Shrine And Altar

Transform your home into a calm, balanced and harmonious oasis using architect Anjie Cho's helpful advice, drawing on her background in green design and feng shui. You don't have to get rid of all your possessions and become an ascetic to change your space and discover the benefits that living in a considered, organic way can bring. The easy suggestions in Holistic Spaces show you how to implement the principles of feng shui and green design in your home. Written for the way we live today, as we move toward a more mindful approach to health, diet and the way that we choose the objects in our homes, this is the perfect guide to help you to clear and refresh your living environment. Learn how to make every room in your home serve its highest purpose, create eco-friendly spaces, bring nature indoors, choose colours for maximum impact, select a space for meditation practice, and overall, create a peaceful and organic home. From the bedroom to the home office, these intuitive, straightforward tips will teach you to how improve your spaces to boost the flow of energy through your life.

"Shrine and Altar" is a journey into the base elements that are used to establish a sacred space of mindful meditation, spiritual awakening, and divine communion with the guardian forces of the cosmos. In this work the reader will be given tools in the form of knowledge that they can use as the building blocks for their spiritual work. A sacred space is a focused portal and spiritual gateway to worlds beyond our own. In this life of five sensory perception physical tools are often utilized in order to align all of our faculties to one intention. The erecting of a sacred space accomplishes this goal as it creates a single focused environment aimed at the singular goal of spiritual cultivation and empowerment. This book pursues a simplistic approach to altar/shrine erection in order to establish a foundational facility in the reader and spiritual aspirant. Before you lend your efforts to the design and construction of your next sacred space, you would do well to study the gems offered in this great work.

The tradition of home shrines first began evolving in the American Southwest during the Mexican colonial period, when priests often travelled to homes to perform mass, novenas, baptisms, and marriages, a practice that continues today. This colourful book features the personal altars of mostly Hispanic families living in the towns and villages of northern New Mexico. Most are devoutly Catholic, and although Roman Catholic dogma does not officially recognise home shrines, the altar tradition for most Hispanos is a sign of being 'Catholic from the heart'. Their private altars allow for devotion in daily life, a practice embraced by those of all beliefs who desire personal sacred places to meditate, pray, or reflect. These portraits will serve as an inspiration for even the least devout among us desiring more spirituality in our lives.

Home altars have been used since ancient times throughout the world yet, today, many people think altars are only of significance inside a church. In this beautiful, lavishly illustrated gift book, Denise Linn reclaims the altar for today's spiritual seeker. She explains why people need altars and shows the many different uses to which altars may be dedicated, such as celebrating or mourning significant life events or working through troubled times. Altars allow us to create a sacred space away from ordinary life where we can remind ourselves of the profound mysteries of creation.The approach of this book is also practical, with clear advice on how to prepare and purify an altar of your own. Denise explains the significance of the various objects you can choose to place on your altar and gives advice on the different rituals and ceremonies you can perform in front of it. Whether inside the home, at the office, or outside in the natural world, altars allow us to create a personal space and bring meaning to our lives.

Just as grief is an experience that affects us physically, mentally, emotionally, cognitively, and spiritually, yoga sustains and strengthens us in all of those same areas. This book demonstrates how the principles and practices of yoga can help relieve symptoms of grief allowing those who have experienced loss to move toward wholeness, peace, and feelings of connection with loved ones who have died. Exploring the six branches of yoga, the book shows how each branch can support us through grief in different ways whether it be the self-reflection of Jnana Yoga, the spiritual devotion of Bhakti Yoga, the meditation of Raja Yoga, or the physical postures of Hatha Yoga. We are shown how to begin and sustain a personal practice, both on and off the yoga mat, which helps us to cope with and move through grief on multiple levels. Expressive and experiential exercises are included to help explore each of the branches of yoga and find ways to put the tenets of each branch into real life practice.

Horos Dios draws on a wide variety of literary and archaeological evidence to argue that an Archaic horos inscription and other rock cuttings on the northeast slope of the Hill of the Nymphs in Athens are remnants of a shrine of Zeus Meilichios, a popular god of purification worshipped widely in Athens, Attica, and the greater Greek world.

Don't we all crave a refuge from daily life, a haven of tranquility, regardless of our creed? ALTARS AND ICONS draws together 40 eclectic personal shrines. Here are altars created to evoke contemplation, inspire creativity, amuse, encourage, or honor the memory of a loved one. Includes interviews with the people who fashion these remarkable shrines as well as how to create your own sacred place. 50 color photos.

Canterbury Cathedral possesses a unique marble mosaic pavement, dating from the early twelfth century, which has long intrigued scholars and been the subject of speculation and debate. It forms part of the floor of the Trinity chapel, adjacent to the site where the shrine of St Thomas Becket stood, prior to the Reformation. Since the mosaic is older than the chapel itself and partly destroyed a pavement of figurative roundels, laid c. 1215, it must have been moved here from elsewhere in the cathedral. This volume explores the history and archaeology of the Trinity chapel, the pavement and the physical remains of the cult of Becket, based largely on hitherto unrecorded and unpublished evidence. In the early twelfth century, Archbishop Anselm rebuilt the eastern arm of the cathedral, introducing architectural elements from his native Italy, and these included a magnificent mosaic pavement, composed of the most expensive marbles, which lay in front of the high altar. In 1170, Archbishop Becket was murdered in the cathedral, and his body rested overnight on the pavement before being buried in the crypt. Thomas was immediately revered as a martyr, and in 1173 was canonized by the pope; a simple shrine was erected over his tomb. In the following year, a fire (arson) destroyed the eastern arm of the cathedral, precipitating the construction of the present Trinity and Corona chapels, wherein St Thomas’s remains were enshrined. After decades of delay and political strife, the enshrinement took place in 1220, in the presence of Henry III. The shrine comprised a great marble table, supported on six clusters of columns. On top of the table was a marble sarcophagus containing the saint’s body in an iron-bound timber coffin, over which stood the sumptuous feretory, a gabled timber ‘roof’, plated with sheets of gold and adorned with jewels. East of the shrine lies the small Corona chapel in which a fragment of Becket’s skull was separately encased in a ‘head-shrine’, and to the west a large area was paved with forty-eight figurative stone roundels, created by French artisans. All around, stained-glass windows display the early miracles of Becket. The layout of the Trinity chapel underwent transmutations, first around 1230, when the mosaic pavement was taken up from the old presbytery, reduced in size and relaid in front of Becket’s shrine, where is it today. Second, the chapel was reordered in c. 1290, when the podium carrying the shrine was enlarged and the paving around it reconfigured. Medieval tombs were now being installed in the chapels, including those of the Black Prince and Henry IV. The end came in 1538, when Henry VIII ordered the thorough destruction of Becket’s shrines, but a great deal of archaeological evidence remained in the floors, walls and a few surviving fragments of the shrines, all now recorded and discussed in this volume for the first time.