Sink The Belgrano With Massage

Steven Berkoff is a phenomenon. Among the artists working in the theatre today he is probably the most theatrical - his special combination of speech, movement and spectacle is uniquely powerful. This first collection of his plays includes East, described by Berkoff as 'an outburst or revolt against the sloth of my youth and a desire to turn a welter of undirected passion and frustration into a positive form'. Also included in this collection are the plays West and Sink the Belgrano!

Verse Drama in England, 1900-2015 provides a critical and historical exploration of a tradition of modern dramatic creativity that has received very little scholarly attention. Exploring the emergence of a distinctly modern verse drama at the turn of the century and its development into the twenty-first, it counters common assumptions that the form is a marginal, fundamentally outdated curiosity. Through an examination of the extensive and diverse engagement of literary and theatrical writers, directors and musicians, Irene Morra identifies in modern verse drama a consistent and often prominent attempt to expand upon, revitalize, and redefine the contemporary English stage. Dramatists discussed include Stephen Phillips, Gordon Bottomley, John Masefield, James Elroy Flecker, T. S. Eliot, W. H. Auden, Ronald Duncan, Christopher Fry, John Arden, Anne Ridler, Tony Harrison, Steven Berkoff, Caryl Churchill, and Mike Bartlett. The book explores the negotiation of these dramatists with the changing position of verse drama in relation to constructions of national and communal audience, aesthetic challenge, and dramatic heritage. Key to the study is the self-conscious positioning of many of these dramatists in relation to an assumed mainstream tradition – and the various critical responses that that positioning has provoked. The study advocates for a scholarly revaluation of what must be identified as an influential and overlooked tradition of aesthetic challenge and creativity.

This book examines the debate which has long raged in Britain about the meaning of the Falklands War. Using literary critical methods, Monaghan examines how the Thatcherite reading of the war as a myth of British greatness reborn was developed through political speeches and journalistic writing. He then goes on to discuss a number of films, plays, cartoon strips and travel books which have subverted the dominant myth by finding national metaphors of a very different kind in the Falklands War.

Panoramic, transnational history of the Falklands War and its imperial dimensions, which explores how a minor squabble mushroomed into war.

The first reference book to deal so fully and incisively with the cultural representations of war in 20th-century English and US literature and film. The volume covers the two World Wars as well as specific conflicts that generated literary and imaginativ