Skunny Wundy And Other Indian Tales

Collected here are the timeless Native American fables and legends handed down by noted Seneca anthropologist Arthur C. Parker. Growing up on the Cattaraugus Indian reservation in western New York, Parker knew the importance of the storyteller in Iroquois lives. The Seneca stories of animals, whose weaknesses and strengths are suspiciously like those of human beings, held a special place for Parker, who is considered by many as one of the greatest orators in any language. Oral traditions—whether myths, legends, or folktales—are more than just “stories.” They are the way by which a society communicates to its members the order and meaning to be found in the world around them. Young adults and children, especially, will be captivated by these Seneca tales.

Born on the Seneca Indian Reservation in New York State, Arthur Caswell Parker (1881-1955) was a prominent intellectual leader both within and outside tribal circles. Of mixed Iroquois, Seneca, and Anglican descent, Parker was also a controversial figure-recognized as an advocate for Native Americans but criticized for his assimilationist stance. In this exhaustively researched biography-the first book-length examination of Parker’s life and career-Joy Porter explores complex issues of Indian identity that are as relevant today as in Parker’s time. From childhood on, Parker learned from his well-connected family how to straddle both Indian and white worlds. His great-uncle, Ely S. Parker, was Commissioner of Indian Affairs under Ulysses S. Grant--the first Native American to hold the position. Influenced by family role models and a strong formal education, Parker, who became director of the Rochester Museum, was best known for his work as a "museologist" (a word he coined). Porter shows that although Parker achieved success within the dominant Euro-American culture, he was never entirely at ease with his role as assimilated Indian and voiced frustration at having "to play Indian to be Indian." In expressing this frustration, Parker articulated a challenging predicament for twentieth-century Indians: the need to negotiate imposed stereotypes, to find ways to transcend those stereotypes, and to assert an identity rooted in the present rather than in the past.

In recent years, archaeologists and Native American communities have struggled to find common ground even though more than a century ago a man of Seneca descent raised on New York’s Cattaraugus Reservation, Arthur C. Parker, joined the ranks of professional archaeology. Until now, Parker’s life and legacy as the first Native American archaeologist have been neither closely studied nor widely recognized. At a time when heated debates about the control of Native American heritage have come to dominate archaeology, Parker’s experiences form a singular lens to view the field’s tangled history and current predicaments with Indigenous peoples. In Inheriting the Past, Chip Colwell-Chanthaphonh examines Parker’s winding career path and asks why it has taken generations for Native peoples to follow in his footsteps. Closely tracing Parker’s life through extensive archival research, Colwell-Chanthaphonh explores how Parker crafted a professional identity and negotiated dilemmas arising from questions of privilege, ownership, authorship, and public participation. How Parker, as well as the discipline more broadly, chose to address the conflict between Native American rights and the pursuit of scientific discovery ultimately helped form archaeology’s moral community. Parker’s rise in archaeology just as the field was taking shape demonstrates that Native Americans could have found a place in the scholarly pursuit of the past years ago and altered its trajectory. Instead, it has taken more than a century to articulate the promise of an Indigenous archaeology—an archaeological practice carried out by, for, and with Native peoples. As the current generation of researchers explores new possibilities of inclusiveness, Parker’s struggles and successes serve as a singular reference point to reflect on archaeology’s history and its future.

A definitive ethnological study of the Iroquois' subsistence, religious traditions, laws, and customs.

"On the Cattaraugus reservation, it was part of a child's initial training to learn why the bear lost its tail, why the chipmunk has a striped back, and why meteors flash in the sky," writes Arthur C. Parker at the beginning of Seneca Myths and Folk Tales. His blood ties to the Senecas and early familiarity with their culture led to a distinguished career as an archaeologist and to the publication in 1923 of this pioneeering work. Parker recreates the milieu in which the Seneca legends and folktales were told and discusses their basic themes and components before going on to relate more than seventy of them that he heard as a boy. Here is the magical Senecan world populated by unseen good and evil spirits, ghosts, and beings capable of transformation. Included are creation myths; folktales involving contests between mortal youths and assorted powers; tales of love and marriage; and stories about cannibals, talking animals, pygmies, giants, monsters, vampires, and witches.