Singing The Sadness

Saving a woman’s life puts British PI Joe Sixsmith’s own life in danger in this mystery by “a master of form and style . . . grace and wit” (The New York Times). Best known for his gritty Dalziel and Pascoe novels, which were adapted into a hit BBC series, Reginald Hill “could not have created a protagonist more different” than Joe Sixsmith, the laid-back British PI and church chorister of West Indian descent, who makes for an engaging addition to crime fiction in this winning mystery, available for the first time as an ebook (Publishers Weekly). It looks to be a melodious weekend for Joe Sixsmith and his chapel choir. They’re headed for the first annual choral festival in Llanffugiol, a village said to be the heart of musical life in rural Wales. But the locals are far from welcoming in this off-the-map hamlet where dread lingers as heavy as the mist. Never more so than when Joe comes to the rescue of a naked amnesiac screaming for her life in a burning cottage. No one claims to know her, or what she was doing on a stranger’s property, much less why anyone would want to set her ablaze. Secretly recruited by the owner of the cottage to investigate and, oddly enough, just as surreptitiously by the man’s wife, Joe soon discovers that arson is the least of the burning secrets in Llanffugiol.

British Fantasy Award-winning author, and Shirley Jackson Award finalist, Laura Mauro delivers a remarkable debut collection of startling stories. Dark tales of beauty, strangeness, and transformation told in prose as precise and sparing as a surgeon's knife. A major talent! Featuring "Looking for Laika," winner of the British Fantasy Award.

Few American entertainers have had the explosive impact, wide-ranging appeal, and continuing popularity of country music star Hank Williams. Such Williams standards as "Your Cheatin' Heart," "I'm So Lonesome I Could Cry," "Jambalaya," and "I Saw the Light" have all entered the pantheon of great American song. Roger Williams recounts the story of Hank's rise from impoverished Southern roots, his coming of age during and after World War II, his meteoric climb to national acclaim and star status on the Grand Ole Opry, his chronic bouts with alcoholism and the alienation it created in those he loved and sang for, and finally his tragic death at twenty-nine and subsequent emergence as a folk hero. The book also features a thorough discography compiled by Bob Pinson of the Country Music Foundation.

Winner of the Young Quills Historical Novel Award. Longlisted for the CILIP Carnegie Medal. My name is Hanna Michelson. I am 15. I am Latvian. I live with my mother and grandmother. My father is missing – taken by the Russians. I have a boyfriend. When he holds my hand, everything feels perfect. I’m training to be a dancer. But none of that matters now. Because the Nazis have arrived, and I am a Jew. And as far as they are concerned, that is all that matters. This is my story.

Singing has been a characteristic behaviour of humanity across several millennia. Chorus America (2009) estimated that 42.6 million adults and children regularly sing in one of 270,000 choruses in the US, representing more than 1:5 households. Similarly, recent European-based data suggest that more than 37 million adults take part in group singing. The Oxford Handbook of Singing is a landmark text on this topic. It is a comprehensive resource for anyone who wishes to know more about the pluralistic nature of singing. In part, the narrative adopts a lifespan approach, pre-cradle to senescence, to illustrate that singing is a commonplace behaviour which is an essential characteristic of our humanity. In the overall design of the Handbook, the chapter contents have been clustered into eight main sections, embracing fifty-three chapters by seventy-two authors, drawn from across the world, with each chapter illustrating and illuminating a particular aspect of singing. Offering a multi-disciplinary perspective embracing the arts and humanities, physical, social and clinical sciences, the book will be valuable for a broad audience within those fields.

"This book of poetry is about stumbling through heartbreak and learning to change and grow from it in the end. It's about holding on and embracing the pain, allowing yourself to feel it entirely, cup it in your hands and stare at it until you start to understand it." - Faraway 'Sad Birds Still Sing 2' is anonymous Author Faraway's followup book of modern poetry to their debut release, 'Sad Birds Still Sing'. It is a headfirst dive into the world of heartbreak and the trials of getting over loss and the impact it has on the human spirit, mind, and heart. It is for anyone who has ever had their heart broken in this life. It is for those who've lost hope and those who have once lost hope. It is both a tragic ending and a gorgeous beginning, the darkness of the tunnel and the light at the very end of it. Taking inspiration from modern day poets, Faraway mostly writes in short form poetry, making 'Sad Birds Still Sing 2' a quick read of sorts for those in need of some inspiration and motivation to live their life to the fullest.

Child abuse from the perspective of the child. When Anna, the narrator, is five years old, her mother marries a drunkard who takes a fancy to her daughters, repeatedly raping one. The mother turns a blind eye.

The girl had lost her guitar-playing boyfriend, but he had left her the most deadly legacy of all -- fear. And now it was up to me to protect her from the gun-carrying thugs who were relentlessly tracking her down. Hoodlums, hootenannies, and homicide! #10 in the Mac detective series! "Mac is one of our best private eyes." -- San Francisco Chronicle "Thomas B. Dewey is one of detective fiction's severely underrated writers!" -- Bill Pronzini "Mac has been called one of the most believable and humane PI's in crime fiction. He is reluctant to use either his gun or his fists, but will do so when the situation demands it, or in self-defense; he doesn't merely solve his clients' cases, but provides moral support and sympathy as well; and perhaps most notable of all, Mac feels, and is not afraid to show itópain, loss, sorrow, loneliness." --thrillingdetective.com