Small Game Hunting At The Local Coward Gun Club

#1 National Bestseller Finalist, CBC Canada Reads Finalist, Scotiabank Giller Prize By turns savage, biting, funny, poetic, and heartbreaking, Megan Gail Coles’s debut novel rips into the inner lives of a wicked cast of characters, exposing class, gender, and racial tensions over the course of one Valentine’s Day in the dead of a winter storm. Valentine’s Day, the longest day of the year. A fierce blizzard is threatening to tear a strip off the city, while inside The Hazel restaurant a storm system of sex, betrayal, addiction, and hurt is breaking overhead. Iris, a young hostess, is forced to pull a double despite resolving to avoid the charming chef and his wealthy restaurateur wife. Just tables over, Damian, a hungover and self-loathing server, is trying to navigate a potential punch-up with a pair of lit customers who remain oblivious to the rising temperature in the dining room. Meanwhile Olive, a young woman far from her northern home, watches it all unfurl from the fast and frozen street. Through rolling blackouts, we glimpse the truth behind the shroud of scathing lies and unrelenting abuse, and discover that resilience proves most enduring in the dead of this winter’s tale.

Named after a local word meaning “soaked through” or “weighed down,” Scotiabank Giller Prize finalist Megan Gail Coles’s debut poetry collection, Satched, is a vivid portrait of intergenerational trauma, ecological grief, and late-stage capitalism from the perspective of a woman of rural-remote, Northern, working class, mixed ancestry. Honest, penetrating, and often darkly comic, these poems explore the extraordinary will it requires to stay alive in the face of economic precariousness, growing inequality, and prevailing dissatisfaction. With a fierce dedication to place, the collection explores the conflict inherent to individualistic priorities and collective needs present in a hyper-commodified Newfoundland and Labrador. Satched demands compassionate advocacy for all as it resolutely strives for clarity and acceptance while celebrating the momentary glimpses of joy in the path toward shared values and resilience.

"A love story at its core, though one without an ending written in the stars. . . . Timely and insightful." --Karma Brown, #1 bestselling author of Recipe for a Perfect Wife For fans of Joanne Ramos, Josie Silver, and Emily Giffin, a gripping and powerful story that asks: Just how much are you willing to forgive in the name of love? Brooke has long been caught in the orbit of Derek, a rising political superstar. First he was her boss, then they were friends and she became his confidant, the one person he shared everything with. And even though she had feelings for him--it was hard to resist; he's charming and handsome, respected and beloved--she never dreamed he'd feel the same way. Derek is so much older and could have anyone he wanted. But it turns out that who Derek wants is Brooke, and suddenly none of the reasons they shouldn't be together matter. They fall in love. And even though Brooke has to keep the relationship a secret--stealing weekends away with him, late nights with takeout after long days at work, and business trips that are always a romantic whirlwind--being close to him and her dreams of their future make everything worth it. Then it all falls apart, and Brooke is left holding the pieces of the life they'd shared. Derek becomes embroiled in a scandal--the kind Brooke never could have imagined he'd be involved in--and she is forced to re-examine their relationship and make sense of the man she loves. Poignant, heart-stopping, and resonant, Waiting for a Star to Fall is a story about love, the things we choose to believe, and how sometimes the path to happily ever after has to start with ourselves.

"A remarkable debut about intergenerational female relationships and resistance found in the unlikeliest of places, We, Jane explores the precarity of rural existence and the essential nature of abortion. Searching for meaning in her Montreal life, Marthe begins an intense friendship with an older woman, also from Newfoundland, who tells her a story about purpose, about a duty to fulfill. It's back home, and it goes by the name of Jane. Marthe travels back to a small town on the island with the older woman to continue the work of an underground movement in 60s Chicago: abortion services performed by women, always referred to as Jane. She commits to learning how to continue this legacy and protect such essential knowledge. But the nobility of her task and the reality of small-town, rural life compete, and personal fractures in the small movement become clear. We, Jane probes the importance of care work by women for women. It underscores the complexity of relationships in close circles, and beautifully captures the inevitable heartache of understanding home. From a celebrated translator of cutting-edge fiction, this is Red Clocks meets Women Talking; a quiet, compelling novel about the magnitude of women's friendships and connection--individually and across eras."--

BOOKER PRIZE WINNER • NATIONAL BESTSELLER • A novel that follows a middle-aged man as he contends with a past he never much thought about—until his closest childhood friends return with a vengeance: one of them from the grave, another maddeningly present. A novel so compelling that it begs to be read in a single setting, The Sense of an Ending has the psychological and emotional depth and sophistication of Henry James at his best, and is a stunning achievement in Julian Barnes's oeuvre. Tony Webster thought he left his past behind as he built a life for himself, and his career has provided him with a secure retirement and an amicable relationship with his ex-wife and daughter, who now has a family of her own. But when he is presented with a mysterious legacy, he is forced to revise his estimation of his own nature and place in the world.

Winner of the 2021 Alberta Literary Awards’ George Bugnet Award for Fiction Shortlisted for the 2021 ReLit Award for Fiction A Casual Optimist Book Cover of Note An exciting debut novel told in connected short stories that captures the diverse and complicated networks of people who stretch our communities—sometimes farther than we know. Set in the cities, reserves, and rural reaches of Alberta, Katie Bickell’s debut novel is told in a series of stories that span the years from 1990 to 2016, through cycles of boom and bust in the oil fields, government budget cuts and workers rights policies, the rising opioid crisis, and the intersecting lives of people whose communities sometimes stretch farther than they know. We meet a teenage runaway who goes into labour at the West Edmonton Mall, a doctor managing hospital overflow in a time of healthcare cutbacks, a broke dad making extra pay through a phone sex line, a young musician who dreams of fame beyond the reserve, and a dedicated hockey mom grappling with sense of self when she’s no longer needed—or welcome—at the rink. Always Brave, Sometimes Kind captures a network of friends, caregivers, in-laws, and near misses, with each character’s life coming into greater focus as we learn more about the people around them. Tracing alliances and betrayals from different perspectives over decades, Bickell writes an ode to home and community that is both warm and gritty, well-defined and utterly complicated.

From internationally acclaimed author Joseph Boyden comes an astonishingly powerful novel of contemporary Aboriginal life, full of the dangers and harsh beauty of both forest and city. When beautiful Suzanne Bird disappears after moving to the city, her sister Annie, a loner and hunter, is compelled to go in search of her. To follow her sister's trail, Annie must leave behind their uncle, Will, a man haunted by loss. While Annie travels from Toronto to New York, from modelling studios to A-list parties, Will encounters dire troubles. Both eventually come to painful discoveries about the inescapable ties of family. Winner of the 2008 Giller Prize, Through Black Spruce is an utterly unforgettable consideration of how we discover who we really are.

WINNER OF THE SCOTIABANK GILLER PRIZE A hilarious, surprising and poignant love story about the way families are invented, told with the savvy of a Zadie Smith and with an inventiveness all Ian Williams' own, Reproduction explores unconventional connections and brilliantly redefines family. Felicia and Edgar meet as their mothers are dying. Felicia, a teen from an island nation, and Edgar, the lazy heir of a wealthy German family, come together only because their mothers share a hospital room. When Felicia's mother dies and Edgar's "Mutter" does not, Felicia drops out of high school and takes a job as Mutter's caregiver. While Felicia and Edgar don't quite understand each other, and Felicia recognizes that Edgar is selfish, arrogant, and often unkind, they form a bond built on grief (and proximity) that results in the birth of a son Felicia calls Armistice. Or Army, for short. Some years later, Felicia and Army (now 14) are living in the basement of a home owned by Oliver, a divorced man of Portuguese descent who has two kids--the teenaged Heather and the odd little Hendrix. Along with Felicia and Army, they form an unconventional family, except that Army wants to sleep with Heather, and Oliver wants to kill Army. Then Army's fascination with his absent father--and his absent father's money--begins to grow as odd gifts from Edgar begin to show up. And Felicia feels Edgar's unwelcome shadow looming over them. A brutal assault, a mortal disease, a death, and a birth reshuffle this group of people again to form another version of the family. Reproduction is a profoundly insightful exploration of the bizarre ways people become bonded that insists that family isn't a matter of blood.