Shot In The Heart

NATIONAL BOOK CRITICS CIRCLE AWARD WINNER WINNER OF THE LOS ANGELES TIMES BOOK PRIZE Haunting, harrowing, and profoundly affecting, Shot in the Heart exposes and explores a dark vein of American life that most of us would rather ignore. It is a book that will leave no reader unchanged. Gary Gilmore, the infamous murderer immortalized by Norman Mailer in The Executioner's Song, campaigned for his own death and was executed by firing squad in 1977. Writer Mikal Gilmore is his younger brother. In Shot in the Heart, he tells the stunning story of their wildly dysfunctional family: their mother, a black sheep daughter of unforgiving Mormon farmers; their father, a drunk, thief, and con man. It was a family destroyed by a multigenerational history of child abuse, alcoholism, crime, adultery, and murder. Mikal, burdened with the guilt of being his father's favorite and the shame of being Gary's brother, gracefully and painfully relates a murder tale "from inside the house where murder is born... a house that, in some ways, [he has] never been able to leave." Shot in the Heart is the history of an American family inextricably tied up with violence, and the story of how the children of this family committed murder and murdered themselves in payment for a long lineage of ruin.

The Silver Screen had never shone as bright . . . Mia Sinclair is the First Lady of Love, a beautiful film goddess known across the globe for her romantic roles. But in reality life does not imitate art and love is not as easily found in the real world as it is in the movies. Leo Henderson is the Brit living in L.A, loving the lifestyle and photographing the stars - mostly when they least want to be photographed. When Mia meets Leo, the sparks fly. But is dating a paparazzi the biggest mistake of her life? And how will she cope when Leo becomes jealous of her friendship with co-star Billy Spencer, the hottest actor in town but a man hiding a secret he's worried could destroy his career? Shot through the Heart is Matt Cain's debut novel, a Hollywood tale of romance, heartbreak and the lengths some will go to maintain that unblemished movie star image.

"Just when you think that you can't be surprised anymore, a writer like Wallace Stroby ups the ante." ---Laura Lippman, author of I'd Know You Anywhere Crissa Stone is a career criminal. A complete pro, she never works too close to her New York City home, rarely signs on with the same crew, and never rushes a job. These are the rules that have kept her from getting caught, from doing time. They're the rules her mentor and lover taught her, rules he didn't follow as closely as he should've. Now he's up for parole, and Crissa needs to come up with some real money real fast to help grease the wheels. Word is that there's an illegal card game set for less than a week from now. The take? As much as seven figures. Desperate, Crissa slaps a plan and a crew together. It's robbery, not murder. But when one of her crew loses his cool and they have to abandon the plan, she catches the attention of Eddie the Saint. A hit man recently released from prison, Eddie is no less of a pro than Crissa, and he could use the work, not to mention all that money. One of the most talented writers working in crime fiction today, Wallace Stroby has written a tight, propulsive story in Cold Shot to the Heart that will hold readers captive until well after all the crooks have fled the scene.

THE STORY: The scene is Hazlehurst, Mississippi, where the three Magrath sisters have gathered to await news of the family patriarch, their grandfather, who is living out his last hours in the local hospital. Lenny, the oldest sister, is unmarried

The best shot of these Olympic Games is coming from Cupid’s bow. Competitive archer Cora Maxwell will let nothing stop her quest to compete at the 1904 Olympic Games. Not even a devastating injury to her arm. With the help of a mechanical device known as the Electro-Flex, Cora has worked her way back to top form—and she’s found a long-distance friend in the machine’s inventor. She’s ready to shoot for gold and she’s thrilled to have a fan to cheer her on. Inventor Adam Levett harbors a secret love for his athletic friend, but he values their friendship too highly to risk revealing his feelings. When they meet in person for the World’s Fair and the Olympics, he plans to cheer her to victory, but he won’t allow himself to hope for more. Until a searing kiss makes him suspect the attraction might not be as one-sided as he’d believed. As the days tick down to Cora’s competition, strange disturbances at the Fair threaten both Adam’s career and her Olympic dream—as well as their evolving relationship. But these friends are no quitters, and together they square off against rogue dragons, electrical mishaps, and vicious competitors. Because in these Games, only true loyalty can win the heart of a champion.

Finally back in print, a frighteningly lucid feminist horror story about marriage The Dry Heart begins and ends with the matter-of-fact pronouncement: “I shot him between the eyes.” As the tale—a plunge into the chilly waters of loneliness, desperation, and bitterness—proceeds, the narrator's murder of her flighty husband takes on a certain logical inevitability. Stripped of any preciousness or sentimentality, Natalia Ginzburg's writing here is white-hot, tempered by rage. She transforms the unhappy tale of an ordinary dull marriage into a rich psychological thriller that seems to beg the question: why don't more wives kill their husbands?

The acclaimed #1 "New York Times"-bestselling author presents a spellbinding tale of a mother's tragic loss and one man's last chance at gaining salvation. Once again, Picoult mesmerizes and enthralls readers with this story of redemption, justice, and love.

Few journalists have staked a territory as definitively and passionately as Mikal Gilmore in his twenty-year career writing about rock and roll. Now, for the first time, this collection gathers his cultural criticism, interviews, reviews, and assorted musings. Beginning with Elvis and the birth of rock and roll, Gilmore traces the seismic changes in America as its youth responded to the postwar economic and political climate. He hears in the lyrics of Bob Dylan and Jim Morrison the voices of unrest and fervor, and charts the rise and fall of punk in brilliant essays on Lou Reed, The Sex Pistols, and The Clash. Mikal Gilmore describes Bruce Springsteen's America and the problem of Michael Jackson. And like no one else, Gilmore listens to the lone voices: Al Green, Marianne Faithfull, Sinead O'Connor, Frank Sinatra. Four decades of American life are observed through the inimitable lens of rock and roll, and through the provocative and intelligent voice of one of the most committed chroniclers of American music, and its powerful expressions of love, soul, politics, and redemption.