Slaves Of The Death Spiders

This new collection of critical essays on science fiction and fantasy literature and media features the following pieces: "Slaves of the Death Spiders: Colin Wilson and Existential Science Fiction," "Is There No Balm in Gilead? The Woeful Prophecies of Margaret Atwood's The Handmaid's Tale," "A Few More Crocodile Tears?" "The Adventures of Lord Horror Across the Media Landscape," "Filling in the Middle: Robert Silverberg's The Queen of Springtime," "Rice's Relapse: Memnoch the Devil," "Field of Broken Dreams: Michael Bishop's Brittle Innings," "The Magic of the Movies," "H. G. Wells and the Discovery of the Future," "The Many Returns of Dracula," "Tarzan's Divided Self," "Sympathy for the Devil: Jacques Cazotte's The Devil in Love," "The Two Thousand Year Odyssey: George Viereck's Erotic Odyssey," and "The Profession of Science Fiction" (an autobiography). Brian Stableford is the bestselling writer of 50 books and hundreds of essays, including science fiction, fantasy, literary criticism, and popular nonfiction. He lives and works in Reading, England. ISBN 0-8095-0910-5 (cloth) ] ISBN 0-8095-1910-0 (paper)

Acclaimed author and scholar Brian Stableford turns his penetrating mind to matters of science fiction, fantasy, and horror in this collection of essays. He covers such diverse topics as: SLAVES OF THE DEATH SPIDERS: Colin Wilson and Existentialist Science Fiction IS THERE NO BALM IN GILEAD?: The Woeful Prophecies of Margaret Atwood's The Handmaid's Tale A FEW MORE CROCODILE TEARS?: Gwyneth Jones THE ADVENTURES OF LORD HORROR: Across the Media Landscape FILLING IN THE MIDDLE: Robert Silverberg's The Queen of Springtime RICE'S RELAPSE: Memnoch the Devil FIELD OF BROKEN DREAMS: Michael Bishop's Brittle Innings THE MAGIC OF THE MOVIES H. G. WELLS AND THE DISCOVERY OF THE FUTURE THE MANY RETURNS OF DRACULA TARZAN'S DIVIDED SELF SYMPATHY FOR THE DEVIL: Jacques Cazotte's The Devil in Love THE TWO THOUSAND YEAR QUEST: George Viereck's Erotic Odyssey THE PROFESSION OF SCIENCE FICTION

Provides an introduction to American pulp fiction during the twentieth century with brief author biographies and lists of their works.

White slavery, the loathsome traffic in women's bodies-and souls-was stripping America of wives, sisters and sweethearts. Richard Wentworth, valiant champion of human rights, knew that an Oriental master criminal was captaining the slavery syndicate, guessed the unspeakable purpose behind those wholesale abductions. But with Nita hopelessly lost, with G-men harrying him relentlessly, can the Spider outwit his most formidable foeman and save America's doomed womanhood?

The psychologist may appear in science fiction as the herald of utopia or dystopia; literary studies have used psychoanalytic theories to interpret science fiction; and psychology has employed science fiction as an educational medium. Science Fiction and Psychology goes beyond such incidental observations and engagements to offer an in-depth exploration of science fiction literature's varied use of psychological discourses, beginning at the birth of modern psychology in the late nineteenth century and concluding with the ascendance of neuroscience in the late twentieth century. Rather than dwelling on psychoanalytic readings, this literary investigation combines with history of psychology to offer attentive textual readings that explore five key psychological schools: evolutionary psychology, psychoanalysis, behaviourism, existential-humanism, and cognitivism. The varied functions of psychological discourses in science fiction are explored, whether to popularise and prophesy, to imagine utopia or dystopia, to estrange our everyday reality, to comment on science fiction itself, or to abet (or resist) the spread of psychological wisdom. Science Fiction and Psychology also considers how psychology itself has made use of science fiction in order to teach, to secure legitimacy as a discipline, and to comment on the present.

This new collection gathers together 45 of Stableford's best critical reviews on works of science fiction, fantasy, horror, decadent literature, and nonfiction books about these topics. His comments are witty, intelligent, and full of insight. Complete with comprehensive index.

This comprehensive bibliography covers writings about vampires and related creatures from the 19th century to the present. More than 6,000 entries document the vampire's penetration of Western culture, from scholarly discourse, to popular culture, politics and cook books. Sections by topic list works covering various aspects, including general sources, folklore and history, vampires in literature, music and art, metaphorical vampires and the contemporary vampire community. Vampires from film and television--from Bela Lugosi's Dracula to Buffy the Vampire Slayer, True Blood and the Twilight Saga--are well represented.