Sight Singing Through Melodic Analysis

This book is a guide to the study of sight singing and a valuable aid to ear training instruction. Although the book draws upon theoretical concepts it is easy to read and to follow. Readers learn to distinguish between structural and decorative tones within horizontal triad outlines, recognize melodic shapes associated with triad outlines in various positions, and interpret overall melodic shapes within entire phrase. Material is arranged logically for learning basic tonal relationships, phrases, and common shapes and motions in melodies. Chapters contain s short explanatory section, exercises in the melodic pattern to be studied, melodic analysis, and melodies for sight singing.

This book is a guide to the study of sight singing and a valuable aid to ear training instruction. Although the book draws upon theoretical concepts it is easy to read and to follow. Readers learn to distinguish between structural and decorative tones within horizontal triad outlines, recognize melodic shapes associated with triad outlines in various positions, and interpret overall melodic shapes within entire phrase. Material is arranged logically for learning basic tonal relationships, phrases, and common shapes and motions in melodies. Chapters contain s short explanatory section, exercises in the melodic pattern to be studied, melodic analysis, and melodies for sight singing.

This book is a guide to the study of sight singing and a valuable aid to ear training instruction. Although the book draws upon theoretical concepts it is easy to read and to follow. Readers learn to distinguish between structural and decorative tones within horizontal triad outlines, recognize melodic shapes associated with triad outlines in various positions, and interpret overall melodic shapes within entire phrase. Material is arranged logically for learning basic tonal relationships, phrases, and common shapes and motions in melodies. Chapters contain s short explanatory section, exercises in the melodic pattern to be studied, melodic analysis, and melodies for sight singing.

A textbook for learning to hear, sing, understand, and use the foundations of music as a part of an integrated curriculum for musicians. It provides you with the musical terms, progressions, resolutions, and devices that you can draw upon as a functional and usable musical vocabulary.

SIGHT-SINGING is a modern ear training system, which makes use of solfège – undeniably the oldest and most recognized sight-reading method. By using this system, you will learn to hear and sing a melody line, simply by reading the notes. The SIGHT-SINGING (vol. 1-3) books consist of more than 700 melodies and exercises. As you progress through the exercises, the difficulty will increase steadily. In this book (vol, 3), we will work with the minor keys. Learn to master the beautiful sounds of the Aeolian, the Pentatonic, the Harmonic and the Melodic minor scales. If you are new to the SIGHT-SINGING system and experience difficulty with some of the exercises, you should start with SIGHT-SINGING volume 1 or 2. More information on http://www.sightsinging.com

Fresh on the market, this interactive book helps those musically inclined develop their acumen in sight singing. Organizing each chapter around one musical problem and one rhythmic problem, it contains traditional sight singing materials as well as exercises for composition and analysis, improvisation, and transportation. Beginning with an extensive foreword by an acknowledged expert in the field of music theory pedagogy and aural skills, the book explains how to hear patterns in relation to a tonal center - or, in atonal patterns, how to relate the acquired knowledge from tonal studies to patterns that do not revolve around a tonal center. It presents hundreds of melodies alongside representative works from music literature which are divided in two categories: 1) pedagogically effective tunes that focus on a single problem and include sufficient repetition to insure user mastery, and; 2) melodies spanning the entire range of music literature from the Renaissance to the present day and representing problems in the context of major works of art. It provides warm-up activities that allow users to focus on one problem at a time (i.e., common rhythmic patterns without melodic complications, or pitch patterns without changing rhythms), and offers a variety of ensembles, both newly-composed and from the literature. It also includes an extensive glossary of foreign musical terms and symbols. For musicians, composers, and others in the field of music.