Silence And The Rest

Winner, H.R. (Bill) Percy Novel Prize Finalist, Amazon.ca First Novel Award Finalist, Jim Connors Dartmouth Book Award Finalist, Ottawa Book Award In the backwoods of Nova Scotia, a man has decided to withdraw from the world and live off the land. Meanwhile, news reports begin to trickle in of a global catastrophe. Someone has released a genetically modified strain of bacteria that devours plastic. The world will never again be the same. In this masterfully atmospheric novel, both apocalyptic in scope and intimate in setting, Scott Fotheringham cracks opens Pandora's box to let loose a trail of chilling consequences.

Silence and the Rest argues that throughout its entire history, Russian poetry can be read as an argument for "verbal skepticism," positing a long-running dialogue between poets, philosophers, and theorists central to the antiverbal strain of Russian culture.

This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1994.

This eclectic selection of poems straddles decades, generations and continents and constitutes the stories collected by the author over a lifetime. The works reflect on the human condition, what the oral historian Studs Terkel called life and its uncertainties, loves exuberance and sad needs, births joy and deaths dark wounds, the comedy of communal days and the wearying tears of isolating night. Its language seeks to plummet the power of the communicated word, the fragility of understanding, and the frustrations of muteness.

As the adults sit down to gossip over a long wedding lunch and the rest of the children rush off to play, a young boy slips out of sight beneath the table. Tommy is twelve years old but his weak heart prevents him from joining his cousins' games, so he sets his MP3 player to record the voices chattering above him. But then the conversation turns to his mother's death and he overhears something he was never meant to know: that she didn't die of an illness, but took her own life. Confused and hurt, Tommy keeps what he has learned to himself and begins his own secret investigation into what really happened. At the same time, his father and stepmother have problems of their own to contend with. Juan is racked by private grief and guilt after the death of one of his patients, and Alma, his second wife, senses an increasing distance in their marriage and gradually finds herself drawn back towards an old flame. As all three withdraw into their own worlds, leaving more and more unsaid between them, their family story moves inexorably, affectingly towards its devastating conclusion.

Winner of the 2007 National Book Critics Circle Award for Criticism A New York Times Book Review Top Ten Book of the Year Time magazine Top Ten Nonfiction Book of 2007 Newsweek Favorite Books of 2007 A Washington Post Book World Best Book of 2007 In this sweeping and dramatic narrative, Alex Ross, music critic for The New Yorker, weaves together the histories of the twentieth century and its music, from Vienna before the First World War to Paris in the twenties; from Hitler's Germany and Stalin's Russia to downtown New York in the sixties and seventies up to the present. Taking readers into the labyrinth of modern style, Ross draws revelatory connections between the century's most influential composers and the wider culture. The Rest Is Noise is an astonishing history of the twentieth century as told through its music.

What ever happened to silence? Actually nothing, and Harry Wilmer takes great pains to show how we have submerged it under a toxic barrage of noise. Using both clinical examples of the power of silence from his case histories, and cultural values of silence, he uncovers a astonishing theme in the Japanese idea of MA as silence. Wilmer points out how silence gives meaning to words, dreams, thought, action and music. From his long experience as a Jungian analyst, he weaves his ideas into an eminently practical treatise on the phenomenology of silence. With many references to literature as well as his personal life experiences and crises, he offers a readable and important new story of the universal and spiritual significance of silence in a world of jackhammer noise.

In ancient Greece, the spoken word connoted power, whether in the free speech accorded to citizens or in the voice of the poet, whose song was thought to know no earthly bounds. But how did silence fit into the mental framework of a society that valued speech so highly? Here Silvia Montiglio provides the first comprehensive investigation into silence as a distinctive and meaningful phenomenon in archaic and classical Greece. Arguing that the notion of silence is not a universal given but is rather situated in a complex network of associations and values, Montiglio seeks to establish general principles for understanding silence through analyses of cultural practices, including religion, literature, and law. Unlike the silence of a Christian before an ineffable God, which signifies the uselessness of words, silence in Greek religion paradoxically expresses the power of logos--for example, during prayer and sacrifice, it serves as a shield against words that could offend the gods. Montiglio goes on to explore silence in the world of the epic hero, where words are equated with action and their absence signals paralysis or tension in power relationships. Her other examples include oratory, a practice in which citizens must balance their words with silence in very complex ways in order to show that they do not abuse their right to speak. Inquiries into lyric poetry, drama, medical writings, and historiography round out this unprecedented study, revealing silence as a force in its own right.