Shattered Forms

Art Brut, also termed Outsider Art, has long been suppressed from most art historical writing. Why this rejection? The hyperbolic expressions of Romanticism and Symbolism nourished a desire for derangement and dissociation that inspired both Expressionism and Surrealism. Simulated delirium became the object of the new art -- experimental, avant-garde, modernist -- which arose from the fragmented codes, the shattered forms of everyday communication. But what of those artists whose works, and often whose deliria, are the manifestations of sheer eccentricity, of social isolation and marginalization, or of madness? In this book Weiss investigates the origins of the unrestricted contemporary artistic field, seeking its sources in those works hitherto absent from the official histories of art -- works that constitute art's dark interior, its disturbing netherworld. Secluded, occluded, excluded, Art Brut nevertheless extends the limits of artistic creativity and aesthetic discourse, regardless of whatever anxieties such works may produce. Shattered Forms explores the relations between Art Brut, the psychopathology of expression, and avant-garde Modernism, attempting to show how the consideration of Art Brut should lead to a revision of our theoretical and museological paradigms.

Art Brut, also termed Outsider Art, has long been suppressed from most art historical writing. Why this rejection? The hyperbolic expressions of Romanticism and Symbolism nourished a desire for derangement and dissociation that inspired both Expressionism and Surrealism. Simulated delirium became the object of the new art — experimental, avant-garde, modernist — which arose from the fragmented codes, the shattered forms of everyday communication. But what of those artists whose works, and often whose deliria, are the manifestations of sheer eccentricity, of social isolation and marginalization, or of madness? In this book Weiss investigates the origins of the unrestricted contemporary artistic field, seeking its sources in those works hitherto absent from the official histories of art — works that constitute art's dark interior, its disturbing netherworld. Secluded, occluded, excluded, Art Brut nevertheless extends the limits of artistic creativity and aesthetic discourse, regardless of whatever anxieties such works may produce. Shattered Forms explores the relations between Art Brut, the psychopathology of expression, and avant-garde Modernism, attempting to show how the consideration of Art Brut should lead to a revision of our theoretical and museological paradigms.

The Shattered Gourd uses the lens of visual art to examine connections between the United States and the Yoruba region of western Nigeria. In Yoruba legend, the sacred Calabash of Being contained the Water of Life; when the gourd was shattered, its fragments were scattered over the ground, death invaded the world, and imperfection crept into human affairs. In more modern times, the shattered gourd has symbolized the warfare and enslavement that culminated in the black diasporas. The "re-membering" of the gourd is represented by the survival of people of African origin all over the Americas, and, in this volume, by their rediscovery of African art forms on the diaspora soil of the United States. Twentieth-century African American artists employing Yoruba images in their work have gone from protest art to the exploration and celebration of the self and the community. But because the social, economic, and political context of African art forms differs markedly from that of American culture, critical contradictions between form and meaning often appear in African American works that use African forms. In this book -- the first to treat Yoruba forms while transcending the conventional emphasis on them as folk art, focusing instead on the high art tradition -- Moyo Okediji uses nearly four dozen works to illustrate a broad thematic treatment combined with a detailed approach to individual African and African American artists. Incorporating works by such artists as Meta Warrick Fuller, Hale Woodruff, Aaron Douglas, Elizabeth Catlett, Ademola Olugebefola, Paul Keene, Jeff Donaldson, Howardena Pindell, Muneer Bahauddeen, Michelle Turner, Michael Harris, Winnie Owens-Hart, and John Biggers, the author invites the reader to envision what he describes as "the immense possibilities of the future, as the twenty-first century embraces the twentieth in a primal dance of the diasporas," a future that heralds the advent of the global as a distinct movement in art, beyond postmodernism.

Symmetry is at the heart of our understanding of matter. This book tells the fascinating story of the constituents of matter from a common symmetry perspective. The standard model of elementary particles and the periodic table of chemical elements have the common goal to bring order in the bewildering chaos of the constituents of matter. Their success relies on the presence of fundamental symmetries in their core. The purpose of Shattered Symmetry is to share the admiration for the power and the beauty of these symmetries. The reader is taken on a journey from the basic geometric symmetry group of a circle to the sublime dynamic symmetries that govern the motions of the particles. Along the way the theory of symmetry groups is gradually introduced with special emphasis on its use as a classification tool and its graphical representations. This is applied to the unitary symmetry of the eightfold way of quarks, and to the four-dimensional symmetry of the hydrogen atom. The final challenge is to open up the structure of Mendeleev's table which goes beyond the symmetry of the hydrogen atom. Breaking this symmetry to accommodate the multi-electron atoms requires us to leave the common ground of linear algebras and explore the potential of non-linearity.

***OVER A MILLION COPIES OF THE IRON DRUID BOOKS SOLD*** 'American Gods meets Jim Butcher's Harry Dresden' SFF World For nearly two thousand years, there was only one Druid left walking the Earth - Atticus O'Sullivan, the Iron Druid, whose sharp wit and sharp sword kept him alive while pursued by a pantheon of hostile deities. Now he's got company. Atticus's apprentice Granuaile is finally a full Druid herself. What's more, Atticus has defrosted an archdruid long ago frozen in time, a father figure (of sorts) who now goes by the modern name Owen Kennedy. And Owen has some catching up to do. Atticus takes pleasure in the role reversal, as the student is now the teacher. Between busting Atticus's chops and trying to fathom a cell phone, Owen must also learn English. For Atticus, the jury's still out on whether the wily old coot will be an asset in the epic battle with Norse god Loki - or merely a pain in the arse. As the trio of Druids deals with pestilence-spreading demons, bacon-loving yeti, fierce flying foxes, and frenzied Fae, they're hoping that this time . . . three's a charm. Praise for the Iron Druid Chronicles: 'Atticus and his crew are a breath of fresh air! . . . I love, love, love this series' My Bookish Ways 'Entertaining, steeped in a ton of mythology, populated by awesome characters' Civilian Reader 'This is one series no fantasy fan should miss. Mystery, suspense, magic and mayhem' SciFiChick The Iron Druid Chronicles Hounded Hexed Hammered Tricked Trapped Hunted Shattered Staked Scourged Besieged (short stories) HAVE YOU TRIED . . . Kevin Hearne's epic fantasy novel A PLAGUE OF GIANTS - described by Delilah S. Dawson as 'a rare masterpiece that's both current and timeless . . . merging the fantasy bones of Tolkien and Rothfuss with a wide cast of characters who'll break your heart'. Out now!

"The Unfinished Manner examines the fragments produced by European writers and artists in the eighteenth century and earlier, fragments that were not the result of an inability to finish either texts or buildings but rather deliberate refusals to make the traditional gestures of conclusion. Most books published in the past few years on the fragment and the unfinished see it as a peculiarly "Romantic" early nineteenth-century exclusively poetic form. Elizabeth Wanning Harries argues, instead, that the fragment not only had a long history beginning with Petrarch but also played an important part in the history of the novel and other kinds of prose." "Conceptualizing the fragment as a genre, Harries sheds a new light on the practice of reading fiction and "reading" ruins in the eighteenth century, complex practices that often require oscillation between two perspectives or ways of reading. She also explores the gendering of forms in eighteenth-century aesthetics - the perception of fragments as feminine (beautiful) rather than masculine (sublime) - and speculates on the fragment's meaning within the context of eighteenth-century social mythologies as well as those of later eras. Finally, she rereads Coleridge's "Kubla Khan" to show its roots in eighteenth-century fragmentary textual practices." "The Unfinished Manner takes up the questions that arise when writers and artists treat apparently unfinished forms - fragments, ruins, torsos, sketches - as finished, both in the eighteenth century and, implicitly, today. Harries's treatments of Petrarch as the initiator of the fragment tradition, of Sterne in relation to biblical criticism, of Coleridge's "Kubla Khan" in relation to Sterne's Tristram Shandy, and of fragments in their relation to the feminine are original and revisionary contributions that seriously challenge some critical assumptions about Romanticism and its relationship to eighteenth-century texts."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

Recent research in the fields of attachment and trauma is once more pointing to the contribution of early relational failures to extreme psychic suffering. 'Disorganised' patterns of attachment, identified in children whose caregivers are simultaneously a source of fear and a source of comfort, have been linked to the development of both dissociative and so called 'borderline' disorders in adult life. The conference was to bring together speakers able to extend our thinking and bring insights from attachment theory and psychoanalysis to the current debate about the links between the traumatic disorganisation of attachment relationships and more severe mental and emotional distress - dissociative states, borderline experiences and psychosis - as they emerge in clinical practice. The papers in this volume have in common a committed insistence upon placing human relationship at the centre of their accounts of extreme psychological suffering, both as the source of injury and, most hopefully, as the potential agent of repair. In this respect, they contribute fittingly in his centenary year to the continuation and extension of John Bowlby's pioneering work for the understanding, treatment and relief of such suffering.

Among a growing number of ethnographies of eastern Indonesia that deal with cosmology, exchange, and kinship, From a Shattered Sun is the first to address squarely issues originally broached by Edmund Leach and Claude Lévi-Strauss concerning the relation between hierarchy and equality in asymmetric systems of marriage. On the basis of extensive fieldwork in the Tamimbar islands, Susan McKinnon analyzes the simultaneous presence of both closed, asymmetric cycles and open, asymmetric pathways of alliance--of both egalitarian and hierarchical configurations. In addition, Tamimbarese society is marked by the existence of multiple, differentially valued forms of marriage, affiliation, and residence. Rather than seeing these various forms as analytically separable types, McKinnon demonstrates that it is only by viewing them as integrally related--in terms of culturally specific understandings of "houses," gender, and exchange--that one can perceive the processes through which hierarchy and equality are created.