Sisters Under The Skin Margaret Laurence And Vaasanthi

The book is a masterpiece and should be kept in the bookshelf of every household, and also be read by all critical minded individuals, as to fully come to terms with what the women are passing through in the present day society.

Stepsisters Olivia and Emily are at daggers drawn - until the arrival of their half-sister, Rosie, when they unite in their hatred of the newcomer. Rosie can certainly look after herself, and cunningly throws secret spanners in the works for her older sisters. But when all three are grown up, and it looks as though Rosie is going to force the other two out of their beloved family home, they decide to put a stop to their sister's antics once and for all.

This groundbreaking book presents a global perspective on the history of forced migration over three centuries and illuminates the centrality of these vast movements of people in the making of the modern world. Highly original essays from renowned international scholars trace the history of slaves, indentured servants, transported convicts, bonded soldiers, trafficked women, and coolie and Kanaka labor across the Pacific, Indian, and Atlantic Oceans. They depict the cruelty of the captivity, torture, terror, and death involved in the shipping of human cargo over the waterways of the world, which continues unabated to this day. At the same time, these essays highlight the forms of resistance and cultural creativity that have emerged from this violent history. Together, the essays accomplish what no single author could provide: a truly global context for understanding the experience of men, women, and children forced into the violent and alienating experience of bonded labor in a strange new world. This pioneering volume also begins to chart a new role of the sea as a key site where history is made.

Somber poems deal with the end of summer, winter dawn, travel, mortality, childhood, education, nature and the spiritual aspects of life.

Acclaimed for its unique ecosystem and Royal Bengal tigers, the mangrove islands that comprise the Sundarbans area of the Bengal delta are the setting for this pioneering anthropological work. The key question that the author explores is: what do tigers mean for the islanders of the Sundarbans? The diverse origins and current occupations of the local population produce different answers to this question – but for all, ‘the tiger question’ is a significant social marker. Far more than through caste, tribe or religion, the Sundarbans islanders articulate their social locations and interactions by reference to the non-human world – the forest and its terrifying protagonist, the man-eating tiger. The book combines rich ethnography on a little-known region with contemporary theoretical insights to provide a new frame of reference to understand social relations in the Indian subcontinent. It will be of interest to scholars and students of anthropology, sociology, development studies, religion and cultural studies, as well as those working on environment, conservation, the state and issues relating to discrimination and marginality.

The over-the-top musicals of Bollywood may be the most familiar aspect of Indian popular culture, but there are many more, all explored in this fascinating volume. Pop Culture India! Media, Arts, and Lifestyle follows the rise of modern India's pop culture world, especially since the 1980s, when relaxed censorship and economic liberalization led to an explosion in movies, music, mass media, consumerism, spiritual practices, and more. It is a captivating introduction to a diverse nation whose appetite for entertainment has led to some surprising twists and turns in recent history. How did a popular Indian television series spark a change in government and the rise of Hindu nationalism? Are some Bollywood film companies laundering money for organized crime, or even al Qaeda? What accounts for the overwhelming popularity of that quaint vestige of colonialism, cricket? The answers, and many more intriguing insights, await the reader in Pop Culture India!

Using Delhi’s contemporary history as a site for reflection, Pirate Modernity moves from a detailed discussion of the technocratic design of the city by US planners in the 1950s, to the massive expansions after 1977, culminating in the urban crisis of the 1990s. As a practice, pirate modernity is an illicit form of urban globalization. Poorer urban populations increasingly inhabit non-legal spheres: unauthorized neighborhoods, squatter camps and bypass legal technological infrastructures (media, electricity). This pirate culture produces a significant enabling resource for subaltern populations unable to enter the legal city. Equally, this is an unstable world, bringing subaltern populations into the harsh glare of permanent technological visibility, and attacks by urban elites, courts and visceral media industries. The book examines contemporary Delhi from some of these sites: the unmaking of the citys modernist planning design, new technological urban networks that bypass states and corporations, and the tragic experience of the road accident terrifyingly enhanced by technological culture. Pirate Modernity moves between past and present, along with debates in Asia, Africa and Latin America on urbanism, media culture, and everyday life. This pioneering book suggests cities have to be revisited afresh after proliferating media culture. Pirate Modernity boldly draws from urban and cultural theory to open a new agenda for a world after media urbanism.