Six Tragedies

This is a lively, readable and accurate verse translation of the six best plays by one of the most influential of all classical Latin writers. The volume includes Phaedra, Oedipus, Medea, Trojan Women, Hercules Furens, and Thyestes, together with an invaluable introduction and notes.

Phaedra * Oedipus * Medea * Trojan Women * Hercules Furens * Thyestes Seneca's plays are the product of a sensational, frightening, and oppressive period of history. Tutor to the emperor Nero, Seneca lived through uncertain and violent times, and his dramas depict the extremes of human behaviour. Rape, suicide, child-killing, incestuous love, madness and mutilation afflict the characters, who are obsessed and destroyed by their feelings. Passion is constantly set against reason, and passion wins out. Seneca forces us to think about the difference between compromise and hypocrisy, about what happens when emotions overwhelm judgement, and about how, if at all, a person can be good, calm, or happy in a corrupt society and under constant threat of death. Seneca was one of the most prolific, versatile, and influential of all classical Latin writers, and the only tragic playwright from ancient Rome whose work survives. This new edition of his six best plays captures Seneca's style in a verse translation that is both lively and accurate. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

Phaedra * Oedipus * Medea * Trojan Women * Hercules Furens * Thyestes Seneca's plays are the product of a sensational, frightening, and oppressive period of history. Tutor to the emperor Nero, Seneca lived through uncertain and violent times, and his dramas depict the extremes of human behaviour. Rape, suicide, child-killing, incestuous love, madness and mutilation afflict the characters, who are obsessed and destroyed by their feelings. Passion is constantly set against reason, and passion wins out. Seneca forces us to think about the difference between compromise and hypocrisy, about what happens when emotions overwhelm judgement, and about how, if at all, a person can be good, calm, or happy in a corrupt society and under constant threat of death. Seneca was one of the most prolific, versatile, and influential of all classical Latin writers, and the only tragic playwright from ancient Rome whose work survives. This new edition of his six best plays captures Seneca's style in a verse translation that is both lively and accurate. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

A selection of six tragedies that have had an immense influence on Western drama. They depict archtypes of the human condition and eternal dilemmas of morality and loyalty.

In this volume, tragedy in antiquity is examined synoptically, from its misty origins in archaic Greece, through its central position in the civic life of ancient Athens and its performances across the Greek-speaking world, to its new and very different instantiations in Republican and Imperial Roman contexts. Lively, original essays by eminent scholars trace the shifting dramatic forms, performance environments, and social meanings of tragedy as it was repeatedly reinvented. Tragedy was consistently seen as the most serious of all dramatic genres; these essays trace a sequence of different visions of what the most serious kind of dramatic story might be, and the most appropriate ways of telling those stories on stage. Each chapter takes a different theme as its focus: forms and media; sites of performance and circulation; communities of production and consumption; philosophy and social theory; religion, ritual, and myth; politics of city and nation; society and family, and gender and sexuality.

A landmark work of narrative history, Paris 1919 is the first full-scale treatment of the Peace Conference in more than twenty-five years. It offers a scintillating view of those dramatic and fateful days when much of the modern world was sketched out, when countries were created—Iraq, Yugoslavia, Israel—whose troubles haunt us still. Winner of the Samuel Johnson Prize • Winner of the PEN Hessell Tiltman Prize • Winner of the Duff Cooper Prize Between January and July 1919, after “the war to end all wars,” men and women from around the world converged on Paris to shape the peace. Center stage, for the first time in history, was an American president, Woodrow Wilson, who with his Fourteen Points seemed to promise to so many people the fulfillment of their dreams. Stern, intransigent, impatient when it came to security concerns and wildly idealistic in his dream of a League of Nations that would resolve all future conflict peacefully, Wilson is only one of the larger-than-life characters who fill the pages of this extraordinary book. David Lloyd George, the gregarious and wily British prime minister, brought Winston Churchill and John Maynard Keynes. Lawrence of Arabia joined the Arab delegation. Ho Chi Minh, a kitchen assistant at the Ritz, submitted a petition for an independent Vietnam. For six months, Paris was effectively the center of the world as the peacemakers carved up bankrupt empires and created new countries. This book brings to life the personalities, ideals, and prejudices of the men who shaped the settlement. They pushed Russia to the sidelines, alienated China, and dismissed the Arabs. They struggled with the problems of Kosovo, of the Kurds, and of a homeland for the Jews. The peacemakers, so it has been said, failed dismally; above all they failed to prevent another war. Margaret MacMillan argues that they have unfairly been made the scapegoats for the mistakes of those who came later. She refutes received ideas about the path from Versailles to World War II and debunks the widely accepted notion that reparations imposed on the Germans were in large part responsible for the Second World War. Praise for Paris 1919 “It’s easy to get into a war, but ending it is a more arduous matter. It was never more so than in 1919, at the Paris Conference. . . . This is an enthralling book: detailed, fair, unfailingly lively. Professor MacMillan has that essential quality of the historian, a narrative gift.” —Allan Massie, The Daily Telegraph (London)

This is a lively, readable and accurate verse translation of the six best plays by one of the most influential of all classical Latin writers. The volume includes 'Phaedra', 'Oedipus', 'Medea', 'Trojan Women', 'Hercules Furens', and 'Thyestes', together with an invaluable introduction and notes.

In it, Aristotle offers an account of what he calls "poetry" (a term which in Greek literally means "making" and in this context includes drama - comedy, tragedy, and the satyr play - as well as lyric poetry and epic poetry). They are similar in the fact that they are all imitations but different in the three ways that Aristotle describes: 1. Differences in music rhythm, harmony, meter and melody. 2. Difference of goodness in the characters. 3. Difference in how the narrative is presented: telling a story or acting it out. In examining its "first principles," Aristotle finds two: 1) imitation and 2) genres and other concepts by which that of truth is applied/revealed in the poesis. His analysis of tragedy constitutes the core of the discussion. Although Aristotle's Poetics is universally acknowledged in the Western critical tradition, "almost every detail about his seminal work has aroused divergent opinions."