Sight Readings

(Guitar Solo). A comprehensive collection of studies for beginners to improve their reading and technical ability. Covers: positions 1 through 7 in all keys while introducing scales, arpeggios, written-out chords, and a variety of rhythms and time signatures.

(Faber Piano Adventures ). This inventive sightreading course uses sets of exercises based on melodic and rhythmic patterns from the 2nd Edition Primer Lesson Book. Students play one exercise a day, completing one set per week. Entertaining musical art helps guide the sightreading process and each page presents a new learning vignette in a spirit of fun.

The exercises in Sight Reading Mastery are limitless and continually challenge, develop and improve your sight reading skills - however far you advance.

“Sight-Reading Made Easy” is a vintage guide to sight reading for the piano. “Sight reading” refers to reading and performing of a piece of music notation that the performer has not seen before. With concise instructions and many helpful tips, this volume contains simple piano sheet music that is ideal for budding pianists wishing to learn this invaluable skill. Contents include: “Quick Test in Reading Intervals (Playing by 'Feel')”, “Sixths”, “Sevenths and Octaves”, “Hold On!”, “Left Hand Plays a Tune”, “Step Lively!”, “Look at the Time”, “'Out' and 'in' (Extension and Contraction)”, “Imitation and Syncopation”, “Over and Under”, “A Short Rest”, “What Have We Here?”, “Change Places!”, etc. Many vintage books such as this are increasingly scarce and expensive. It is with this in mind that we are republishing this volume now in an affordable, modern, high-quality edition complete with a specially commissioned new introduction on the history of the piano.

(Methodology Chorals). Now available for SSA voices, this choral sight-reading resource is designed to help secondary choir students improve their music literacy skills. With 140 SSA exercises divided into 2, 4, 8, 16 and 32 measure sets, even beginning groups can develop advanced skills over a relatively short period of time. The exercises are included in the book and as a free download for projecting to a screen or distributing to students via print or tablet. Also includes reference audio played on a keyboard.

It is only in a country where newness and change and brevity of tenure are the common substance of life," wrote Henry James, "that the fact of one's ancestors having lived for a hundred and seventy years in a single spot would become an element of one's morality." Newness and rootedness are the twin poles of Sight-Readings, Elizabeth Hardwick's brilliant new collection of essays. (Her first, Seduction and Betrayal, was nominated for the National Book Award.) Hardwick's focus here is on American writers, at home and abroad, and especially women, as writers and as characters: Edith Wharton, Djuna Barnes, Gertrude Stein, Mary McCarthy, Elizabeth Bishop, Katherine Anne Porter, and Joan Didion, among others. In sections on Old New York, Americans Abroad, and Fictions of America, Hardwick considers writers and their landscapes, real and imagined. Her essays on Edith Wharton and Henry James illuminate aspects of their inventions of New York. From there she takes us to the Paris of Gertrude Stein and Djuna Barnes, into the hermetic world of Boston Transcendentalism, and on to the suburbs of John Cheever, the America of Philip Roth and John Updike, and the restless expanses of Richard Ford and the Prairie poets. Elizabeth Hardwick has achieved a permanent place in American letters for her sharp and elegant criticism. Her essays on American writers are them-selves a work of literature.

Using this innovative approach developed by Tom Dempsey will make sight-reading second nature. Start right away with cold-reading exercises that focus on each single string, and soon you'll explore harmonic and rhythmic patterns, multi-position reading, odd time signatures, chord charts, and more. Uniquely organized by key with fingerings for all major scales, this book explores beyond reading basic standard music notation and gives you the power to play whatever you see.

A revelatory look at the photography that shaped the American jazz age. In this book, Alan John Ainsworth considers the work of a range of American jazz photographers from the turn of the twentieth century through the Jazz Age and into the 1960s. Drawing on extensive archival research, Ainsworth examines jazz as a visual subject, explores its attraction to different types of photographers, and analyzes why and how they approached the subject in the ways they did. While some of the photographers are widely recognized today, the volume also explores lesser-known figures of the period--including African American photojournalists, studio photographers, early twentieth-century emigres, and Jewish exiles of the 1930s--whose contributions are often overlooked. Informed by ideas from contemporary photographic theory and with a foreword by Darius Brubeck, Sight Readings is a wide-ranging, eye-opening new look at twentieth-century jazz photography and the people behind it.