Shul With A Pool

The evolution of an American institution that reflects the unique tension between Judaism and Jewishness.

Beyond the Synagogue Gallery recounts the emergence of new roles for American Jewish women in public worship and synagogue life. Karla Goldman's study of changing patterns of female religiosity is a story of acculturation, of adjustments made to fit Jewish worship into American society. Goldman focuses on the nineteenth century. This was an era in which immigrant communities strove for middle-class respectability for themselves and their religion, even while fearing a loss of traditions and identity. For acculturating Jews some practices, like the ritual bath, quickly disappeared. Women's traditional segregation from the service in screened women's galleries was gradually replaced by family pews and mixed choirs. By the end of the century, with the rising tide of Jewish immigration from Russia and Eastern Europe, the spread of women's social and religious activism within a network of organizations brought collective strength to the nation's established Jewish community. Throughout these changing times, though, Goldman notes persistent ambiguous feelings about the appropriate place of women in Judaism, even among reformers. This account of the evolving religious identities of American Jewish women expands our understanding of women's religious roles and of the Americanization of Judaism in the nineteenth century; it makes an essential contribution to the history of religion in America.

American Jewry explores new transnational questions in Jewish history, analyzing the historical, cultural and social experience of American Jewry from 1654 to the present day, and evaluates the relationship between European and American Jewish history. Did the hopes of Jewish immigrants to establish an independent American Judaism in a free and pluralistic country come to fruition? How did Jews in America define their relationship to the 'Old World' of Europe, both before and after the Holocaust? What are the religious, political and cultural challenges for American Jews in the twenty-first century? Internationally renowned scholars come together in this volume to present new research on how immigration from Western and Eastern Europe established a new and distinctively American Jewish identity that went beyond the traditions of Europe, yet remained attached in many ways to its European origins.

In 1961, famed architect Louis I. Kahn (1901-1974) received a commission to design a new synagogue. His client was one of the oldest Sephardic Orthodox congregations in the United States: Philadelphia's Mikveh Israel. Due to the loss of financial backing, Kahn's plans were never realized. Nevertheless, the haunting and imaginative schemes for Mikveh Israel remain among Kahn's most revered designs. Susan G. Solomon uses Kahn's designs for Mikveh Israel as a lens through which to examine the transformation of the American synagogue from 1955 to 1970. She shows how Kahn wrestled with issues that challenged postwar Jewish institutions and evaluates his creative attempts to bridge modernism and Judaism. She argues that Kahn provided a fresh paradigm for synagogues, one that offered innovations in planning, decoration, and the incorporation of light and nature into building design.

Jonathan D. Sarna’s award-winning American Judaism is now available in an updated and revised edition that summarizes recent scholarship and takes into account important historical, cultural, and political developments in American Judaism over the past fifteen years. Praise for the first edition: “Sarna . . . has written the first systematic, comprehensive, and coherent history of Judaism in America; one so well executed, it is likely to set the standard for the next fifty years.”—Jacob Neusner, Jerusalem Post “A masterful overview.”—Jeffrey S. Gurock, American Historical Review “This book is destined to be the new classic of American Jewish history.”—Norman H. Finkelstein, Jewish Book World Winner of the 2004 National Jewish Book Award/Jewish Book of the Year

In the annals of American Jewish history, synagogue financial records have been largely overlooked. But as Daniel Judson shows in his examination of synagogue ledgers from 1728 to the present, these records provide an array of new insights into the development of American synagogues and the values of the Jews who worshipped in them. Looking at the history of American synagogues through an economic lens, Judson examines how synagogues raised funds, financed buildings, and paid clergy. By "following the money," he reveals the priorities of the Jewish community at a given time. Throughout the book, Judson traces the history of capital campaigns and expenditures for buildings. He also explores synagogue competition and debates over previously sold seats, what to do about wealthy widows, the breaking down of gender norms, the hazan "bubble" (which saw dozens of overpaid cantors come to the United States from Europe), the successful move to outlaw "mushroom synagogues," and the nascent synagogue-sharing economy of the twenty-first century. Judson shows as well the ongoing relationship of synagogue and church financing as well as the ways in which the American embrace of the free market in all things meant that the basic rules of supply and demand ultimately prevailed in the religious as well as the commercial realm.

"The first 100 years of the education of the clergy in the United States is rightly understood as classical professional education-that is, a formation into an identity and calling to serve the wider public through specialized knowledge and skills. This book argues that pastors, priests, and rabbis were best formed into capacities of culture building through the construction of narratives, symbols, and practices that served their religious communities and the wider public. This kind of education was closely aligned with liberal arts pedagogies of studying classical texts, languages, and rhetorical practices. The theory of culture here is indebted to Geertz and Bruner's social-semiotic view, which identifies culture as the social construction of narrative, symbols, and practices that shape the identity and meaning-making of certain communities. The theological framework of analysis is indebted to Lindbeck's cultural-linguistic view, which emphasizes the role of doctrine as grammatical rules that govern narratives, doctrinal grammars, and social practices for distinct religious communities. This framework is pushed toward the renewal and reconstruction of religious frameworks by the postmodern work of Sheila Devaney and Kathryn Tanner. The book also employs several other concepts from social theory, borrowed from Jurgen Habermas, Max Weber, Pierre Bourdieu, Michael Young, and Bernard Anderson"--