Shakespeare Without Fear

SHAKESPEARE WITHOUT FEAR guides novice actors through Shakespearean verse, helping them understand dialogue, its meaning and purpose, and finally, helping them interpret it in their acting. It teaches actors how to use verse scansion, rhetoric, and vocal scoring to obtain the desired results from their own acting as well as from others in a scene. Written in the format of a dialogue between a student and an instructor, SHAKESPEARE WITHOUT FEAR explores a student's point of view, addressing the concerns of a first-time Shakespearean actor. The author writes with a sense of humor in a clear, unintimidating style.

Explains the historical, legendary, and mythological background of 38 plays and 2 narrative poems.

Othello, the Moor of Venice is a tragedy by William Shakespeare believed to have been written in approximately 1603, and based on the Italian short story 'Un Capitano Moro' ('A Moorish Captain') by Cinthio, a disciple of Boccaccio, first published in 1565. The work revolves around four central characters: Othello, a Moorish general in the Venetian army; his wife Desdemona; his lieutenant, Cassio; and his trusted ensign Iago. Because of its varied themes - racism, love, jealousy, and betrayal - Othello is widely felt to remain relevant to the present day and is often performed in professional and community theatres alike. The play has also been the basis for numerous operatic, film, and literary adaptations. [Iago] Out of my scattering, and unsure observance; It were not for your quiet, nor your good, Nor for my manhood, honesty, or wisedome, To let you know my thoughts. Oth. What dost thou meane?

Shakespeare in Modern English breaks the taboo about Shakespeare’s texts, which have long been regarded as sacred and untouchable while being widely and freely translated into foreign languages. It is designed to make Shakespeare more easily understood in the theatre without dumbing down or simplifying the content. Shakespeare’s ‘As You Like It’, ‘Coriolanus’ and ‘The Tempest’ are presented in Macdonald’s book in modern English. They show that these great plays lose nothing by being acted or read in the language we all use today. Shakespeare’s language is poetic, elaborately rich and memorable, but much of it is very difficult to comprehend in the theatre when we have no notes to explain allusions, obsolete vocabulary and whimsical humour. Foreign translations of Shakespeare are normally into their modern language. So why not ours too? The purpose in rendering Shakespeare into modern English is to enhance the enjoyment and understanding of audiences in the theatre. The translations are not designed for children or dummies, but for those who want to understand Shakespeare better, especially in the theatre. Shakespeare in Modern English will appeal to those who want to understand the rich and poetical language of Shakespeare in a more comprehensible way. It is also a useful tool for older students studying Shakespeare.

Murder mayhem and magic.Pushed by his wife to seize the throne Macbeth kills his rightful liege and then tries desperately to hold onto the kingdom that he has wrongfully usurped. Prophesy and magic abound in this dark moody and atmospheric play.Out damned spot! Out I say!One- two -why then 'tis time to do't. Hell is murky. Fie my lord fie! A soldier and afeard? What need we fear who knows it when none can call ourpower to account? Yet who would have thought the old man to have had so much blood in him?