Single Black Female Addicted To College

Through rap and hip hop, entertainers have provided a voice questioning and challenging the sanctioned view of society. Examining the moral and social implications of Kanye West's art in the context of Western civilization's preconceived ideas, the contributors consider how West both challenges religious and moral norms and propagates them.

A scathing reexamination of the lives of nine female celebrities in the 2000s, and the sexist, exploitative culture that took them down Welcome to celebrity culture in the early aughts: the reign of Perez Hilton, celebrity sex tapes, and dueling tabloids fed by paparazzi who were willing to do anything to get the shot. It was a time when the Internet was still the Wild West, and when slut-shaming, fat-shaming, and revenge porn were all considered perfectly legitimate. Celebrity was seen as a commodity to be consumed, and for the famous women of this era, they were never as popular—or as vulnerable—as when they were in crisis. Toxic tells the stories of nine women who defined the hell of celebrity in the 2000s and explores how they were devoured by fame, how they attempted to control their own narratives, and how they succeeded or (more often) failed. These women come from all walks of fame—pop music, acting, reality TV, and WWE wrestling. Some of them you think you know already, and others will be less familiar, but Toxic reveals these women neither as pure victims nor as conniving strategists, but as complex individuals trying to navigate celebrity while under attack from a vicious and fast-changing media. Their portrayal has shaped the way that all women—famous or otherwise—are viewed today, and their experiences preempted the now-universal condition, especially thanks to social media, of living under the public gaze. In this book, Ditum brings readers back to a time before second chances and redemption arcs, and traces the ripple effects that came in the wake of spending a decade vilifying our idols. We’ll see how these women’s stories intersect with the birth of YouTube, the rise of Internet pornography, and the emergence of Donald Trump as a political force. It’s time to come to terms with how those cultural events shaped the way we see ourselves, our bodies, our relationships, our aspirations, and our presence in the wider world. We are all products of the toxic decade.

Far too many poor Black communities struggle with gun violence and homicide. The result has been the unnatural contortion of Black families and the inter-generational perpetuation of social chaos and untimely death. Young people are repeatedly ripped away from life by violence, while many men are locked away in prisons. In neighborhoods like those of Wilmington, Delaware, residents routinely face the pressures of violence, death, and incarceration. Murder Town, USA is thus a timely ethnography with an innovative structure: the authors helped organize fifteen residents formerly involved with the streets and/or the criminal justice system to document the relationship between structural opportunity and experiences with violence in Wilmington's Eastside and Southbridge neighborhoods. Earlier scholars offered rich cultural analysis of violence in low-income Black communities, and yet this literature has mostly conceptualized violence through frameworks of personal responsibility or individual accountability. And even if acknowledging the pressure of structural inequality, most earlier researchers describe violence as the ultimate result of some moral failing, a propensity for crime, and the notion of helplessness. Instead, in Murder Town USA, Payne, Hitchens, and Chamber, along with their collaborative team of street ethnographers, instead offer a radical re-conceptualization of violence in low-income Black communities by describing the penchant for violence and involvement in crime overall to be a logical, "resilient" response to the perverse context of structural inequality.

Drastic times have seen drastic measures in American History. Families have evolved and the teenagers of today appear to be so much different than the youth of yesterday. But are they really that different than yesterday's youth? This book takes a look at the three factors that influence youth: Music, Media and Peers.In Xbox, Hip Hop and Dreadlocks we introduce, analyze and develop strategies geared toward improving our ability to approach, communicate and interact on a positive level with the youth of today.