Shallcross The Blindspot Cathedral

Aubrey Shallcross loses direction and feels lost after selling his successful business and retiring. In the absence of routine and structure, the auditory and visual hallucinations he’s experienced since childhood become stronger and more vivid. He finds comfort from fear and anxiety in the familiarity of Triple Suiter, his mind’s other voice, as they explore his psyche and the remnants of Catholicism Aubrey has shunned. To maintain his sanity and manage intrusions from a bad voice called the Slim Hand, Shallcross indulges his passions for training horses, surfing, and music. Aubrey’s life is transformed by the love of an unusual women and they lead a life of devotion and magic until a jealous stalker fills Aubrey's life with pain and darkness.

From the cloud lands of South Florida – from the novels, Shallcross, and Flame Vine comes another story in the life of Aubrey Shallcross. What happens when nature turns into super nature? In this eco-warrior tale, two bull alligators, The Dragon and Two-toed Tom, are formidable living vessels inhabited by the ghosts of Jules Verne and the famous Seminole, Osceola. They are discovered on a remote creek by Aubrey, someone medicine would call schizophrenic. Aubrey can see and hear the spirits that captain the huge reptiles and together they form an alliance. Vern and Osceola collaborate with a Seminole medicine man, Billie Monday and his soldier, Freddie Tommie to stop runaway development, and the giant gators are soon sent to destroy certain building projects with toxic trails. Aubrey joins them in creating chaos and misery when the bulldozers come to fill the wetlands and level the woods.

“A horse story for riders. A gun story for shooters. A love story for lovers.” A year in the life of Orin Kraybill and his wife Isabel, professional dressage competitors and trainers who follow the horseshow circuit to Florida every winter. They are friends with Joel Katz, a highly ranked jumper rider and champion sharpshooter, whose girlfriend, Jane Kline, is a concert pianist and fellow shooter. The story winds through the big shows and hours of training, along with the unusual atmosphere of gun ranges and cowboy fast draw contests, where two brothers from the farms around Belle Glade are Joel’s rivals and adversaries. Love in the Time of Horses is an inside look at the tony, cabalistic world of international horse showing and coaching that returns to Florida every winter for the ruling class and famous to entertain, compete, and play in the sun parlors of Palm Beach County.

How can we rethink anthropology beyond itself? In this book, twenty-one artists, anthropologists, and curators grapple with how anthropology has been formulated, thought, and practised ‘elsewhere’ and ‘otherwise’. They do so by unfolding ethnographic case studies from Belgium, France, Germany, Italy, the Netherlands, and Poland – and through conversations that expand these geographies and genealogies of contemporary exhibition-making. This collection considers where and how anthropology is troubled, mobilised, and rendered meaningful. Across Anthropology charts new ground by analysing the convergences of museums, curatorial practice, and Europe’s reckoning with its colonial legacies. Situated amid resurgent debates on nationalism and identity politics, this book addresses scholars and practitioners in fields spanning the arts, social sciences, humanities, and curatorial studies. Preface by Arjun Appadurai. Afterword by Roger Sansi Contributors: Arjun Appadurai (New York University), Annette Bhagwati (Museum Rietberg, Zurich), Clémentine Deliss (Berlin), Sarah Demart (Saint-Louis University, Brussels), Natasha Ginwala (Gropius Bau, Berlin), Emmanuel Grimaud (CNRS, Paris), Aliocha Imhoff and Kantuta Quirós (Paris), Erica Lehrer (Concordia University, Montreal), Toma Muteba Luntumbue (Ecole de Recherche Graphique, Brussels), Sharon Macdonald (Humboldt-Universität zu Berlin), Wayne Modest (Research Center for Material Culture, Leiden), Bonaventure Soh Bejeng Ndikung (SAVVY Contemporary, Berlin), Margareta von Oswald (Humboldt-Universität zu Berlin), Roger Sansi (Barcelona University), Alexander Schellow (Ecole de Recherche Graphique, Brussels), Arnd Schneider (University of Oslo), Anna Seiderer (University Paris 8), Nanette Snoep (Rautenstrauch-Joest-Museum, Cologne), Nora Sternfeld (Kunsthochschule Kassel), Anne-Christine Taylor (Paris), Jonas Tinius (Humboldt-Universität zu Berlin) Ebook available in Open Access. This publication is GPRC-labeled (Guaranteed Peer-Reviewed Content).

Richard Harding Davis was born in Philadelphia on April 18, 1864, but, so far as memory serves me, his life and mine began together several years later in the three-story brick house on South Twenty-first Street, to which we had just moved. For more than forty years this was our home in all that the word implies, and I do not believe that there was ever a moment when it was not the predominating influence in Richard's life and in his work. As I learned in later years, the house had come into the possession of my father and mother after a period on their part of hard endeavor and unusual sacrifice. It was their ambition to add to this home not only the comforts and the beautiful inanimate things of life, but to create an atmosphere which would prove a constant help to those who lived under its roof—an inspiration to their children that should endure so long as they lived. At the time of my brother's death the fact was frequently commented upon that, unlike most literary folk, he had never known what it was to be poor and to suffer the pangs of hunger and failure. That he never suffered from the lack of a home was certainly as true as that in his work he knew but little of failure, for the first stories he wrote for the magazines brought him into a prominence and popularity that lasted until the end. But if Richard gained his success early in life and was blessed with a very lovely home to which he could always return, he was not brought up in a manner which in any way could be called lavish. Lavish he may have been in later years, but if he was it was with the money for which those who knew him best knew how very hard he had worked.

The exciting conclusion of the Terra Haven Chronicles! Kylie’s everlasting seed is supposed to guide her to the story of a lifetime, but that hardly matters now. Suspended from her position as a journalist for the Terra Haven Chronicle, she can’t publish anything. However, a stymied career is the least of Kylie’s concerns. Someone is targeting her mom. First, they tried to make her look like a criminal. Now they’re trying to kill her. Kylie will stop at nothing to save her mom. Unfortunately, the only people who might have useful information are pyromaniacs and prisoners, and they would rather see Kylie dead than help her. Determined to flush out her enemy, Kylie must follow every lead, no matter how dubious. And this time, not even Kylie’s loyal gargoyle companion, Quinn, can keep her safe… Pick up your copy of this action-packed fantasy today! READING ORDER TERRA HAVEN CHRONICLES Deadlines & Dryads (prequel) Leads & Lynxes Headlines & Hydras Muckrakers & Minotaurs OTHER NOVELS IN THIS WORLD -Gargoyle Guardian Chronicles- Magic of the Gargoyles Curse of the Gargoyles Secret of the Gargoyles Lured (a newsletter-exclusive novella) Flight of the Gargoyles -Terra Haven Holiday Chronicles- Magic by Starlight (Books 1-3)

This second companion volume on engineering studies considers engineering practice including contextual analyses of engineering identity, epistemologies and values. Key overlapping questions examine such issues as an engineering identity, engineering self-understandings enacted in the professional world, distinctive characters of engineering knowledge and how engineering science and engineering design interact in practice. Authors bring with them perspectives from their institutional homes in Europe, North America, Australia\ and Asia. The volume includes 24 contributions by more than 30 authors from engineering, the social sciences and the humanities. Additional issues the chapters scrutinize include prominent norms of engineering, how they interact with the values of efficiency or environmental sustainability. A concluding set of articles considers the meaning of context more generally by asking if engineers create their own contexts or are they created by contexts. Taken as a whole, this collection of original scholarly work is unique in its broad, multidisciplinary consideration of the changing character of engineering practice.