She Wolves

In medieval England, man was the ruler of woman, and the King was the ruler of all. How, then, could royal power lie in female hands? In She-Wolves, celebrated historian, Helen Castor, tells the dramatic and fascinating stories of four exceptional women who, while never reigning queens, held great power: Matilda, Eleanor of Aquitaine, Isabella of France and Margaret of Anjou. These were women who paved the way for Jane Grey, Mary Tudor and Elizabeth I - the Tudor queens who finally confronted what it meant to be a female monarch.

Ylva, a young Viking girl, is swept by a storm to England where she is orphaned. Determined to avenge her mother's death, she tracks the killer north. But when a stranger steps in, Ylva has to choose between vengeance and trust.

Some of the queens featured in She Wolves are well known and have been the subject of biography – Eleanor of Aquitaine, Emma of Normandy, Isabella of France and Anne Boleyn, for example – others have not been written about outside academic journals. The appeal of these notorious queens, apart from their shared taste for witchcraft, murder, adultery and incest, is that because they were notorious they attracted a great deal of attention during their lifetimes. She-Wolves reveals much about the role of the medieval queen and the evolution of the role that led, ultimately, to the reign of Elizabeth I and a new concept of queenship.

Set against the backdrop of the Paris Uprising of 1832, ‘The She-Wolves of Machecoul’ is dripping with political intrigue, sinister plots, and knuckle-cracking villains. However, at its heart, the story is a romantic one, focusing on the fortunes of the eponymous she-wolves, Mary and Bertha. While the plot to establish a new monarch unfolds, Mary and Bertha are both smitten with Baron Michel Logerie. But is the Baron all that he seems, or does he have ulterior motives? Filled with thrills, secrets, and historical detail, ́The She-Wolves of Machecoul ́ is a superb adventure story, which will surely delight fans of Dumas' other works. Alexandre Dumas (1802 – 1870) was one of the most popular French authors and playwrights of the 19th Century. After the death of his father, Dumas travelled to Paris where he eventually decided to work in the theatre. He first came to public attention at the age of 27 with his first play, ‘King Henry III and his Courts.’ After a succession of successful stage plays, Dumas turned his hand to writing novels. Many of these were serialised in newspapers, such as ‘La Comtesse de Salisbury; Édouard III,’ and ‘Le Capitaine Paul.’ Many of Dumas’ later works have been hailed as timeless classics and adapted for television and the silver screen, such as ‘The Three Musketeers’, starring ‘Lord of the Rings’ ́ Orlando Bloom, and ‘The Count of Monte Cristo’, starring ‘Superman’ star, Henry Cavill.

Since antiquity, the she-wolf has served as the potent symbol of Rome. For more than two thousand years, the legendary animal that rescued Romulus and Remus has been the subject of historical and political accounts, literary treatments in poetry and prose, and visual representations in every medium. In She-Wolf: The Story of a Roman Icon, Cristina Mazzoni examines the evolution of the she-wolf as a symbol in western history, art, and literature, from antiquity to contemporary times. Used, for example, as an icon of Roman imperial power, papal authority, and the distance between the present and the past, the she-wolf has also served as an allegory for greed, good politics, excessive female sexuality, and, most recently, modern, multi-cultural Rome. Mazzoni engagingly analyzes the various role guises of the she-wolf over time in the first comprehensive study in any language on this subject.