Skinny Women Are Evil

Challenging America's confusing standard of beauty, a humorous look at life from the perspective of a large woman shares her own experiences as well as her thoughts on eating, sex, dating, exercise, and other topics.

Diets and dieting have concerned – and sometimes obsessed – human societies for centuries. The dieters' regime is about many things, among them the control of weight and the body, the politics of beauty, discipline and even self-harm, personal and societal demands for improved health, spiritual harmony with the universe, and ethical codes of existence. In this innovative reference work that spans many periods and cultures, the acclaimed cultural and medical historian Sander L. Gilman lays out the history of diets and dieting in a fascinating series of articles.

Fat prejudice is exploding in American society, yet even social justice advocates tend to deny fat individuals protection because fat is seen as unhealthy and permanently changeable—concepts supported by a great deal of societal belief and very little scientific evidence. Using bell hooks' ideology of domination, Lonie McMichael explores the phenomena of fat prejudice—from inception to resistance—through a rhetorical lens. Looking at the actual experiences of fat people, she argues that fat prejudice is neither acceptable nor tolerable in our society. Publishers Weekly called Acceptable Prejudice? "a useful introduction to a burgeoning movement...will make readers question their attitudes about overweight people."

Kenlaw presents the male perspective on raising daughters. Nuggets of wisdom will help readers encourage their daughters through the first 18 years of their lives. (Practical Life)

Including more than 300 alphabetically listed entries, this 2-volume set presents a timely and detailed overview of some of the most significant contributions women have made to American popular culture from the silent film era to the present day. The lives and accomplishments of women from various aspects of popular culture are examined, including women from film, television, music, fashion, and literature. In addition to profiles, the encyclopedia also includes chapters that provide a historical review of gender, domesticity, marriage, work, and inclusivity in popular culture as well as a chronology of key achievements. This reference work is an ideal introduction to the roles women have played, both in the spotlight and behind it, throughout the history of popular culture in America. From the stars of Hollywood's Golden Age to the chart toppers of the 2020s, author Laura L. Finley documents how attitudes towards these icons have evolved and how their influence has shifted throughout time. The entries and essays also address such timely topics as feminism, the #MeToo movement, and the gender pay gap.

My name is Amber Reynolds. There are three things you should know about me: 1. I’m in a coma. 2. My husband doesn’t love me anymore. 3. Sometimes I lie. Amber wakes up in a hospital. She can’t move. She can’t speak. She can’t open her eyes. She can hear everyone around her, but they have no idea. Amber doesn’t remember what happened, but she has a suspicion her husband had something to do with it. Alternating between her paralyzed present, the week before her accident, and a series of childhood diaries from twenty years ago, this brilliant psychological thriller asks: Is something really a lie if you believe it's the truth?

A brutal murder. An abundance of DNA evidence. A three-and-a-half year search for a killer who was always so close-yet untouchable. After the rape and murder of Raleigh, North Carolina, resident Stephanie Bennett, police had ample DNA evidence. They also had a suspect: the man next door. But for more than three years, he eluded them by refusing to hand over a DNA sample, wiping down anything he touched and even planting decoy samples. This is the gripping story of how a team of detectives finally tripped him up-and brought closure to an innocent young woman's family.

Despite the West's privileging of slenderness as an aesthetic ideal, the African Diaspora has historically displayed a resistance to the Western European and North American indulgence in 'fat anxiety.' The Embodiment of Disobedience explores the ways in which the African Diaspora has rejected the West's efforts to impose imperatives of slenderness and mass market fat-anxiety. Author Andrea Shaw explores the origins and contradictions of this phenomenon, especially the cultural deviations in beauty criteria and the related social and cultural practices. Unique in its examination of how both fatness and blackness interact on literary cultural planes, this book also offers a diasporic scope that develops previously unexamined connections among female representations throughout the African Diaspora.