Sherwood Anderson

This carefully crafted ebook: "Winesburg, Ohio (A Group of Tales of Ohio Small-Town Life)" is formatted for your eReader with a functional and detailed table of contents. This ebook is a series of loosely linked short stories set in the fictional town of Winesburg, mostly written from late 1915 to early 1916. The stories are held together by George Willard, a resident to whom the community confide their personal stories and struggles. The townspeople are withdrawn and emotionally repressed and attempt in telling their stories to gain some sense of meaning and dignity in an otherwise desperate life. The work has received high critical acclaim and is considered one of the great American works of the 20th century. Sherwood Anderson (1876 – 1941) was an American novelist and short story writer, known for subjective and self-revealing works. Anderson published several short story collections, novels, memoirs, books of essays, and a book of poetry. He may be most influential for his effect on the next generation of young writers, as he inspired William Faulkner, Ernest Hemingway, John Steinbeck, and Thomas Wolfe.

In a deeply moving collection of interrelated stories, this 1919 American classic illuminates the loneliness and frustrations — spiritual, emotional and artistic — of life in a small town.

"A Richard Todd book." Anderson is revealed to be in many ways a writer of surprisingly contemporary sensibility, a man in constant struggle to re-create himself.

The first complete anthology of short stories by “the creator of the American short story”— includes the landmark collection Winesburg, Ohio (Michael Dirda, Pulitzer Prize–winning book critic) In the winter of 1912, Sherwood Anderson (1876–1941) abruptly left his office and spent three days wandering through the Ohio countryside, a victim of “nervous exhaustion.” Over the next few years, abandoning his family and his business, he resolved to become a writer. Novels and poetry followed, but it was with the story collection Winesburg, Ohio that he found his ideal form, remaking the American short story for the modern era. Hart Crane, one of the first to recognize Anderson’s genius, quickly hailed his accomplishment: “America should read this book on her knees.” Here—for the first time in a single volume—are all the collections Anderson published during his lifetime: Winesburg, Ohio (1919), The Triumph of the Egg (1921), Horses and Men (1923), and Death in the Woods (1933), along with a generous selection of stories left uncollected or unpublished at his death. Exploring the hidden recesses of small-town life, these haunting, understated, often sexually frank stories pivot on seemingly quiet moments when lives change, futures are recast, and pasts come to reckon. They transformed the tone of American storytelling, inspiring writers like Hemingway, Faulkner, and Mailer, and defining a tradition of midwestern fiction that includes Charles Baxter, editor of this volume. LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

In 1927, tired of the literary life of New York City, New Orleans, and Chicago, a famous but aging American writer named Sherwood Anderson (1876-1941) -- author of Winesburg, Ohio(1919) and other short stories in which he virtually invented the modern American short-story -- moved to rural Southwest Virginia to write for and edit two small-town weekly newspaper that he owned, the Marion Democrat. and the Smyth County News. Living again among the small-town figures with whom he was usually most content, William Faulkner, Thomas Wolf, and indeed an entire generation of the greatest American writers -- worked for several years at making his newspaper nationally famous while struggling to come to terms with a life-threatening psychological depression and a failing third marriage. Both of Anderson's midlife problems were complicated when he met Eleanor Copenhaver, lovely young daughter in one of the prominent first families of Marion and a career social worker for the YWCA. Trying to keep their ardent affair secret in the small town, Anderson avidly courted the socially prominent and much younger Miss Copenhaver while at the same time trying to free himself from his embittered third wife and overcome the disadvantages of his age and his lover's family's distrust of him.Having by the end of 1931 continued for three years his surreptitious and consuming affair with Miss Copenhaver, Anderson determined on the first day of 1932 that the new year should be the year of decisions for him to gain his love in marriage or perhaps to end his life, and he began the new year with a creative venture unique in literature. Starting on January1, Anderson secretly wrote and hid away for Eleanor Copenhaver to find after his eventual death one letter each day, letters that she should someday discover, whether they had ever become married or not, and thereby relive in her memory their days of intense lovemaking a mutual despair about their then-unlikely marriage.Found by Eleanor Copenhaver Anderson only at Sherwood Anderson's death in 1941 and then preserved intact by this grieving widow who had married Anderson in 1933, the carefully hidden letters of 1932 recording their intense and seemingly doomed love affair have remained secret until now. Chosen by Eleanor Copenhaver Anderson before her death in 1985 to publish her husband's secret love letters, Anderson scholar Ray Lewis White has prepared a fascinating edition of these unique letters for the enjoyment of students and scholars of literature as well as for all other readers who savor compelling and inspiring stories of loss and love.

DigiCat Publishing presents to you this special edition of "Windy McPherson's Son" by Sherwood Anderson. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.

Sherwood Anderson: A Writer in America is the definitive biography of this major American writer of novels and short stories, whose work includes the modern classic Winesburg, Ohio. In the first volume of this monumental two-volume work, Walter Rideout chronicles the life of Anderson from his birth and his early business career through his beginnings as a writer and finally to his move in the mid-1920s to “Ripshin,” his house near Marion, Virginia. The second volume will cover Anderson’s return to business pursuits, his extensive travels in the South touring factories, which resulted in his political involvement in labor struggles and several books on the topic, and finally his unexpected death in 1941. No other existing Anderson biography, the most recent of which was published nearly twenty years ago, is as thoroughly researched, so extensively based on primary sources and interviews with a range of Anderson friends and family members, or as complete in its vision of the man and the writer. The result is an unparalleled biography—one that locates the private man, while astutely placing his life and writings in a broader social and political context. Outstanding Academic Title, Choice Magazine Winner, Biography Award, Society of Midland Authors

Based on an analysis of Sherwood Anderson's letters, this study explores the novelist's principal inspiration during his final years (1938-1941): his exposure to Latin America. Thematically arranged correspondence traces his positive reception in South America--a place he saw as a source of fresh ideas and publishing opportunities--his desire to promote cultural relations between the two Americas, and his legacy among Spanish-speaking readers. The author discusses the political and economic climates of mid-20th century South American nations, their emerging liberal ideologies and the concerns Latin American readers had regarding societal upheaval, urbanization and the inequities of capitalism--all vividly depicted in Anderson's works.