Singing And The Imagination Of Devotion

Using early Anglican and Puritan sources, Singing and the Imagination of Devotion poses questions about the meaning and significance of singing during a seminal period in English culture. While early modern England witnessed many political, cultural and artistic upheavals, it also produced a substantive body of devotional music, ranging in complexity from simple psalm tunes to sophisticated art songs. Controversialists wrangled over the appropriate role of singing in worship at the same time that writers of 'affectionate divinity' gloried in the beauty of Christ and traced the workings of the inner landscape. Period accounts indicate that singing played a vital role in this devotional life, and was specifically cultivated as a means to impress the soul with Christian truths and lead believers to a state of 'heavenly-mindedness'. Singing became viewed as a spiritual balm, kindler of religious passion, and the ultimate embodiment of an innocent and wholesome sensuality. In examining a body of devotional literature which has been neglected by music historians, Brown discerns an aesthetic of singing and vocal expression which has ramifications today.

Calvin@500 is an exercise in appreciative criticism and appropriation of the Reformer's work for church and society. The collection serves as an introduction to the life and thought of this sixteenth-century Reformer in his context. The book also traces Calvin's continuing legacy for political, economic, theological, spiritual, and inter-religious practices of our own time. The essays reflect the depth and breadth of Calvin scholarship from the sixteenth century to the present. They also reflect Calvin's own wide-ranging ministry: the authors are pastors, teachers, social justice workers, and theologians. Calvin@500 arose from two Canadian conferences on the occasion of the 500th anniversary of Calvin's birth.

The aesthetics of everyday life, as reflected in art museums and galleries throughout the western world, is the result of a profound shift in aesthetic perception that occurred during the Renaissance and Reformation. In this book, William A. Dyrness examines intellectual developments in late Medieval Europe, which turned attention away from a narrow range liturgical art and practices and towards a celebration of God's presence in creation and in history. Though threatened by the human tendency to self-assertion, he shows how a new focus on God's creative and recreative action in the world gave time and history a new seriousness, and engendered a broad spectrum of aesthetic potential. Focusing in particular on the writings of Luther and Calvin, Dyrness demonstrates how the reformers' conceptual and theological frameworks pertaining to the role of the arts influenced the rise of realistic theater, lyric poetry, landscape painting, and architecture in the sixteenth and seventeenth centuries.

Throughout church history, the book of Psalms has enjoyed wider use and acclaim than almost any other book of the Bible. Early Christians extolled it for its fullness of Christian doctrine, monks memorized and recited it daily, lay people have prayed its words as their own, and churches have sung from it as their premier hymn book. While the past half century has seen an extraordinary resurgence of interest in the thought of American theologian Jonathan Edwards, including his writings on the Bible, no scholar has yet explored his meditations on the Psalms. David P. Barshinger addresses this gap by providing a close study of his engagement with one of the Bible's most revered books. From his youth to the final days of his presidency at the College of New Jersey, Edwards was a devout student of Scripture-as more than 1,200 extant sermons, theological treatises, and thousands of personal manuscript pages devoted to biblical reflection bear witness. Using some of his writings that have previously received little to no attention, Jonathan Edwards and the Psalms offers insights on his theological engagement with the Psalms in the context of interpretation, worship, and preaching. Barshinger shows that he appropriated the history of redemption as an organizing theological framework within which to engage the Psalms specifically, and the Bible as a whole. This original study greatly advances Edwards scholarship, shedding new and welcome light on the theologian's relationship to Scripture.

Drawing on ethnographic research spanning ten years, Antoinette Elizabeth DeNapoli offers a new perspective on the practice of asceticism in India today. Her work brings to light the little known and often marginalized lives of female Hindu ascetics (sadhus) in the North Indian state of Rajasthan. Examining the everyday religious worlds and practices of the mostly unlettered female sadhus, who come from a number of castes, Real Sadhus Sing to God illustrates that these women experience asceticism in relational and celebratory ways. They construct their lives as paths of singing to God, which, the author suggests, serves as the female way of being an ascetic. Examining the relationship between asceticism (sannyas) and devotion (bhakti) in contemporary contexts, the book brings together two disparate fields of study-yoga/asceticism and bhakti-using the singing of bhajans (devotional songs) as an orienting metaphor. This is the first book-length study to explore the ways in which female sadhus perform and thus create gendered views of asceticism through their singing, storytelling, and sacred text practices, which DeNapoli characterizes as their "rhetoric of renunciation."

A free ebook version of this title is available through Luminos, University of California Press’s new open access publishing program for monographs. Visit www.luminosoa.org to learn more. Hindu devotional traditions have long been recognized for their sacred geographies as well as the sensuous aspects of their devotees' experiences. Largely overlooked, however, are the subtle links between these religious expressions. Based on intensive fieldwork conducted among worshippers in Bengal’s Navadvip-Mayapur sacred complex, this book discusses the diverse and contrasting ways in which Bengal-Vaishnava devotees experience sacred geography and divinity. Sukanya Sarbadhikary documents an extensive range of practices, which draw on the interactions of mind, body, and viscera. She shows how perspectives on religion, embodiment, affect, and space are enriched when sacred spatialities of internal and external forms are studied at once.

A defining moment in Catholic life in early modern Europe, Holy Week brought together the faithful to commemorate the passion, crucifixion, and resurrection of Jesus Christ. In this study of ritual and music, Robert L. Kendrick investigates the impact of the music used during the Paschal Triduum on European cultures during the mid-16th century, when devotional trends surrounding liturgical music were established; through the 17th century, which saw the diffusion of the repertory at the height of the Catholic Reformation; and finally into the early 18th century, when a change in aesthetics led to an eventual decline of its importance. By considering such issues as stylistic traditions, trends in scriptural exegesis, performance space, and customs of meditation and expression, Kendrick enables us to imagine the music in the places where it was performed.

In this publication devotional songs of the South Indian composers Tyāgarāja, Muttusvāmi Dīkṣitar and Śyāma Śāstri are presented in a detailed Western music notation. The introductory chapters contain general cultural information, biographical details as well as the original song texts with an English translation. With a unique MP3-CD containing all the kīrtana compositions.