Sightlines

Winner of the 2014 Orion Book Award for Nonfiction Winner of the John Burroughs Association 2014 Medal for Distinguished Natural History Book In Sightlines, Kathleen Jamie reports from the field—from her native Scottish “byways and hills” to the frigid Arctic in fourteen enthralling essays. She dissects whatever her gaze falls upon—vistas of cells beneath a hospital microscope, orcas rounding a headland, the aurora borealis lighting up the frozen sea. In so doing, she questions what, exactly, constitutes “nature,” and upends the idea that it is always picturesque. Written with precision, subtlety, and wry humor, Sightlines urges the reader: “Keep looking, even when there’s nothing much to see.”

Winner of the 2019 National Book Award “The sight lines in Sze’s 10th collection are just that―imagistic lines strung together by jump-cuts, creating a filmic collage that itself seems to be a portrait of simultaneity.” ―The New York Times From the current phenomenon of drawing calligraphy with water in public parks in China to Thomas Jefferson laying out dinosaur bones on the White House floor, from the last sighting of the axolotl to a man who stops building plutonium triggers, Sight Lines moves through space and time and brings the disparate and divergent into stunning and meaningful focus. In this new work, Arthur Sze employs a wide range of voices—from lichen on a ceiling to a man behind on his rent—and his mythic imagination continually evokes how humans are endangering the planet; yet, balancing rigor with passion, he seizes the significant and luminous and transforms these moments into riveting and enduring poetry. “These new poems are stronger yet and by confronting time head on, may best stand its tests.” ―Lit Hub “The wonders and realities of the world as seen through travel, nature walks, and daily routine bring life to the poems in Sight Lines.” ―Library Journal

Newly available in paperback, this landmark volume is the definitive study of the work of visionary American artist Nancy Holt (1938–2014). Since the late 1960s, Holt’s wide-ranging production has included Land art—particularly the monumental Sun Tunnels (1973–76)—as well as significant projects in sculpture, installation, photography, film, and video. A comprehensive representation of Holt’s working process in both word and image, Alena J. Williams’s momentous publication illuminates the artist’s interest in physical space and reveals how the geographic variety and boundlessness of the American landscape afforded her numerous opportunities to develop large-scale projects beyond the confines of New York City’s gallery walls. Contributions by a distinguished group of writers—including Pamela M. Lee, Lucy R. Lippard, Ines Schaber, and Matthew Coolidge—chart Holt’s fascinating trajectory from her initial experiments with sound, light, and industrial materials to major site interventions and environmental sculpture. James Meyer’s valuable interview with Holt and Julia Alderson’s illustrated chronology expand our knowledge of this groundbreaking artist and the crucial contexts in which she worked. More than twenty original writings by the artist and a rare selection of her concrete poetry, documentary photographs, and preparatory drawings reveal Holt’s revolutionary concepts of space, time, optics, and scale.

Student anthology of Canadian and world writers of fiction, short stories, poems, drama and nonfiction, including essays, newspaper and magazine articles. Includes visuals such as paintings, photographs and technical art, also activities.

Winner, Saskatchewan Fiction Award/Saskatoon Book Award; Saskatchewan Book Awards The thirteen stories in this debut short fiction collection weave together the lives of a cast of characters from the small community of Flat Hill over a thirty-year period from the 1960s to the 1990s. Leona Theis uses flashbacks within stories, revisits characters at more than one time in their lives, and has main characters in one story appear as bit players in another, all to build a complex portrait of a group of people who share a single point of departure - Flat Hill. Relationships and friendships thrive or wither, children grow up and move away to the city, seniors pass on, and time moves everyone relentlessly forward - whether they want to go or not. "No matter how accomplished and subtly rewarding each story in Sightlines is, what is finally most remarkable about this book is how the individual stories fit together, demonstrating that in Leona Theis's case the whole really is far greater than the sum of its parts. A very promising debut by a very talented writer."-Guy Vanderhaeghe

Simon Inglis is a fan with a mission. Fed up with being labelled an anorak, yet repeatedly led astray by the glimpse of a grandstand accross a crowded city, he searches the world for a deeper meaning behind his fascination with stadiums. What is it, he asks en route from ancient Olympia to Sydney 2000, about men and neatly-edged turf? Why are there more football grounds in Buenos Aires than public libraries? Why do Auckland residents resent their local stadium while those in Chicago celebrate theirs? And what can we learn from the Indians, the Irish and a huckster from Huston? The perfect companion volume to his bestselling books on football grounds, Sightlines is full of insight, wit, anecdotes and characters from a world beyond that every sports fan will recognise. It is proof that he is not alone.

Collective Winner of the 2019 Highland Book Prize Under the ravishing light of an Alaskan sky, objects are spilling from the thawing tundra linking a Yup'ik village to its hunter-gatherer past. In the shifting sand dunes of a Scottish shoreline, impressively preserved hearths and homes of Neolithic farmers are uncovered. In a grandmother's disordered mind, memories surface of a long-ago mining accident and a 'mither who was kind'. For this luminous new essay collection, acclaimed author Kathleen Jamie visits archaeological sites and mines her own memories - of her grandparents, of youthful travels - to explore what surfaces and what reconnects us to our past. As always she looks to the natural world for her markers and guides. Most movingly, she considers, as her father dies, and her children leave home, the surfacing of an older, less tethered sense of herself. Surfacing offers a profound sense of time passing and an antidote to all that is instant, ephemeral, unrooted.

It's surprising what you can find by simply stepping out to look. Award-winning poet Kathleen Jamie has an eye and an ease with the nature and landscapes of Scotland as well as an incisive sense of our domestic realities. In Findings she draws together these themes to describe travels like no other contemporary writer. Whether she is following the call of a peregrine in the hills above her home in Fife, sailing into a dark winter solstice on the Orkney islands, or pacing around the carcass of a whale on a rain-swept Hebridean beach, she creates a subtle and modern narrative, peculiarly alive to her connections and surroundings.