Sitting With My Lions

Environmentalist, independent researcher and author, Gareth Patterson has spent his entire adult life working tirelessly for the greater protection of African wildlife and, more particularly, for that of the lion. Born in England in 1963, Gareth grew up in Nigeria and Malawi. From an early age he knew where his life's path would take him - it would be in Africa, and his life's work would be for the cause of the African wilderness and its wild inhabitants. His is an all-encompassing African story. From his childhood in West and East Africa to his study of a threatened lion population in a private reserve in Botswana to his work with George Adamson, celebrated as the 'Lion Man' of Africa, we witness Gareth's growing commitment to his life's mission. This is nowhere more evident than in his account of his life as a human member of a lion pride, experiencing life and death through its eyes, as he successfully rehabilitated three famous orphaned lion cubs back into a life in the wilds. At considerable risk to his own personal safety, he exposed the sordid canned lion 'industry' in South Africa, bringing this shameful practice to international attention. After moving to the Western Cape he took up the fight for the African elephant, notably the unique endangered Knysna population, and published his astonishing findings in his 2009 book The Secret Elephants. Perhaps unsurprisingly, given the stressful nature of his work, Gareth suffered a massive physical and mental breakdown in his forties, which he discusses here for the first time with an openness that underlines his courage. Lesser men might have been broken, but his 'lion's heart' fought back and he ultimately overcame his illness. Gareth Patterson's long-awaited autobiography is a moving account of one man's single-minded dedication to the preservation of Africa's wildlife. It is also a stark reminder that if the human race does not want to lose Africa's priceless wild heritage, there is no time to waste. 'The lion is my totem animal, and this is the story of my life in Africa, for the lion.'

The best-selling author of Library Lion pairs with award-winning illustrator Matt Phelan to create a picture book gem with an unexpected twist. The best-selling author of Library Lion pairs with award-winning illustrator Matt Phelan to create a picture book gem with an unexpected twist. A lot of Marilyn’s friends have monsters. It’s the latest thing. Each one is just right for its boy or girl. Marilyn really wants a monster, too, but despite her efforts to be the kind of girl no monster could resist, hers just doesn’t come. What could be taking it so long? Everyone knows you just have to wait for your monster – but the spunky and determined Marilyn thinks there may just be other ways that things can work. Matt Phelan’s expressive artwork brings Michelle Knudsen’s appealing cast of children and monsters to life, creating a sweet, warm tale of friendship perfect for sharing.

The touching, magical story of a boy in a war-torn country and the stone lion that rescues him. Renato loves his home in Florence, Italy. He loves playing with his friends in the Piazza della Signoria. He loves walking home by the beautiful buildings and fountains with his father in the evenings. And he especially loves the stone lion who seems to smile at him from a pedestal in the piazza. The lion makes him feel safe. But one day his father tells him that their family must leave. Their country is at war, and they will be safer in America. Renato can only think of his lion. Who will keep him safe? With luminous watercolor paintings, Barbara DiLorenzo captures the beauty of Florence in this heartwarming and ultimately magical picture book.

Former Archbishop of Canterbury Rowan Williams offers fascinating insight into The Chronicles of Narnia, the popular series of novels by one of the most influential Christian authors of the modern era, C. S. Lewis. Lewis once referred to certain kinds of book as a "mouthwash for the imagination." This is what he attempted to provide in the Narnia stories, argues Williams: an unfamiliar world in which we could rinse out what is stale in our thinking about Christianity--"which is almost everything," says Williams--and rediscover what it might mean to meet the holy. Indeed, Lewis's great achievement in the Narnia books is just that-he enables readers to encounter the Christian story "as if for the first time." How does Lewis makes fresh and strange the familiar themes of Christian doctrine? Williams points out that, for one, Narnia itself is a strange place: a parallel universe, if you like. There is no "church" in Narnia, no religion even. The interaction between Aslan as a "divine" figure and the inhabitants of this world is something that is worked out in the routines of life itself. Moreover, we are made to see humanity in a fresh perspective, the pride or arrogance of the human spirit is chastened by the revelation that, in Narnia, you may be on precisely the same spiritual level as a badger or a mouse. It is through these imaginative dislocations that Lewis is able to communicate--to a world that thinks it knows what faith is--the character, the feel, of a real experience of surrender in the face of absolute incarnate love. This lucid, learned, humane, and beautifully written book opens a new window onto Lewis's beloved stories, revealing the moral wisdom and passionate faith beneath their perennial appeal.

"Androcles and the Lion" is a play by George Bernard Shaw. In the play, Shaw retells the tale of Androcles, a slave who is saved by the requiting mercy of a lion. The play's central theme is the ideological call differences between Jesus' teachings and traditional Roman values.