Shook Foil

When the guitars tickle a bedrock of drum and bass, when the girl a shock out and a steady hand curve round her sweat-smooth waist, when the smell of Charlie mingles with the chemicals of her hair and the groove is of the sweetest friction - how is a young man to keep his way pure? Kwame Dawes's poetry rises to new heights in these psalms of confession and celebrations of reggae's power to prophesy, to seek after righteousness and seduce the body and mind. Here is poetry walking the bassline, which darts sweetly around the rigid lick of the rhythm guitar yet expresses all the sadness and alienation at the heart of reggae. This, for Dawes, is the earth which 'never tells me my true home' and where behind every chekeh of the guitar there is the ancestral memory of the whip's crack. Shook Foil dramatises the conflict between the purity of essences and the taints of the actual, not least in the poems which focus on Bob Marley's life. Here is the rhygin, word-weaving prophet and the philanderer with the desperate hunger for yard pumpum, the revealer of truths and the buffalo soldier who has married yard with show biz affluence. Above all there is the intense sadness of Marley's death, for how can one live without the duppy conqueror's defiant wail in an island gone dark for the passing of his song? But for Shook Foil there is always the gospeller's hope that the dead will rise from dub ruins and patch a new quilt of sound for the feet to prance on. And when the high hat shimmering and the bass drum thumping, what else to do but dance?

The rhymes in poems are important to understanding how poets write; and in the nineteenth century, rhyme conditioned the ways in which poets heard both themselves and each other writing. Sound Intentions studies the significance of rhyme in the work of Wordsworth, Keats, Tennyson, Christina Rossetti, Hopkins and other poets, including Coleridge, Byron, Elizabeth Barrett Browning, Swinburne, and Hardy. The book's stylistic reading of nineteenth-century poetry argues for Wordsworth's centrality to issues of intention and chance in poets' work, and offers a reading of the formal choices made in poetry as profoundly revealing points of intertextual relation. Sound Intentions includes detailed consideration of the critical meaning of both rhyme and repetition, bringing to bear an emphasis on form as poetry's crucial proving-ground. In a series of detailed readings of important poems, the book shows how close formal attention goes beyond critical formalism, and can become a way of illuminating poets' deepest preoccupations, doubts, and beliefs. Wordsworth's sounding of his own poetic voice, in blank verse as well as rhyme, is here taken as a model for the ways in which later nineteenth-century poets attend to the most perplexing and important voicings of their own poetic originality.

Natural theology, in the view of many, is in crisis. In this long-awaited book, Alister McGrath sets out a new vision for natural theology, re-establishing its legitimacy and utility. A timely and innovative resource on natural theology: the exploration of knowledge of God as it is observed through nature Written by internationally regarded theologian and author of numerous bestselling books, Alister McGrath Develops an intellectually rigorous vision of natural theology as a point of convergence between the Christian faith, the arts and literature, and the natural sciences, opening up important possibilities for dialogue and cross-fertilization Treats natural theology as a cultural phenomenon, broader than Christianity itself yet always possessing a distinctively Christian embodiment Explores topics including beauty, goodness, truth, and the theological imagination; how investigating nature gives rise to both theological and scientific theories; the idea of a distinctively Christian approach to nature; and how natural theology can function as a bridge between Christianity and other faiths

Justus George Lawler's critically acclaimed study of the work of the Jesuit poet Gerard Manley Hopkins (1844-1889) is, once again, available.

The poems in Hummingbird Sleep move associatively between Coleman Barks's personal experience and his extensive reading, weaving together a wild and eclectic range of material. A discussion of Plotinus, Barks's appearance on PBS NewsHour, a note Keats once left on Wordsworth's mantelpiece, a splinter in the heel, and a quote from the Upanishads—all make their way into Barks's most recent poems, which achieve intimacy and expansiveness at the same time.

In a day in which Christians too often reduce faith to mere sentimentality and atheists decry it as superstitious nonsense, Fr. Kerry Walters offers a series of reflections intended to show that, indeed, faith matters. Drawn from his popular weekly newspaper column “Faith Matters,” these short meditations explore Christian faith from the perspectives of doctrine, spirituality, ethics, politics, art and science, the saints, and the holy seasons that mark the Christian year and set the rhythm of Christian living.