Sixty Seven Poems For Downtrodden Saints

In today’s world, the use of numbers grows by the day, and we depend on them for so much. This book contains a series of lists that contain information about numbers and their use in society. They will be most useful to those with a quizzical nature but should be of general interest to all. ‘Schrödinger’s cat’ was an infamous and cruel thought experiment dreamt up in the last century to expose one of the mistaken ideas current in science at that time. Since escaping from the box Felix has taken up writing and, in collaboration with retired water engineer Pyotr Stilovsky, he has compiled this factual compendium.

San Francisco Beat is an essential archive of the Beat Generation, a rich moment in a fortunate place. America, somnolent, conformist and paranoid in the 1950s, was changed forever by a handful of people who refused an existence of drudgery and enterprise, opting instead for a life of personal, spiritual and artistic adventure. In these intimate, free-wheeling conversations, a baker's dozen of the poets of San Francisco talk about the scene then and now, the traditions of poetry, and about anarchism, globalism, Zen, the Bomb, the Kabbalah and the Internet. Diane di Prima, William Everson, Lawrence Ferlinghetti, Jack Hirschman, Joanne Kyger, Philip Lamantia, Michael McClure, David Meltzer, Jack Micheline, Kenneth Rexroth, Gary Snyder, Lew Welch, Philip Whalen " . . . as we begin to slip into a national slumber somewhat akin to that of the Eisenhower years, it’s exhilarating to have this squall line of Beats pass through our consciousness."—Kirkus Reviews " . . . fierce engagement executed with humor and vernacular sensitivity."—Dale Smith, Austin Chronicle David Meltzer (1937-2016) was the author of many books of poetry, including Tens, The Name, Arrows: Selected Poetry 1957-1992 and Two-Way Mirror (City Lights). He was the editor of Birth, The Secret Garden, Reading Jazz and Writing Jazz, among other collections. His agit-smut fictions include The Agency Trilogy. Meltzer read poetry at the Jazz Cellar in the 1950s and in the 1960s fronted the band, "Serpent Power."

“A lively portrait of American literature’s ‘Dirty Old Man’.” —Library Journal A former postman and long-term alcoholic who did not become a full-time writer until middle age, Charles Bukowski was the author of autobiographical novels that captured the low life—including Post Office, Factotum, and Women—and made him a literary celebrity, with a major Hollywood film (Barfly) based on his life. Drawing on new interviews with virtually all of Bukowski’s friends, family, and many lovers; unprecedented access to his private letters and unpublished writing; and commentary from Norman Mailer, Allen Ginsberg, Sean Penn, Mickey Rourke, Lawrence Ferlinghetti, R. Crumb, and Harry Dean Stanton, Howard Sounes has uncovered the extraordinary true story of the Dirty Old Man of American literature. Illustrated with drawings by Bukowski and over sixty photographs, Charles Bukowski is a must for Bukowski devotees and new readers alike. “Bukowski is one of those writers people remember more for the legend than for the work . . . but, as Howard Sounes shows in this exhaustively researched biography, it wasn’t the whole story.” —Los Angeles Times “Engaging . . . Adroit . . . revealing.” —The New York Times Book Review “A must-read for anybody who is a fan of Bukowski’s writing.” —The Globe and Mail (Toronto)

The Beats. a title that Jack Kerouac coined to define the exhausted exaltation of a generation, produced a body of works infected with a new energy. Their spontaneous, often-unedited style epitomised their own era and their famed close-knit literary community continues to inspire writers today. Barry Miles, friend and biographerof Allen Ginsberg, William Burroughs and Jack Kerouac, was there , part of the Beat Vibe. here he gathers together some of the most influential as well as the most overlooked writers of the era. He covers the writings from The Original Beats (New York 1944-53): The San Francisco Scene (1954-57) and The Second Wave (New York 1958-60) including works from Gregory Corso, John Clellon Holmes, Lawrence Ferlinghetti, Frank O'Hara, Diane di Prima and Alexander Trocchi to the king of the Beats Himself, Jack Kerouac. The result is a fascinating compendium that recaptures the unique but varied voices of the Beat generation..

An American Book Award winner’s creative memoir “traces his own family's history, as well as the long story of Hispanics in America . . . Spirited writing” (Library Journal). People who live in California deny the past, asserts Alejandro Murguía. In a state where what matters is keeping up with the current trends, fads, or latest computer gizmo, no one has the time, energy, or desire to reflect on what happened last week, much less what happened ten years ago, or a hundred. From this oblivion of memory, he continues, comes a false sense of history, a deluded belief that the way things are now is the way they have always been. In this work of creative nonfiction, Murguía draws on memories—his own and his family’s reaching back to the eighteenth century—to (re)construct the forgotten Chicano-indigenous history of California. He tells the story through significant moments in California history, including the birth of the mestizo in Mexico, destruction of Indian lifeways under the mission system, violence toward Mexicanos during the Gold Rush, Chicano farm life in the early twentieth century, the Chicano Movement of the 1960s, Chicano-Latino activism in San Francisco in the 1970s, and the current rebirth of Chicano-Indio culture. Rejecting the notion that history is always written by the victors, and refusing to be one of the vanquished, he records, and draws us into, his own California history.