Slay Them Not Twelfth Century Christian Jewish Relations And The Glossed Psalms

In "Slay them not", Linda Stone focusses on the existence and use of anti-Jewish polemic, and its roots, present in the three closely-linked twelfth-century glosses on the Psalms, written by Anselm of Laon, Gilbert of Poitiers and Peter Lombard.

This new and revised edition of Christian–Jewish Relations 1000–1300 expands its survey of medieval Christian–Jewish relations in England, Spain, France and Germany with new material on canon law, biblical exegesis and Christian–Jewish polemics, along with an updated Further Reading section. Anna Sapir Abulafia’s balanced yet humane account analyses the theological, socio-economic and political services Jews were required to render to medieval Christendom. The nature of Jewish service varied greatly as Christian rulers struggled to reconcile the desire to profit from the presence of Jewish men and women in their lands with conflicting theological notions about Judaism. Jews meanwhile had to deal with the many competing authorities and interests in the localities in which they lived; their continued presence hinged on a fine balance between theology and pragmatism. The book examines the impact of the Crusades on Christian–Jewish relations and analyses how anti-Jewish libels were used to define relations. Making adept use of both Latin and Hebrew sources, Abulafia draws on liturgical and exegetical material, and narrative, polemical and legal sources, to give a vivid and accurate sense of how Christians interacted with Jews and Jews with Christians.

An examination of how the Jews—real and imagined—so challenged the Christian majority in medieval Europe that it became a society that was religiously and culturally antisemitic in new ways In medieval Europe, Jews were not passive victims of the Christian community, as is often assumed, but rather were startlingly assertive, forming a Jewish civilization within Latin Christian society. Both Jews and Christians considered themselves to be God’s chosen people. These dueling claims fueled the rise of both cultures as they became rivals for supremacy. In How the West Became Antisemitic, Ivan Marcus shows how Christian and Jewish competition in medieval Europe laid the foundation for modern antisemitism. Marcus explains that Jews accepted Christians as misguided practitioners of their ancestral customs, but regarded Christianity as idolatry. Christians, on the other hand, looked at Jews themselves—not Judaism—as despised. They directed their hatred at a real and imagined Jew: theoretically subordinate, but sometimes assertive, an implacable “enemy within.” In their view, Jews were permanently and physically Jewish—impossible to convert to Christianity. Thus Christians came to hate Jews first for religious reasons, and eventually for racial ones. Even when Jews no longer lived among them, medieval Christians could not forget their former neighbors. Modern antisemitism, based on the imagined Jew as powerful and world dominating, is a transformation of this medieval hatred. A sweeping and well-documented history of the rivalry between Jewish and Christian civilizations during the making of Europe, How the West Became Antisemitic is an ambitious new interpretation of the medieval world and its impact on modernity.

In Jews in Medieval Christendom: Slay Them Not, a diverse group of international scholars from various disciplines considers Jewish/Christian relations in medieval Europe, based on St. Augustine's interpretation of Psalm 51:11: "Slay them not, lest my people forget".

The Religious Polemics of the Muslims of Late Medieval Christian Iberia examines the corpus of polemical literature against the Christians and the Jews of the protected Muslims (Mudejars) preserved in Arabic and in Aljamiado (Spanish in Arabic characters).

Examines the ways in which religion was constructed as a category and region of experience in nineteenth-century literature and culture.

Contents1 Introduction: The Dismantling and Reassembling of the Categories of New Testament Scholarship2 Kerygma and History in the New Testament3 LOGOI SOPHON: On the Gattung of Q4 GNOMAI DIAPHOROI: The Origin and Nature of Diversification in the History of Early Christianity5 One Jesus and Four Primitive Gospels6 The Structure and Criteria of Early Christian Beliefs7 The Johannine Trajectory8 Conclusion: The Intention and Scope of Trajectories

The Stammheim Missal is one of the most visually dazzling and theologically ambitious works of German Romanesque art. Containing the text recited by the priest and the chants sung by the choir at mass, the manuscript was produced in Lower Saxony around 1160 at Saint Michael's Abbey at Hildesheim, a celebrated abbey in medieval Germany. This informative volume features color illustrations of all the manuscript's major decorations. The author surveys the manuscript, its illuminations, and the circumstances surrounding its creation, then explores the tradition of the illumination of mass books and the representation of Jewish scriptures in Christian art. Teviotdale then considers the iconography of the manuscript's illuminations, identifies and translates many of its numerous Latin inscriptions, and finally considers the missal and its visually sophisticated and religiously complex miniatures as a whole.