She Votes

She Votes is an intersectional story of the women who won suffrage, and those who have continued to raise their voices for equality ever since. From the first female Principal Chief of the Cherokee Nation to the first woman to wear pants on the Senate floor, author Bridget Quinn shines a spotlight on the women who broke down barriers. This book also honors the 100th anniversary of the Nineteenth Amendment with illustrations by 100 women artists. • A colorful, intersectional account of the struggle for women's rights in the United States • Features heart-pounding scenes and keenly observed portraits • Includes dynamic women from Elizabeth Cady Stanton to Audre Lorde She Votes is a refreshing and illuminating book for feminists of all kinds. Each artist brings a unique perspective; together, they embody the multiplicity of women in the United States. • From the pen of rockstar author and historian Bridget Quinn, this book tells the story of women's suffrage. • Perfect for feminists of all ages and genders who want to learn more about the 19th amendment and the journey to equal representation • You'll love this book if you love books like Notorious RBG: The Life and Times of Ruth Bader Ginsburg by Irin Carmon and Shana Knizhnik; Rad American Women A-Z: Rebels, Trailblazers, and Visionaries who Shaped Our History . . . and Our Future! by Kate Schatz and Miriam Klein Stahl; and Why I March: Images from The Women's March Around the World by Abrams Books.

Historically, major women artists have been excluded from the mainstream art canon. Aligned with the resurgence of feminism in pop culture, Broad Strokes offers an entertaining corrective to that omission. Art historian Bridget Quinn delves into the lives and careers of 15 female artists from around the globe in text that's smart, feisty, educational, and an enjoyable read. Replete with beautiful reproductions of the artists' works and contemporary portraits of each artist by renowned illustrator Lisa Congdon, this is art history from the Renaissance to Abstract Expressionism for the modern art lover, reader, and feminist.

"A Twentieth Century Fund study."Includes indexes. Bibliography: p. [257]-302.

Votes for Women! (1907) is a play by American actress, writer, and suffragette Elizabeth Robins. Having established herself as one of England’s leading actresses with her productions of Henrik Ibsen’s dramas, Robins retired from the stage to pursue a writing career. Votes for Women!, inspired by Robins’ own activism as a suffragette, was the first major play to represent the movement on stage. Despite its lukewarm reception and controversial subject matter, Robins’ work would inspire countless other so-called suffragette plays, not only making space in the male-dominated theatrical world for plays written by, for, and about women, but also reclaiming the political influence of the dramatic arts in order to promote a contemporary social struggle. The play opens in the opulent Wynnstay House, a country home in Hertforshire owned by Lady and Lord John Wynnstay. There, Vida Levering, a militant activist for women’s suffrage, prepares to leave for a rally in Trafalgar Square. Defending her political beliefs and motivations against the skepticism and conservative values of her hosts, Miss Levering stays true to her values and leaves for London with a renewed sense of purpose. At the crowded demonstration held at one of London’s most iconic sites, a symbol of state power and military might, Miss Levering works up the courage to address the gathered people. Initially nervous, she overcomes hecklers and her own fears to deliver a rousing speech in support of women’s suffrage, powerfully demonstrating the determination necessary to resist the powers that be in order to achieve what must and will be done. Votes for Women! is a captivating work of political theater from one of the leading actresses and dramatists of the early twentieth century. With a beautifully designed cover and professionally typeset manuscript, this edition of Elizabeth Robins’ Votes for Women! is a classic of English literature reimagined for modern readers.

Many of Canada’s most famous suffragists lived and campaigned in the Prairie provinces, which led the way in granting women the right to vote and hold office. In Ours by Every Law of Right and Justice, Sarah Carter challenges the myth that grateful male legislators simply handed women the vote when it was asked for. Settler suffragists worked long and hard to overcome obstacles and persuade doubters. But even as they petitioned for the vote for their sisters, they often approved of that same right being denied to “foreigners” and Indigenous peoples. By situating the suffragists’ struggle in the colonial history of Prairie Canada, this powerful and passionate book shows that the right to vote meant different things to different people.

For decades, journalists have called the winners of U.S. presidential elections—often in error—well before the closing of the polls. In Votes That Count and Voters Who Don’t, Sharon E. Jarvis and Soo-Hye Han investigate what motivates journalists to call elections before the votes have been tallied and, more importantly, what this and similar practices signal to the electorate about the value of voter participation. Jarvis and Han track how journalists have told the story of electoral participation during the last eighteen presidential elections, revealing how the portrayal of voters in the popular press has evolved over the last half century from that of mobilized partisan actors vital to electoral outcomes to that of pawns of political elites and captives of a flawed electoral system. The authors engage with experiments and focus groups to reveal the effects that these portrayals have on voters and share their findings in interviews with prominent journalists. Votes That Count and Voters Who Don’t not only explores the failings of the media but also shows how the story of electoral participation might be told in ways that support both democratic and journalistic values. At a time when professional strategists are pressuring journalists to provide favorable coverage for their causes and candidates, this book invites academics, organizations, the press, and citizens alike to advocate for the voter’s place in the news.

British Columbia is often overlooked in the national story of women’s struggle for political equality. This book rights that wrong. A Great Revolutionary Wave follows the propaganda campaigns undertaken by suffrage organizations and traces the role of working-class women in the fight for political equality. It demonstrates the connections between provincial and British suffragists, and examines how racial exclusion and Indigenous dispossession shaped arguments and tactics for enfranchisement. Lara Campbell rethinks the complex legacy of suffrage and traces the successes and limitations of women’s historical fight for political equality. That legacy remains relevant today as Canadians continue to grapple with the meaning of justice, inclusion, and equality.