Shepard S War

Ernest Howard Shepard was born in London in 1879 into an artistic and literary family. He studied art from an early age and was successful in making a career out of it, particularly as a political cartoonist for Punch and a prolific book illustrator. Shepard is most widely known for his illustrations of the Winnie-the-Pooh series by A. A. Milne and The Wind in the Willows by Kenneth Grahame, and these drawings have become classics in their own right, iconic in the minds of children and adults everywhere. Shepard's War is an intimate, illustrated narrative of the First World War seen through the mainly unpublished work of E. H. Shepard, who served as a frontline officer from 1915 to the end of the war. With over a hundred pieces of original artwork, rendered in full-colour, ranging from caricatures of Shepard's fellow officers to sketches made during battle, technical drawings and commentary from Shepard's own wartime notebooks and diaries, this is a unique insight into the life of an incredibly talented yet humble man and a rare visual journey into the Great War.

In Nazi eyes, the Soviet Union was the "wild east," a savage region ripe for exploitation, its subhuman inhabitants destined for extermination or helotry. An especially brutal dimension of the German army's eastern war was its anti-partisan campaign. This conflict brought death and destruction to thousands of Soviet civilians, and has been held as a prime example of ordinary German soldiers participating in the Nazi regime's annihilation policies. Ben Shepherd enters the heated debate over the wartime behavior of the Wehrmacht in a detailed study of the motivation and conduct of its anti-partisan campaign in the Soviet Union. He investigates how anti-partisan warfare was conducted, not by the generals, but by the far more numerous, average Germans serving as officers in the field. What shaped their behavior was more complex than Nazi ideology alone. The influence of German society, as well as of party and army, together with officers' grueling yet diverse experience of their environment and enemy, made them perceive the anti-partisan war in varied ways. Reactions ranged from extreme brutality to relative restraint; some sought less to terrorize the native population than to try to win it over. The emerging picture does not dilute the suffering the Wehrmacht's eastern war inflicted. It shows, however, that properly judging ordinary Germans' role in that war is more complicated than is indicated by either wholesale condemnation or wholesale exoneration. This valuable study offers a nuanced discussion of the diversity of behaviors within the German army, as well as providing a compelling exploration of the war and counterinsurgency operations on the eastern front.

The chilling thriller from the international bestselling phenomenon. 'A cunningle wrought tale' Financial Times 'A stirring and beautiful story' The Times _____________ Christmas Eve, 1957. For one Royal Air Force pilot, one last hurdle remains between himself and a cozy Christmas morning in England. A sixty-six-minute flight in his Vampire fighter plane from Germany to Lakenheath. A routine flight plan and a full tank of fuel. What could go wrong? But as the fog begins to close in, the compass goes haywire and the radio dies, leaving him in silence, lost and alone up in the inky black sky. All hope seems lost as he accepts his fate when, out of nowhere, a vintage fighter-bomber appears and is miraculously trying to make contact. For one lonely pilot this is a miracle, but really the mystery has just begun ... _____________ With over 1,000 5* reviews . . . ***** 'This was for me the best Christmas military short story' ***** 'What a great story!! I just loved it.' ***** 'A splendid story. Still have goosebumps after reading it.' ***** 'I, too, read this every Christmas season - and think of it often throughout the year.' ***** 'What a wonderful surprising ending, I didn't see that coming, very good story, I think imma remember it for a long time.'

This is a history of military psychiatry in the twentieth century. Both absorbing historical narrative and intellectual detective story, it weaves literary, medical, and military lore to give us a fascinating history of war neuroses and their treatment, from the World Wars through Vietnam and up to the Gulf War.

In this account of the Algerian War's effect on French political structures and notions of national identity, Todd Shepard asserts that the separation of Algeria from France was truly a revolutionary event with lasting consequences for French social and political life. For more than a century, Algeria had been legally and administratively part of France; after the bloody war that concluded in 1962, it was other--its eight million Algerian residents deprived of French citizenship while hundreds of thousands of French pieds noirs were forced to return to a country that was never home. This rupture violated the universalism that had been the essence of French republican theory since the late eighteenth century. Shepard contends that because the amputation of Algeria from the French body politic was accomplished illegally and without explanation, its repercussions are responsible for many of the racial and religious tensions that confront France today. In portraying decolonization as an essential step in the inexorable "tide of history," the French state absolved itself of responsibility for the revolutionary change it was effecting. It thereby turned its back not only on the French of Algeria--Muslims in particular--but also on its own republican principles and the 1958 Constitution. From that point onward, debates over assimilation, identity, and citizenship--once focused on the Algerian "province/colony"--have troubled France itself. In addition to grappling with questions of race, citizenship, national identity, state institutions, and political debate, Shepard also addresses debates in Jewish history, gender history, and queer theory.

The late 19th century was a time of rapid industrialization, mass politicization, and modern philosophy. The resulting political and cultural upheaval confronted the German protestant church with deep questions of identity. Shepherds of the Empire engages timeless questions of identity and faith through the time-bound work of 4 key thinkers from the Wilhelmine period and their eventual failure to carve a middle way for the German parish clergy.