Surely . . . not paying the least bit of attention to the beautiful bartender with gorgeous hazel eyes and a body built for sin. He’d flash a smile and the women around him melted. He’d chuckle and even I wasn’t immune to the silken way it slid down my spine. And I was singular. I didn’t pay attention to men (and yes, I said that as a filthy, four-letter word). I existed by myself. For myself. It was safer that way. Then . . . he talked to me. Then . . . he flashed that smile my way. Then he made me want a stranger more than I wanted my careful distance. Oh. Hell.

Twenty years after her sharp, seminal first book Sex and the City reshaped the landscape of pop culture and dating with its fly-on-the-wall look at the mating rituals of the Manhattan elite, the trailblazing Candace Bushnell delivers a new book on the highs and lows of sex and dating after fifty. Set between the Upper East Side of Manhattan and a country enclave known as The Village, Is There Still Sex in the City? gathers Bushnell’s signature short, sharp, satirical commentaries on the love and dating habits of middle-aged men and women as they continue to navigate the ever-modernizing world of relationships. Throughout, Bushnell documents twenty-first century dating phenomena, such as the “Unintended Cub Situation” in which a sensible older woman suddenly becomes the love interest of a much younger man, the “Mona Lisa” Treatment — a vaginal restorative surgery often recommended to middle-aged women — and what it’s really like to go on Tinder dates as a fifty-something divorcée. Bushnell also updates one of her most celebrated stories from Sex and the City, about “Bicycle Boys,” a breed of New York man who is always trying to bring his bike up to women’s apartments. Once an anomaly, Bushnell charts their new ubiquitousness, in addition to where, and how, to do your own man stalking via bicycle (and whether or not it’s worth it).

A witty and irreverent look at the collision of two dangerous subjects -- live television and sex. "Sue, I have a question about vaginal odour." The young woman on the phone sounds earnest. On the television screen, the sixty-something host leans forward with the concern of an attentive great aunt, listening intently. "Yes?" It's late Sunday evening, and all across Canada, 300,000 viewers are watching The Sunday Night Sex Show, eavesdropping on this most intimate of conversations. "Well, I don't think mine smells very good, and a friend told me I should take a bath in vinegar" Without a second's hesitation, Sue Johanson exclaims: "What are you trying to do? Pickle it?!" And then she laughs, a warm, inclusive, non-judgmental laugh that tells the young woman on the phone that she's poking fun at the suggestion, not the caller. Viewers chuckle at the gag, and then settle back to listen to the country's best-loved sexual educator give a well-informed, honest answer to an honest question. For six seasons, Sue Johanson has been ruining people's Mondays by making them stay up late Sunday night. Sex sells, but it's really not the topic that keeps viewers tuning in. It's Sue. They love her. In this book, RJ Gulliver, Sue's long-time director and consultant, tells the stories behind the shows. Transcripts of classic phone calls (both funny and poignant), stories of the erotic toys that didn't make it on the air, what goes on behind the cameras, and Sue's own story fill this book that will make you laugh out loud, and give you a new appreciation of Canada's favourite sex-ed teacher. It also includes a chapter written by Sue about the best herbal remedies to common sexual problems. In Canada, if Saturday night belongs to hockey, Sunday night belongs to Sue.

Winner of the 29th annual Lambda Literary Award for LGBT Studies All museums are sex museums. In Sex Museums, Jennifer Tyburczy takes a hard look at the formation of Western sexuality—particularly how categories of sexual normalcy and perversity are formed—and asks what role museums have played in using display as a technique for disciplining sexuality. Most museum exhibits, she argues, assume that white, patriarchal heterosexuality and traditional structures of intimacy, gender, and race represent national sexual culture for their visitors. Sex Museums illuminates the history of such heteronormativity at most museums and proposes alternative approaches for the future of public display projects, while also offering the reader curatorial tactics—what she calls queer curatorship—for exhibiting diverse sexualities in the twenty-first century. Tyburczy shows museums to be sites of culture-war theatrics, where dramatic civic struggles over how sex relates to public space, genealogies of taste and beauty, and performances of sexual identity are staged. Delving into the history of erotic artifacts, she analyzes how museums have historically approached the collection and display of the material culture of sex, which poses complex moral, political, and logistical dilemmas for the Western museum. Sex Museums unpacks the history of the museum and its intersections with the history of sexuality to argue that the Western museum context—from its inception to the present—marks a pivotal site in the construction of modern sexual subjectivity.