Shenandoah Voices

Meet Ben Southard, the blacksmith who could shoe anything that wears a tail; Fighting Bob Misner, the Great Bully of the Hills of Judea; and the Brocks Gap Angel of Mercy, who was, in fact, a witch doctor.

Bordered by the Blue Ridge and the Allegheny Mountains, the Shenandoah Valley forms a natural corridor to the western parts of Virginia, Tennessee, and North Carolina. Early American settlers followed the valley as one of the first routes westward. In Shenandoah Valley Folklife, Scott Hamilton Suter documents the many peoples who have left their marks on the folkways of the region--Native Americans, Germans, Swiss, Scots- Irish, and African Americans. His research reveals how the first settlers there built homes, how they worshiped, and how they passed on legends and musical traditions that continue to play a role in the community today. Throughout the book, Suter argues that the valley's past plays a definitive role in its present. He finds family traditions still thriving in crafts like white oak basketmaking, as well as in cooking and architecture. To illuminate the change and continuity in religious life, he focuses on Old Order Mennonites, the Church of the Brethren, and Baptists in the region. Using both historical sources and his own field work, Suter shows how folklife remains a powerful, resonant force in the Shenandoah, and how new immigrants are adapting and adding their own traditions to long-standing customs. Scott Hamilton Suter is curator of the Shenandoah Valley Folk Art & Heritage Center in Dayton, Virginia. He was a Senior Fulbright Scholar and University Fellow at The George Washington University and wrote "Tradition and Fashion: Cabinetmaking in the Upper Shenandoah Valley, 1850-1900" and has had articles in the "Folklore Historian" and the "Virginia Explorer."

The abolitionist John Brown still roams the West Virginia panhandle--and beyond. In Lexington, a statue sheds real tears, mourning Virginians killed in battle. Decades of abuse at a sanatorium unleashed malevolent entities in Staunton. Spirits of Native Americans, Civil War soldiers and children frequent natural springs in Frederick County and caves near Strasburg. Ghosts stay free of charge at the nation's oldest inn in Middletown, and at the Natural Bridge Hotel, phantom children play in the halls. Visitors from beyond the grave enjoy live performances at several theaters in the region, while spectral soldiers gather for combat in the battlefields scattered throughout the area. Join Denver Michaels as he delves into folklore, eyewitness accounts and urban legends to bring you the best ghost stories from the Shenandoah Valley.

Discografie van een eeuw Noord-Amerikaanse indiaanse volksmuziek en van populaire muziek van musici met indiaans bloed of met indiaanse thema's.

In this series finale of historical fiction from 1864 and 1865, the spotlight shines brightest on Esther and David in the ravaged Shenandoah Valley of Virginia, while all five narrators show versions of courage, adaptation, and survival. During these closing years of the American Civil War, no human experience can be ordinary: not marriage, not enterprising work, not youthful growth. Not when folks are repeatedly disrupted by the forces of military drafts, unexpected visitors, untimely deaths, and ruptured Anabaptist churches and families. Through it all the ambiguities of freedom complicate the beliefs and actions of "the people with scruples."

The persecution of Old World German Protestants and Anabaptists in the seventeenth century--following debilitating wars, the Reformation, and the Inquisition-- brought about significant immigration to America. Many of the immigrants, and their progeny, settled in the Appalachian frontier. Here they established a particularly old set of religious beliefs and traditions based on a strong sense of folk spirituality. They practiced astrology, numerology, and other aspects of esoteric thinking and left a legacy that may still be found in Appalachian folklore today. Based in part on the author's extensive collection of oral histories from the remote highlands of West Virginia, Signs, Cures, and Witchery; German Appalachian Folklore describes these various occult practices, symbols, and beliefs; how they evolved within New World religious contexts; how they arrived on the Appalachian frontier; and the prospects of those beliefs continuing in the contemporary world. By concentrating on these inheritances, Gerald C. Milnes draws a larger picture of the German influence on Appalachia. Much has been written about the Anglo-Celtic, Scots-Irish, and English folkways of the Appalachian people, but few studies have addressed their German cultural attributes and sensibilities. Signs, Cures, and Witchery sheds startling light on folk influences from Germany, making it a volume of tremendous value to Appalachian scholars, folklorists, and readers with an interest in Appalachian folklife and German American studies.

This interdisciplinary volume explores the girl’s voice and the construction of girlhood in contemporary popular music, visiting girls as musicians, activists, and performers through topics that range from female vocal development during adolescence to girls’ online media culture. While girls’ voices are more prominent than ever in popular music culture, the specific sonic character of the young female voice is routinely denied authority. Decades old clichés of girls as frivolous, silly, and deserving of contempt prevail in mainstream popular image and sound. Nevertheless, girls find ways to raise their voices and make themselves heard. This volume explores the contemporary girl’s voice to illuminate the way ideals of girlhood are historically specific, and the way adults frame and construct girlhood to both valorize and vilify girls and women. Interrogating popular music, childhood, and gender, it analyzes the history of the all-girl band from the Runaways to the present; the changing anatomy of a girl’s voice throughout adolescence; girl’s participatory culture via youtube and rock camps, and representations of the girl’s voice in other media like audiobooks, film, and television. Essays consider girl performers like Jackie Evancho and Lorde, and all-girl bands like Sleater Kinney, The Slits and Warpaint, as well as performative 'girlishness' in the voices of female vocalists like Joni Mitchell, Beyoncé, Miley Cyrus, Taylor Swift, Kathleen Hanna, and Rebecca Black. Participating in girl studies within and beyond the field of music, this book unites scholarly perspectives from disciplines such as musicology, ethnomusicology, comparative literature, women’s and gender studies, media studies, and education to investigate the importance of girls’ voices in popular music, and to help unravel the complexities bound up in music and girlhood in the contemporary contexts of North America and the United Kingdom.